Saratoga After Dark: Saratoga’s Spirit Comes To Life At Trask Art Show

Juried art show and fundraiser for the Saratoga Springs Preservation Foundation held on Oct. 5.

Trask Art Show
Johane Gareau is featured in the painting of the Canfield Casino by artist Jerolyn Quimet, who won Best in Show. (Cathleen Duffy)

The past, present and future were on display at the 2017 Trask Art Show & Sale at Canfield Casino in Congress Park.

The juried art show and fundraiser for the Saratoga Springs Preservation Foundation on Oct. 5 was held during the apex of our remarkably balmy Indian Summer. Women in sleeveless dresses, men in shorts, children playing ball and feeding the ducks (despite the signs) filled the city’s 17-acre backyard.

Famed landscape artist Frederick Law Olmstead helped create the basin-shaped park, with its mineral springs, Grecian pavilions and stunning Spirit of Life fountain—a memorial to Spencer Trask added in 1915 and restored by the SSPF a century later.

The park is at its best when the swelter of summer passes and autumn’s amber leaves peep out.

Carolyn Walker, art show judge Takeyce Walter and co-chair Betsy Olmsted. (Cathleen Duffy)

The three-story Canfield Casino building, erected in 1870, crowns the park, with its bracketed cornice and stately rooms. (Inquiring minds can report to the Saratoga Springs History Museum, conveniently housed inside, and learn about the gamblers, ghosts and gangsters who’ve haunted its hallways.)

And that’s why everyone was here. The Trask Art Show benefits ongoing efforts to maintain and restore the beauty of the town and share its story and treasures for years to come.

“Nearly 60 artists participated this year and over 50 of the works sold,” Nicole Babie, membership and programs coordinator for SSPF, said. “The event was a success, and we’ve received wonderful feedback from both the artists and attendees.”

Artists were invited to submit works that interpreted the spirit of life in Saratoga Springs by directly addressing local history, architecture, culture, preservation and concepts of philanthropy. The judges were Saratoga Arts founder Delores “Dee” Sarno and contemporary landscape artist Takeyce Walter.

Chuck Miller created his “Spirit of Saratoga” sculpture with old Saratoga Vichy Water bottles he bought on eBay. (Cathleen Duffy)

A printmaker, Betsy Olmsted (her work has been featured in HGTV Magazine, House Beautiful and Saratoga Living), and photographer Elizabeth Pedinotti Haynes (whose work has appeared in this magazine and many others) co-chaired the evening.

As the band Tanager played, the open bar flowed and delicious appetizers were passed, attendees took in the paintings, photographs, prints, drawings and mixed-media sculptures. Ballerinas, horses and stunning landscapes dominated.

One of the more memorable items included Jerolyn Ouimet’s “At the Canfield Casino,” which recreated the very room it was displayed in, with soft pastels. The effect was shimmering and Klimt-like, and throughout the night, attendees were drawn to its quiet but gilded beauty.

One eye-magnet — equal parts delightful, fun and intellectually stimulating — was Chuck Miller’s “Spirit of Saratoga,” a sculpture featuring old bottles of Saratoga Vichy Water (he got them on eBay) and a wooden Vichy crate circa 1960 (from a local antique store), all of it wired with a flashing light display.

Was it subtle? Would I want it in my living room? No, but I wouldn’t want Marcel Duchamp’s “Fountain” (1917) there either. And like Duchamp and his conceptual art, the piece evokes the subject (in his case, the spirit of Saratoga) literally and metaphorically and is just good, smart fun.

In addition to many of the artists, the judges and organizers of the event, most of SSPF’s board, Assemblywoman Carrie Woerner, Mayor Joanne Yepsen, Supervisor Matt Veitch (who also came wearing his SSPF board president hat), Supervisor Peter Martin and Commissioner of Public Works Skip Scirocco attended to support Saratoga’s past, present and future.

The evening was a closed loop in the best way: it paid homage to the past while funding the future of the storybook town we’ve been lucky to find ourselves in and must preserve for future generations.

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