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Share Your ‘Birth Stories’ at the Tang Museum

Do you have an interesting story about giving birth? Or maybe one about watching a baby come into the world?

On Nov. 15 at 5:30 p.m., the Tang Teaching Museum and Art Gallery at Skidmore College is inviting people to share their experiences at a program called Birth Stories.

Part of a greater exhibit, Birthing Bodies, the program focuses in on the fact that giving birth and being born is a lesson in reciprocity—about “being with” and “from” other people.

The discussion will be moderated by Skidmore student Laila Morgan, curator of Birthing Bodies. Author M.B. Antevasin will also read from her book The Birth of Magdalena: A Journey Towards Healing in Three Trimesters.

Visitors may bring objects, such as photos or drawings, to help tell their stories. Babes in arms are also welcome.

Admission is free. For more info, call (518) 580-8080 or visit the Tang’s website.

Don Byron Jazzes Up Schenectady

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The Whisper Dome in Schenectady was the place to be on Nov. 3, as the 31th season of A Place for Jazz came to a joyful close with Don Byron, a composer, educator, and musician who is known for his adventurous and eclectic presentation.

Before the concert, someone posed the question of which Byron would show up: “Ivey-Divey Byron? Klezmer Byron? Free Association Byron?” The answer was none of them. His concert was a solid, balanced evening of bangin,’ fun and music.

Byron was mostly on clarinet, but also on tenor sax, sometimes both on the same tune. He was backed by a solid band — Kris Davis on piano, bassist Cameron Brown and Bruce Cox on drums — that met him comfortably wherever in the canon he wandered, which made for a relaxing but no less exciting experience.

Kris Davis, Don Byron and Bruce Cox. (Susan Brink)

There was a bit of George Russell, Li’l Abner, Lester Young and Lorraine Hansberry brought into the mix and tales from history and jazz history woven in. Whether he was singing a cover of a tune made famous by Hank Williams, complete with a yodeling vocal or getting the audience clapping to Bert Kaempfert’s That Happy Feeling, which was the theme song for Sandy Becker’s TV show in New York City in the 1950s and 1960s (a childhood favorite of mine), it was Byron at his irrepressible best.

Byron visited Robert Aronstein’s Jazz Band class at Oneida Middle School in Schenectady during the afternoon before heading to the Whisperdome at the Unitarian Universalist Society of Schenectady. At the refreshment break between the evening sets, the audience was entertained with their version of Mercy, Mercy, Mercy, Joe Zawinul’s 1966 hit for Cannonball Adderley.

And another great night, after a great season of jazz.

For more info, visit aplaceforjazz.org.

‘Mad Men’ Creator to Discuss New Novel at Skidmore

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Matthew Weiner, the Emmy Award-winning writer, producer, director and creator of the popular television series Mad Men, will discuss his debut novel at Skidmore College Nov. 11 at 7:30 p.m. Part of the “Yaddo Presents” series, an ongoing collaboration between the world-famous artist retreat and Northshire Bookstore, Weiner will be interviewed by Yaddo President Elaina Richardson on the Gannett Auditorium stage in Palamountain Hall.

Weiner wrote his novel, titled Heather, the Totality, at Yaddo and Richardson says she looks forward to the interview.

“When [Weiner] was in residence at Yaddo in 2015 we had a chance to talk about Heather in its earliest stage,” Richardson says. “And now that I’ve read it, I have so many questions for him!”

The book has been described by Pulitzer Prize-winning author Michael Chabon as “a tour de force of control, tone and razor-slash insight.” It has been named a must-read book for fall by Huffington Post, USA Today, Oprah.com and the NY Post.

The story follows the idyllic life of Mark and Karen Breakstone, whose wealth and status have been made complete by their extraordinary daughter, Heather. But when an unstable stranger enters, the comfortable life they have created is threatened.

Tickets are required for the event and can be purchased in person at Northshire Bookstore, by phone at (518) 682-4200 or online at northshire.com. VIP tickets, which include a private reception with the author, are available through a donation to Yaddo at yaddo.org.

‘Touched By An Angel’ Draws Big Crowd for Community Hospice

The National Museum of Dance was filled with more than 450 attendees for Community Hospice’s 22nd annual “Touched By an Angel” benefit on Thursday, Oct. 19. Upon arriving, guests were greeted by young women in angel outfits and handed a map with the locations of 20 restaurant, food and beverage providers – a culinary cross section of the community, organized each year by Tony Panza of Panza’s Restaurant.

Guests were invited to stop by the Memory Tree to obtain an angel memento, enjoy champagne and sample offerings, from aperitif to dessert, placed throughout the Dance Museum’s Rotunda, Hall of Fame, and North and Southeast Galleries. One could not walk more than five paces in any direction without being tempted by offerings from old favorites, to new discoveries.

Community Hospice’s Barbara Ecker has helped to organize the last 20 of these annual events. “When I came in year three, we had a nice tight list of a handful of restaurants, and the in-kind donor list filled about a page,” she said. “Now we have 32 pages, with 10 of them just restaurants and food purveyors alone!”

Guests sampled offerings from the Hall of Springs, Kraverie, Mama Mia’s / Bravo, Omelette King, PJ’s BAR-B-QSA, Saratoga Golf and Polo Club, Saratoga Spring Water, Wishing Well, Backstretch Barbeque, Ben & Jerry’s, Brown’s Brewing Co., DZ Restaurants, Longfellows, Olde Bryan Inn, Panza’s, Parkside Eatery, Chez Pierre, Mexican Connection and Saratoga Juice Bar.

Preliminary totals showed that donations of $98,000 had already been received in-house, with money still coming in – so topping $100,000 in proceeds from this year’s benefit is a virtual certainty.

The angels among us that evening were a smile-inducing, powerful reminder of the reason why people mark this event on their calendars far in advance, year after year. Community Hospice, located at 179 Lawrence St. in Saratoga Springs, serves more than 4,300 seriously ill patients and their families every year.

“The elderly, terminally ill and dying are among the most vulnerable people in our society,” the Community Hospice website reads. “Incredible advances in medical care and social services haven’t ended the tragedy of people dying alone or in pain.”

Meeting the needs of the vulnerable is the organization’s goal. Its mission statement: “The Community Hospice serves seriously ill people and their families during the process of dying and grieving. We enhance quality of life with comprehensive, compassionate services that respect the dignity of those we serve.”

As guests departed, they were handed a single white rose that delicately reminded all about that vulnerability. The good will that was imparted that night still lingers.

For more information about Community Hospice, visit communityhospice.org or call (518) 581-0800.

Revisiting the 2015 Trask Memorial Restoration Project

Editor’s note: As the Saratoga Springs Preservation Foundation celebrates its 40th anniversary, Saratoga Living looks back at how the city and its citizens worked together to preserve Saratoga’s rich heritage and restore its historic landmarks. In 1917, sculptor Daniel Chester French returned to visit Saratoga and his 1915 masterwork, The Spirit of Life. 100 years later, we revisit the 2015 Trask Memorial Restoration Project with new perspectives.

“We Are Wrecking Congress Hall Hotel,” read the Security Steel & Iron Company’s ad in The Saratogian during November 1912, “and have for sale planks, timber, lumber, windows, doors, sewer pipe, water pipe, gas pipe….” Hoping to purchase the soon-to-be-empty hotel parcel and add it to Congress Park, the village of Saratoga Springs engaged in several years of litigation for unpaid taxes against the owners, the Clement estate. Spencer Trask’s vision for Saratoga as a premiere spa resort hung in the balance. For Saratoga to be competitive with elegant European spa towns like Carlsbad or Baden-Baden entailed more than the ever-flowing healing waters: it required a beautiful city park steps away from mineral baths and lodgings downtown. The hotel’s condition had deteriorated since its bankruptcy in 1904. Mrs. Katrina Trask lamented that “the Park, which should have been a place of green pastures and refreshment,” was instead “capped by the unsightly, dilapidated Congress Hall.”

Imagine standing in front of today’s Visitor Center and looking towards the Arts Council building. In 1911, you would have seen the Congress Hall Hotel.

Aiming to become “the most beautiful spot on the continent,” the village hired eminent landscape architect Charles Warren Leavitt, Jr. in 1912 to map out a landscaping plan for the new and larger Congress Park. The hotel had a sunken rear courtyard in which grew several tall elms. It was Leavitt’s idea to try “to make the most of the natural advantages, the different levels and retaining walls of the Hotel, the trees now in centre court.” In early 1913, three years after Spencer Trask was killed in a train accident, George F. Peabody and Katrina Trask chose a team consisting of sculptor Daniel Chester French and architect Henry Bacon for the Spencer Trask Memorial, by then planned for that northwest park corner. French, Bacon and Leavitt approached the rocky lot as a blank canvas. “They gave us this entirely unimproved plot of ground and permitted [us] to treat it as we saw fit,” French happily recounted; “I flatter myself that the result is sufficient indication of this way of doing things.” The street and lower courtyard levels of the Hotel became the two levels of the Memorial; the courtyard elms remained. It would be August 30, 1913, before the village legally took possession of the parcel for $50,000 less $25,000 in back taxes. The land appeared deceptively clean, for once Security Steel had taken the Hotel down to piles of debris, the village allowed all remaining waste material to be dumped into the cellars.

View of the rubble of Congress Hall in the summer of 1913, looking north from the Congress Spring. Note remnants of the hotel’s rear walls.
A 1914 view of the Trask Memorial, completed except for The Spirit of Life. Leavitt saved the mature elms, visible in the foreground, from the Congress Hall courtyard.

Jimmy Capobianco, project manager/estimator for Midstate Industries, who acted as general contractor for all on-site 2015 Trask Memorial restoration work except the central pool with its niche and statue, recalls discovering the Congress Hall remains “within the first day… only buried 16 inches below the ground, maybe less in some areas…that definitely put on I would say 25% [in labor hours].” Site Lead JC McCashion recalls, “pretty much seven days a week I was running one of the trucks to keep up” with the need to haul off thousands of rocks and bricks to enable digging trenches for the wiring and sidewalks in time for the 100th Anniversary Dedication on June 26, 2015. The project had been publicly posted for bid by the City with only one response, from Midstate. Much of the 2015 Restoration material — landscape shrubs, concrete, sod, the iron gate to the Arts Council — was donated, which limited profit for the contractor; the nearly $750,000 project required knitting together a complex 50/50 partnership between the City and the Saratoga Springs Preservation Foundation. “We stepped up for Debbie [Assistant City Engineer Deb LaBreche, who managed the project for the City],” Jimmy recalls, citing “other work we’ve done with her, she’s always right there to take care of our needs.” JC remembers, “the schedule overwhelmed everybody, not only ourselves, but the other agencies.”

In 2015, truckloads of stones and bricks from Congress Hall had to be removed in order to set vertical concrete lamppost bases like this one (front left) on the path near the Casino pond. Beyond, The Spirit of Life is wrapped in protective plastic.

The idea for the Trask Memorial Restoration first arose in 2010 out of concern for the safety of the memorial under its aging white pines. Samantha Bosshart, executive director of the Saratoga Preservation Foundation, recalls that the scope of the project expanded when “[landscape architect] Martha Lyon’s research showed that Leavitt’s plan was for that whole northwest quadrant.” Martha recalls the complexity of working with Leavitt’s original map, found hidden in City Hall, as “some of the plant species do not exist today… [while] other plant species are invasive and best practice does not condone use of them.” Additionally, several unusual trees near the memorial had been donated to the park by local citizens over the past twenty years: a juneberry, Kentucky yellowwood, star magnolia, eastern redbud, flowering dogwood, purple weeping beech, and Kentucky coffee tree. Most donated trees are given in memoriam; forester Rick Fenton helps to choose and artfully plant these sentimental reminders across the park landscape. Martha kindly incorporated them into the restoration plan.

Detail of Charles W. Leavitt’s “Plantings Plan for Congress Hall Park” dated May 5, 1914, showing the oval above the Trask Memorial pool with all evergreen trees highlighted in green except for white pines, which are highlighted in pink.

In Leavitt’s day, mature elms formed most of the tree-scape of the park. Elms lined Broadway and Spring Street; a curved row of elms dotted along the brook in front of the Casino; elms encircled the large lawn below the Congress Spring. Their limbless lower trunks and high sprays of curved leafy branches shaded the pond beyond Deer Park Spring so distinctly that it was called “The Shadowing Pool” in Katrina’s memorabilia. Leavitt, French and Bacon planned a radical departure for the tree-scape on the upper level of the Trask Memorial: 59 evergreen trees, spaced irregularly across the oval between the paths. Forty-seven of these trees would mature to 50+ feet: white, Austrian, and scotch pines; blue spruce, and hemlock. The remaining 12 cedars and arborvitae would reach around 25 feet. Eighteen white pines, nearly a third of the total, made a solid row along the top of the masonry wall, thus forming the statue’s visual backdrop. As beautiful and welcoming as is today’s open landscape, this very different historic plan, a “combined effort” of the three designers, is worthy of note — especially in its display of the many-layered ideals cherished by the Ladye of Yaddo, as Katrina Trask was affectionately known. The quest to understand this pocket-sized forest in the heart of downtown Saratoga requires a trip back in time, out Union Avenue to the great Yaddo estate.

Hotel Concert for Hurricane Relief in Puerto Rico and Virgin Islands

The Israel family, owners of The Inn at Saratoga, hosted a benefit concert for hurricane relief for the U.S. Virgin Islands and Puerto Rico that raised more than $10,000. About150 guests, including some who traveled from as far as Minnesota, came to support the event on Sunday, Oct. 15, 2017, at the family’s hotel on Broadway. Proceeds were split between The Giving Circle in Saratoga Springs and My Brother’s Workshop charity in the Virgin Islands. My Brother’s Workshop has made more than 10,000 meals for hurricane victims with the help of volunteers and donations. The Giving Circle recently sent two truckloads of supplies to Houston and Florida, among other relief efforts.

The owners of the Inn at Saratoga have close personal ties to St. Thomas, the gateway isle of the Virgin Islands, as they also own Mafolie Hotel and Restaurant on the island. Elizabeth Israel said her brother and family were displaced and have finally made it here to Saratoga. With all the devastation that occurred on the islands, the family wanted to help. They reached out to The Sun Mountain Band, featuring fiddler Dick Solberg, who has entertained in the U.S., St. Thomas and abroad for more than 38 years. Many musicians who have played with Solberg in the Caribbean over the years came to perform at the event, giving it a truly St. Thomas feel. The performers shared the stage with Tim Wechgelaer, Chris Carey, Mike O’Donnell and Becky Walton, to name a few.

Musician Rob Johanson, the only accordion player on the entire island of St. John, spoke briefly to the guests about the state of the island, which is about four miles from St. Thomas. Electricity isn’t expected to return until January, and 90-degree days have made day-to-day activities almost unbearable. He said the Red Cross has been on the ground helping people with health and personal issues, serving over 1,000 meals a day. Restaurants are feeding people at no cost to make sure everyone has at least one meal per day. Roads are still flooded and many boats have sunk, leaving very few left on the Island. Miraculously, no land deaths occurred during the storm.

Despite the devastation, the people of St. Thomas and St. John have pulled together, working side by side to rebuild their communities. Music has been a very huge part of those communities, bringing people together to heal.

If you would like to donate to the relief and reconstruction efforts, visit mybrothersworkshop.org and thegivingcircle.org.

Identity Fashion Show at New York State Museum Pushes Boundaries

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Individualism prevailed at the Identity Fashion Show held in July by the Electric City Couture. Designers, models, makeup artists, stylists, photographers and the creative community gathered at the New York State Museum in Albany for an innovative evening that explored personal identity and fashion nonconformity.

The evening began with designer Olga Papkovitch (PopImpressKA of Manhattan) and her flirty, fun collection featuring her original artwork printed on flowing silk pieces. Her collection conformed to more traditional fashion expectations — unique, elegant and sophisticated.

Inspired by the natural beauty of the Adirondacks, artisan designer Marjolaine Arsenault (Marjolaine’s Touch of Chestertown) sent her models down the runway in hand-dyed silk and wool fiber creations rich in vibrant earth tones. Her contemporary pieces of reversible wearable art featured multiple items that were non-gender-specific.

Designer Megan Kluball of Clifton Park created a stark contrast with her simply cut statement pieces. Impacted early in life by the desire to break from gender-specific clothing, her clothing questioned conformity and featured bold phrases generating dialogue between wearers and observers.

The evening was capped with night-life designer Adam Van Buren of Albany who draws his inspiration from drag queens, music, yoga, dance and Albany architecture. His wild outfits and headpieces push the boundaries of fashion by combining fabrics and patterns in unlikely combinations that make bold statements around sexuality, religion and gender fashion rules. Attendees were left no longer thinking about what pieces were feminine or masculine but rather what pieces spoke to their own identities.

Corey Aldrich, ECC founder and producer, shared that this year’s show evolved out of last year’s Shattered Fashion Show after an attendee inquired about the gender of performer Sybil Syrvice. Influenced by this question and the current national dialogue around identity, Aldrich asked himself, “Does it really matter how someone chooses to identify?” Believing that we each possess our own unique talents and skills, he was inspired to focus on using fashion to stimulate this conversation.

Electric City Couture was launched in 2010 at Proctor’s Theater in Schenectady as an outgrowth of an art night initiative. In recent years, the event relocated to Universal Preservation Hall in Saratoga Springs. One of the challenges has been to evolve and create new themes, venues and experiences. This year’s show was held at the NYS Museum in Albany as UPH is undergoing renovations, creating an opportunity to bring the show to Albany for the first time.

In the coming year, ECC is looking forward to partnering with like-minded organizations to continue to develop the Capital Region’s fashion industry. After completing their first installation in New York City this spring, Corey also hopes to participate more in New York Fashion Week.

Saratoga Mayor Yepsen Cuts Ribbon at Restored Adelphi Hotel

Saratoga Springs Mayor Joanne Yepsen officially re-opened the Adelphi Hotel on Thursday, Oct. 19, 2017, snipping a green ribbon that was stretched across the front doors of the historic Victorian-era building.

At an outdoor podium on Broadway, Michel Ducamp, chief operating officer of the Adelphi Hospitality Group, welcomed the 50-plus Saratoga officials, media representatives and others in attendance.

“This is a historic day for Saratoga Springs,” Yepsen said, recounting the history of the Adelphi and then reading a proclamation that hailed the five-year restoration project. Other speakers included Samantha Bosshart, executive director of the Saratoga Springs Preservation Foundation, and Simon Milde, managing partner of Adelphi Hospitality Group.

The Adelphi, which is now a luxury hotel, re-opened to the public on Oct. 1. Morrissey’s, a new bar adjoining the main floor lobby, is serving drinks and small plates, and The Blue Hen, a glass-enclosed restaurant behind the lobby, is scheduled to open soon.

Originally opened in 1877, the Adelphi is the sole surviving hotel from Saratoga’s Golden Age.

New York-based designer and architect Glen Coben of Glen & Company, and Dominick Ranieri Architect P.C. of Schenectady collaborated with the Adelphi Hospitality Group and re-imagined the hotel’s Victorian-style interior with a modern twist. From the lobby, a grand four-story staircase leads guests to the 32 rooms and suites.

See the Holiday Saratoga Living for a grand tour.

For more information, visit theadelphihotel.com or call (518) 578-6000.

Code Blue Saratoga Returns to Soul Saving Station

As the days get shorter and the nights get colder, dozens of Saratogians will find shelter through Code Blue Saratoga, a program of Shelters of Saratoga. Founded in 2013, Code Blue provides temporary unrestricted shelter to individuals who are homeless during periods of hazardous weather—when temperatures reach below 32 degrees or the forecast calls for more than 12 inches of snow.

The Soul Saving Station Church on Henry Street will host Code Blue of Saratoga this winter for the second consecutive year. “Being part of this community, we have a duty to assist those in need,” Pastor Arnold Byrd II of The Soul Saving Station Church said. Last year, an average of 35 individuals per night utilized the emergency shelter at the church.

The permanent Code Blue facility, funded by Fingerpaint CEO Ed Mitzen and his wife, Lisa, will be located on the same lot as Shelters of Saratoga on Walworth Street. (Lawrence White)

The second-year partnership between The Soul Saving Station and Code Blue Saratoga comes after delays in construction of a permanent Code Blue facility on Walworth Street, adjacent to the current Shelters of Saratoga shelter. In February 2017, Fingerpaint CEO Ed Mitzen and his wife Lisa announced a generous gift to construct the new facility with partners Bonacio Construction and the LA Group, but zoning and land use challenges have postponed the project.

Nonetheless, thanks to the generosity of Pastor Byrd and The Soul Saving Station, those in need this winter will have a safe place to sleep.

For more information about Code Blue Saratoga, click here.

Fall In Love: Fashion Trends That Are on Fleek

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Fall is approaching, so it’s that time to cue a new wardrobe. Out go the T-shirts and tank tops, in march the bulky sweaters, jeans, booties and hopefully countless cups of Pumpkin Spice coffee.

When that crisp chill begins, it’s time to think layers. “My favorite thing about fall is the ability to mix solid basics with captivating patterns and textures,” Piper Boutique’s Alessandra Bange-Hall says. “This fall is all about the colors of nature. Warm taupes and mossy greens are capturing the palette, along with softer metallics such as vintage gold and pewter.”

Red is and always will be a fall favorite as far as color is concerned; it’s bold, flattering and shows you mean business.

“Blush is here to stay, but rich jewel tones like emerald will be making a debut this fall, too,” says Laura Farrar-Pileckas, owner of Violet’s of Saratoga. “Extend the life of your summer wardrobe — not just your white jeans and sandals — by layering! A cute tank or sundress looks great with a plain T-shirt or lightweight turtleneck underneath it, topped off with a field jacket or leather bomber.”

Fringe will not cause others to cringe. Faux fur is a must and, this season, florals have a dark side, adding a hint of romance. It’s less cute and cheerful, more moody and full of drama.

“Western-inspired pieces like longer fringe and embroidered florals are rocked by the most daring fashionistas this season,” Bange-Hall says. “The colors and styles of fall complement everyone’s complexion, body type and personal taste, so find a few of your favorites and rock them all season! I recommend having 10 or 12 core pieces in your collection that can tie any outfit together.”

Glitter will be everywhere. Let your inner star shine bright and sparkly. Metallic — especially silver — is never the wrong turn to take this season. “You’re going to see a lot of lurex material this fall,” Maura Bannon, owner of MinkyMink in Glens Falls, says. “What is that, you ask? It’s that sparkly material that we used to rock in the ’90s. It’s bringing me back to the side ponytail days, and I’m not hating it. You’ll also see rich velvet materials, ’70s-inspired plaid, high-rise denim with a deconstructed hem and midi-length skirts.”

Many claim that classic comfort is in; bedtime is all the time. Robes, pajamas and slips — even quilts — can be worn as ponchos. Did they have upstate New York in mind when they gave this one the green light? Basically, you can take your bed out with you. As harpersbazaar.com puts it: “She’s a lady in the streets, dressed in lace-accented pieces fit for the sheets.”

Not everyone feels that this look is the way to go. “When I was on my last buying trip in New York City, I saw a lot of corset tops, and I just wasn’t feeling it,” Bannon says. “If you want to go for that high fashion look, then by all means go for it. For me, that trend doesn’t work with my everyday wardrobe. I could buy one of those tops just to say that I’m trendy, but that isn’t me. I also don’t think most of my customers would be able to relate to it. I honestly think the corset tops are going to be out of style as fast as they became in style. But you know what, I’ve been wrong before… maybe it’s here to stay!”

Also, it’s completely acceptable to look like a hot mess (cue the applause from every college student in America). Mismatched layers, undone buttons and zippers, deconstructed cloth and even fabrics that are simply falling apart. Hey, if Elle says it’s acceptable, who are we to judge?

It shouldn’t come as a surprise that the fashion community has something to say about politics. Political slogans are all the rage so don’t be scared to speak or wear them.

Of course, accessories make the outfit. “Long layered necklaces in subdued colors are trending everywhere and pair nicely with this season’s colors,” Bange-Hall says. “Vintage-inspired accessories are all over the scene, and we are loving the old world feel they add to any look.”

“We’re really excited to be carrying Frye wool hats with structured brims and leather details,” Farrar-Pileckas says. “A staple for fall, and truly an investment piece coming from Frye.”

Even for jewelry, fall is all about the warm color palette. “I have some gorgeous wine-colored Kendra Scott earrings that I’m in love with,” Bannon says. “They will make any outfit pop because the color makes such a statement.”

As far as footwear is concerned, it’s all about the slide. “We can’t get enough of the loafer trend,” Farrar-Pileckas says. “They transition from summer to fall, and we have embellished, embroidered and studded variations, along with those textures we were talking about — think velvet and jacquard.”

She continues: “A more daring trend from the runways are socks with heeled sandals or even pumps.”

“Boots are always a closet staple of mine,” Bannon says. “But, this year I’m really into leather sneakers. Obviously, they are super comfortable, which is always a plus. They look sleek and on-trend paired with a leather jacket and your favorite tee.”

Don’t want to stumble into the worst fashion plunders? Bange-Hall advises, “Don’t fall victim to an all-black wardrobe.” Bannon couldn’t agree more. “It’s super easy to wear all black during the fall and winter months,” she says. “Don’t be afraid of color. Wine, emerald green, pale pinks… mix it up! I would also advise to wear things that make you happy. If you’re wearing a terrible top or jeans that you hate, then get rid of it. When you look good, you feel good. Life’s too short to wear bad clothes.”

She continues: “I don’t like to judge or criticize what people wear because fashion should be fun and is a form of expression. But, I can tell you what I won’t be wearing this fall — stirrup leggings, shoulder pads, skirts over jeans or rose-colored sunglasses.”

“There are no mistakes in fashion,” Farrar-Pileckas says. “Take risks, start trends and express yourself through your outfit choices.”

Oh Boy!

Fellas. One word: Corduroy. It was one of Fall 2017’s biggest runway trends, and it’s never had such a high cool factor. The once-tossed-aside fabric is now, according to GQ, “Modern, streamlined, maybe a little sporty, maybe a little swag, maybe a little minimalist. Basically, not your college professor’s corduroy.”

As far as outerwear goes, you can never go wrong with the wholesome American look of a denim jacket. “It’s the apple pie of outerwear,” GQ explains. “Over the years, the menswear staple has become a symbol of youthful rebellion and ultimate masculinity… it’s bound to be the most indispensable piece of outerwear in your closet.”

Molly Congdon earned her Master’s in Journalism at NYU and is a writer living in South Glens Falls.