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Staci Snider: Fierce Fashion From A Homegrown Designer

The older I get, the more I value people who are unapologetically true to themselves. Don’t feel like going to the party? Stay at home, open up a bottle of rosé and call it a night. Feel like painting an oversized abstract piece directly on your living room wall instead of hanging art? Throw on some overalls and grab some brushes. Go gray instead of dyeing? Let those silver locks shine in the sun. It’s so refreshing when people do what they want to do and are exactly who they want to be without wringing their hands over what anyone else thinks. That’s precisely the kind of woman I found designer Staci Snider to be when we caught up, while she was vacationing in Austria, recently.

Fashion designer Staci Snider. (Kim Myers Robertson)

After years of living abroad, the Saratoga Springs native has reestablished her roots in town, and is now creating an eponymous line of women’s ready-to-wear fashion. “I’m not really a fan of living in New York City,” Snider cheerily offers when I ask why she isn’t immersed in the heart of rag trade action. “I do love the theatrics of fashion shows, but I just work better closer to nature.” The self-described “epitome of a Saratoga girl” grew up going to the orchestra, ballet and Saratoga Race Course (naturally), as well as skiing, and was always surrounded by art and books. “It took me a while to find my creative voice, but I’m here because I wanted to create balance in my life,” she says.

Snider, whose surname is serendipitously German for “tailor,” earned her master’s in fashion at the Academy of Art University in San Francisco. She also happens to be a former world-class track athlete, and that sense of utility and ease of movement has proven to be highly influential in her designs. Her signature drawstring skirts and dresses, large pockets and strategically placed zippers, let her clients get down to business while quietly standing out from the crowd. “My clothes empower my clients,” says Snider. “They know they’re going to be the only ones in the room wearing them.” Her clients, who include CEOs, gallerists and DC professionals, appreciate not only the friendlier price-point than that of most of her peers, but also the fact that Snider’s designs succeed in doing what women all over planet Earth want: hide their weaknesses while highlighting their strengths. “It’s about streaming,” Snider says. ”It’s about creating an illusion.” Her designs are available at Jolie Jordan Boutique (JolieJordan.com) in Mount Kisco, NY and select boutiques nationwide.

Snider cites flame-haired chanteuse Florence Welch and actresses Tilda Swinton, Diane Kruger, Kristen Stewart and Rooney Mara as some of her dream clients, and it only stands to reason that a fashion designer, who would choose a rose garden over the runway, would put together such a list of creative renegades. “It’s important for a woman to represent who she truly is. It’s about self-expression, not following trends,” Snider says. “I’m basically how my brand is—edgy but not severe. And that’s also Saratoga.” I couldn’t agree more, and I’m glad she decided to bring her talent home; we need more Staci Sniders here.

Daily Racing Form: Call Paul Dropping In Class For Nashua Stakes

Call Paul will be dropping in class, while the impressive maiden winner Vekoma will be facing a more difficult assignment in the Grade 3, $200,000 Nashua at Aqueduct on Sunday. The one-mile race for 2-year-olds also includes a pair of first-out winners from the barn of Chad Brown.

The $100,000 Awad, a one-mile turf race for 2-year-olds, is slotted as race 4. The Awad was supposed to be held last Saturday, but that card was canceled due to high winds and rain. The $100,000 English Channel, also part of the washout, was not brought back.

Racing secretary Mike Lakow said that when entries were taken Thursday for the English Channel, some of the original horses dropped out. The spacing between the English Channel and the $150,000 Gio Ponti on Nov. 23 became too tight for horses to compete in both.

Call Paul comes into the Nashua off a third-place effort in the Grade 1 Champagne. He failed to close on front-running winner Complexity and was outfinished by the late-closing Code of Honor, losing by six lengths.

Complexity was the 5-2 second choice on the morning line for Friday’s Breeders’ Cup Juvenile. Code of Honor, 5-1 on the Juvenile line, was scratched with a fever.

Call Paul came into the Champagne perfect in two starts, including a one-length win in the 6 1/2-furlong Saratoga Special following a bumping match with the runner-up. Call Paul is being given a second chance to show he can succeed at a mile by trainer Jason Servis. Irad Ortiz Jr. stays aboard.

Vekoma did a lot of things right in his 1 3/4-length debut win at Belmont Park for trainer George Weaver. He relaxed off the pacesetters in the six-furlong sprint, then moved up three wide to take the lead entering the stretch under Manny Franco. Runner-up Epic Dreamer, who didn’t have the smoothest of the trips, came back to win impressively Oct. 26.

“He’s always been a forward horse, and we were not surprised to see him win first time out,” Weaver said. “We’re jumping him up to a mile, and that’s the question mark, but I haven’t seen anything in his training to suggest he won’t go that far.”

Vekoma is a son of Candy Ride out of Grade 1 Humana Distaff winner Mona de Momma. Weaver and Steve Venosa picked him out at the 2017 Keeneland September sale, and he was purchased for $135,000 by Randy Hill, who owns him in partnership with Gatsas Stables.

Vekoma’s 87 Beyer Speed Figure is the highest in the six-horse Nashua field.

Brown sends out U S Navy Cross, who earned an 80 Beyer by rallying from far back to win his seven-furlong debut at Belmont, and Network Effect, who was given a 77 after coming from off the pace to win Aug. 11 at Saratoga.

U S Navy Cross is a son of Curlin who brought $550,000 at the 2017 Keeneland September sale.

“We’re looking to get him more distance,” Brown said. “A mile here and even further after that.”

Brown said Network Effect “got sick for a little bit” following his debut win “but seems to be back and is training well.”

The field is rounded out by 2-for-3 Factor It In, trained by John Servis, and Delaware Park maiden winner Puttheglassdown, who races for Jeremiah Englehart.

◗ The rescheduled Awad lost two main-track-only entrants from a week ago and picked up Kentucky shipper Life Mission. The race has a field of eight, seven of whom are entered for turf.

Empire of War and A Thread of Blue, maiden winners in October for Todd Pletcher and Kiaran McLaughlin, respectively, are top contenders, as is Parx-based Order and Law, who gave trainer Louis Linder Jr. his first stakes win when he rallied from far back to win the six-furlong Laurel Futurity over a yielding course in September.

This story originally appeared on DRF.com


Visit DRF.com for additional news, notes, wagering information, and more.

Daily Racing Form: New York Stallion Stakes Get Purse Boost For 2019

The New York Stallion Stakes series will double in value next year to $2.3 million due to increased financial support from the New York State Breeding and Development Fund, which controls the state’s purse enrichment program. Each of the 10 races in the series for New York-sired horses will receive a purse increase, but the races for 2-year-olds will benefit the most.

The Great White Way and Fifth Avenue 2-year-old divisions of the NYSS, which will be run on Dec. 15-16 for purses of $150,000, will be worth $500,000 each in 2019. The distances of the races will be increased from six furlongs to seven furlongs starting next year.

Martin Panza, senior vice president of racing operations for the New York Racing Association, credited John Poklemba of the Breeding and Development Fund and Jeff Cannizzo of the New York Thoroughbred Breeders for helping to make the purse increase a reality.

“Continuing to find new and innovative ways to incentivize the owners and breeders who fill our races is paramount to the ongoing success of New York racing,” Panza said.

The purses of the other eight races in the series will receive varying increases.

The Times Square and Park Avenue divisions, 6 1/2-furlong races for 3-year-olds at Aqueduct, will be doubled in value to $200,000.

The four turf races in the series, the Spectacular Bid and Cab Calloway for 3-year-olds and the Cupecoy’s Joy and Statue of Liberty for 3-year-old fillies, will be increased from $100,000 to $150,000.

The Thunder Rumble and Staten Island, seven-furlong races for 3-year-olds and up, will each receive a $25,000 increase to $150,000.

“Doubling the purse value of the New York Stallion Stakes Series through the fund’s purse enrichment money will benefit owners, breeders, and the bloodstock market, starting immediately,” Cannizzo said. “Having an additional $1.15 million in quality black-type earnings on the table could also have a wide-ranging effect on the landscape of the stallion business in New York.”

This story originally appeared on DRF.com


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Daily Racing Form: Breeders’ Cup Distaff Boasts Six Grade 1 Winners In Robust Renewal

LOUISVILLE, Ky. – Past editions of the Breeders’ Cup Distaff forged memories to be savored like fine wine. There was Personal Ensign nosing out Kentucky Derby winner Winning Colors to finish her career unbeaten, with Kentucky Oaks winner Goodbye Halo chasing them home. The “Iron Lady” Lady’s Secret rolling wire to wire to cap her Horse of the Year campaign, a distinction Azeri would secure years later with a victory in the same race. Zenyatta completing a perfect season, with the best yet to come. Champion Beholder going out in glory, handing champion Songbird her first defeat by the barest of noses.

Even stacked against that history, the 35th running of the $2 million Distaff looks like a vintage renewal, and whomever wishes to uncork the champagne on Saturday at Churchill Downs must bring a memorable performance. The field of 11 is led by six Grade 1 winners, including Kentucky Oaks winners Monomoy Girl and Abel Tasman, who already is a champion.

“It’s a very, very solid group of fillies,” Brad Cox, who trains Momomoy Girl, said. “We’ve got to show up and run as well as we’ve ever run, or even better, to get the job done.”

Abel Tasman, second in last year’s Distaff to Forever Unbridled, finished fourth in the La Troienne Stakes at Churchill Downs in her season debut, then bounced back to win the Ogden Phipps Stakes by 7 1/2 lengths. In August at Saratoga, she battled to a neck victory in the Personal Ensign. Back in California this fall, she finished a shocking fifth as the favorite in the Zenyatta Stakes on Sept. 30. The race was won by her Bob Baffert-trained stablemate Vale Dori, a multiple Grade 1/Group 1 winner who was recording her first win since May 2017. It was later theorized that Abel Tasman may have been fighting off a virus that had gone around Baffert’s barn. She and Vale Dori have worked well together in preparation for their Distaff rematch.

“She’s doing well,” Baffert said. “Her last race was just a head-scratcher, but, you know what, mares will do that. They’re known to throw a bad one, and she was just flat that day. I don’t think you’ll see her run a race like that.”

Abel Tasman drew post 2 – “I don’t mind,” Baffert said – and will have regular rider Mike Smith in the irons.

Monomoy Girl, the morning-line favorite for the 1 1/8-mile race, drew the outside post – as she did in the Kentucky Oaks. Monomoy Girl reeled off Grade 1 victories in the Ashland Stakes, Oaks, Acorn Stakes, and Coaching Club American Oaks over the spring and summer. She survived an objection to win the Oaks, briefly making contact with runner-up Wonder Gadot in the lane. The tendency to lose focus when making the lead caught up to her in the Cotillion Stakes, as she crossed the line a neck ahead of Midnight Bisou but was disqualified to second for interference.

“She got a little lonely on the lead, and started drifting in and drifting out,” regular rider Florent Geroux said. “I don’t think she knows any different – she still thinks she won. I’d rather get beat by DQ and still have “won” the race than get beat five lengths and think, all right, now we go to the Breeders’ Cup, and it doesn’t feel like we have the best horse.”

Monomoy Girl, Midnight Bisou, and Wonder Gadot, facing their elders for the first time, are based at Churchill Downs.

“It means a lot,” Cox said. “It’s one less hurdle we have to jump, with her walking out of her own stall Breeders’ Cup Day.”

Santa Anita Oaks winner Midnight Bisou was third with a troubled trip in the Kentucky Oaks. Transferred to Steve Asmussen after that race in order to target an East Coast campaign, she won the Mother Goose Stakes, finished second in the Coaching Club and third in the Alabama Stakes, then dueled with Monomoy Girl again in the Cotillion.

“She’s battle-tested and had some tough races along the way,” co-owner Jeff Bloom said. “It’s late in the year and she’s a very mature horse, physically and mentally, and I think she’s ready for that challenge.”

Wonder Gadot won the first two legs of the Canadian Triple Crown, the Queen’s Plate and Prince of Wales, by a combined 10 1/2 lengths before finishing 10th in the Travers Stakes. She was a distant third in the Cotillion.

The other older runners in the field include Blue Prize, a Group 1 winner in Argentina who scored her first Grade 1 win in the U.S. when she took the Spinster Stakes at Keeneland despite veering out in the stretch. Blue Prize has won three graded stakes at Churchill Downs in the last calendar year, and has never been worse than second at this track.

Wow Cat won all eight starts in her native Chile, including a sweep of the Chilean Triple Crown. After finishing second and third in a pair of graded stakes at Saratoga, she broke through to win the Beldame Stakes last out.

La Force finished second to now-retired champion Unique Bella in the Beholder Mile and Clement L. Hirsch before finishing second to Vale Dori in the Zenyatta. Grade 3 winner Champagne Problems, second in the Spinister; Grade 3 winner Verve’s Tale, third in the Beldame; and Grade 2 winner Mopotism complete the field.

This story originally appeared on DRF.com


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Saratoga Restaurant Week Kicks Off On November 5 With Nearly 50 Local Restaurants Participating

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It wouldn’t be Saratoga Springs without a wine tasting or special food sampling every weekend. (Hey, saratoga living didn’t name it the best small city restaurant destination for nothing!) But what about every day of the week? That’s exactly what’s on the menu for Saratoga Restaurant Week, which takes place next week, November 5-11. Monday through Sunday, you’ll be able to celebrate (and taste) the best of Saratoga’s culinary scene, with nearly 50 participating restaurants serving up a variety of cuisines and menu options, including $10 lunch specials (plus tax and tip), and $20 and $30 three-course dinners

Saratoga Restaurant Week is presented by Discover Saratoga and Spa City Brew Bus, and offers locals and visitors alike the opportunity to see all the unique and incredible restaurants that Downtown Saratoga has to offer. Plus, it’s a boost to the local restaurant community during a slower time of the year. “Our main mission is to promote Saratoga as the destination for meetings, conventions, special events and weddings and sporting events—everything,” says Discover Saratoga President, Darryl Leggieri. “Saratoga continues to be this cultural mecca that everyone gravitates towards. It’s got great energy, and it’s a year-round destination.”

In that spirit of keeping the Spa City a year-round tourist hotspot, Saratoga Restaurant Week has enough variety to satisfy nearly anyone’s tastes. For a quick and tasty $10 lunch, go to Esperanto, BurgerFi, Gaffney’s Restaurant or the Falafel Den. Or, for those with a longer lunch break, sit down and sip some tea (or wine or beer) at Local Pub & Tea House, Thirsty Owl Bistro, Saratoga Stadium or Diamond Club Grill. For the $20, three-course dinners, you have your pick of more than 20 great local restaurants. If you’re in the mood for some European fare, pay a visit to Forno Bistro, Chianti Il Ristorante, Boca Bistro or Ravenous Creperie. Or if you want something that reminds you of good old fashioned home cooking, step into to Hattie’s Restaurant, PJ’s BAR-B-QSA or the Olde Bryan Inn (we’re just scratching the service here). And for just $30, you can enjoy fine dining at some of Saratoga’s most luxurious and popular restaurants such as Prime at Saratoga National Golf Club, Mouzon House, Hamlet & Ghost or The Blue Hen. There are even options for those who live a little outside Saratoga: Chez Pierre (featured in saratoga living‘s brand-new Luxury Issue) or the Wishing Well (both in Gansevoort), Bellini’s Italian Eatery (Clifton Park) or Lake Ridge Restaurant (Round Lake). For a full list of the participating restaurants, click here.

All of the restaurants, bars and kitchens for Saratoga Restaurant Week also function as donation centers for Toys for Toga!, a holiday toy drive sponsored by Discover Saratoga, DeCrescente and Druthers Brewing Company. You can donate new and unwrapped toys to any of the participating restaurants from November 5 to December 15, and help local children have a happier holiday season.


Want to compare and contrast? For our feature on Saratoga Restaurant Week from last year, click here.

EXCLUSIVE Q&A: Catching Up With Grammy-Winning Classical Guitarist Jason Vieaux

Every guitarist has a guitar hero. Before I was a writer for saratoga living, I made my living as a performer and teacher (I still do some teaching, but not nearly as much as I used to). The classical guitar was my instrument, and for those of you unfamiliar with its nuances, it’s tuned just like a regular acoustic guitar but the neck is wider, three of the strings are made out of nylon, and you’re supposed to finger-pick it. Classical guitarists play, of course, a classical repertoire, which stretches back more than 500 years and includes everything from fugues by J.S. Bach to contemporary arrangements of Beatles songs.

One of my heroes is Jason Vieaux (pronounced Vee-oh). The Grammy Award-winning classical guitarist has built a career on his versatile, soulful and incredibly precise playing. In 1992, at just 19, the Buffalo native became the youngest-ever winner of the prestigious Guitar Foundation of America (GFA) International Guitar Competition. Since then, Vieaux’s had the kind of career that most young classical musicians can only dream of. He’s performed as a concerto soloist with more than 100 orchestras around the globe; he was the first classical musician to be featured on NPR’s popular “Tiny Desk” concert series; and in 2015, he won a Grammy for Best Classical Instrumental Solo for his album Play, which was a celebration of his 20th anniversary as a performer.

Vieaux will be performing at Skidmore College’s Arthur Zankel Music Center on Thursday, November 8, playing works by J.S. Bach, Duke Ellington and Pat Metheny, as well as some Spanish and Latin American favorites. For those who live closer to the Finger Lakes region, he will also be performing at the Skaneateles Guitar Concert Series on November 7. I recently talked to Vieaux about his upbringing in Buffalo and the future of the classical guitar.

How did you get started in classical music?
When I was three years old, my parents’ record collection was my favorite thing to explore. I loved to just listen to my mother’s soul and rock records like The Beatles, Wilson Pickett, Aretha Franklin and the Animals. My father’s record collection was entirely jazz. Both my parents noticed that I was very much into music. So my mother brought home a guitar for me one day when I was five, not realizing that it was, in fact, a small-size classical guitar. We didn’t know what a classical guitar was. We didn’t know there was such a thing as a 500-year-old repertoire, that it had this history of classical music.

So how did you come to learn about that history?
The Buffalo Guitar Quartet came to my school when I was seven and did an outreach program, and my mother happened to be working as a secretary there for the library. She approached them [about lessons] and said, “Hey, my son has the same kind of instrument as you.” [Laughs] So Jeremy Sparks [founder of the Buffalo Guitar Quartet] came by our house that summer and did some tests, kind of evaluated me musically, because I had taken some music courses since [I was] five with jazz guitarist Joel Perry. I knew how to read and write [music], so he took me in as a student, and I started that summer when I turned eight. And I just stayed with it, just as something that I really enjoyed doing.

Classical music is so competitive, and to be a professional classical guitarist requires a lot of discipline. How much practice time do you regularly put in?
It’s always about the quality of the practice, first and foremost. But the amount of time it takes depends on the week and the amount of repertoire that I’m having to cover. For example, right now, I’m trying to prepare another solo recording, so I’m trying to work on those pieces around the concerts I’m playing [on this tour]. The previous two weeks, I was preparing a Jeff Beal guitar concerto that I just recorded for BIS Records. And I was playing [Joaquín] Rodrigo’s “Fantasía para un gentilhombre” [“Fantasia for a Gentleman”] in addition to that. I’m practicing about three hours a day right now. I’m trying to do four, but with all the work and emails and phone calls, it’s like running an office.

You’ve performed at the Skidmore College multiple times. What kind of relationship do you have with the college?
I’ve performed at Skidmore College for [Distinguished Artist-in-Residence] Joel Brown various times over the last 15 years. And I had one other recital at Skidmore I did years ago for Philadelphia Orchestra. [Next week,] I’ll be teaching a master class on Tuesday [November 6], and I’ll do a couple of lecture-demonstrations for the beginner guitar class, as well as the performance on Thursday [November 8]. I’m excited to be in Saratoga. I like to walk around the downtown area. It’s beautiful.

Lately, the future of the guitar has been in question. Electric guitar sales have dropped by a third in the last decade, and last year, Eric Clapton was quoted as saying “Maybe the guitar is over.” What are your thoughts on that, coming from the world of classical music?
Well, obviously, I can’t speak for Mr. Clapton, but I would think that a lot of the rock musicians from his generation feel the same way, meaning that there was a youth culture movement that rock and roll started when it was the cutting edge popular music form, and guitar was the lead instrument. That was the iconic instrument of rock and roll. As it has transitioned into an older music form, like what happened to jazz, you have [seen] the rise of hip hop and electronic dance music [EDM], and naturally there’s [been] a decline [in interest]. But I think in terms of classical guitar, it’s not been affected by that. In fact, I think classical guitar is growing. Its future is in very good hands as far as I can see. [There are] so many great young players. Thank god I won the GFA Competition when I did at 19 years old in 1992! [Laughs] Because the quality of the players now is just so inspiring.

Daily Racing Form: Breeders’ Cup Classic: Wide-Open Betting Race, For A Change

LOUISVILLE, Ky. – Recent runnings of the Breeders’ Cup Classic looked on paper, and often played out, like two-horse races, with Gun Runner against Arrogate, and Arrogate against California Chrome. Or they were even more narrowly cast, such as the coronation for Triple Crown winner American Pharoah.

That’s not the case this year.

Although Accelerate heads into the $6 million Classic on Saturday at Churchill Downs as the acknowledged favorite, he’s a lukewarm one. There’s enough doubt surrounding him – his recent narrow victory in his final prep in the Awesome Again, the fact that he’s only traveled for a race once and was beaten, his trainer John Sadler’s inexplicable winless Breeders’ Cup record after 41 starts heading into this year’s event – and enough support for many of his rivals that this race looks as though it could flop any number of ways.

Like many in this race, Mind Your Biscuits and West Coast have run races that are good enough to win, but they have questions, too. For Mind Your Biscuits, it will be trying 1 1/4 miles for the first time, and for West Coast, it’s whether he’s as good now as he was before he departed for the Dubai World Cup in March. Axelrod, Catholic Boy, and McKinzie have progressed this fall, but this will be the first time those 3-year-olds face elders.

Mendelssohn and Thunder Snow come off good tries in the Jockey Club Gold Cup, but both had ugly experiences at Churchill Downs in their respective Kentucky Derbies. Discreet Lover won the Jockey Club Gold Cup but benefitted from a radioactive pace meltdown.

Pavel returns to the track where he scored his biggest win in the Stephen Foster Handicap, but he was pummeled by Accelerate in his only start since then in the Pacific Classic. Yoshida won his only start on dirt in the Woodward, but this field is tougher, which means Woodward runner-up Gunnevera has to step up his game, too.

Roaring Lion is a top-class European who has won four straight Group 1 races, but this will be his first try on dirt. Lone Sailor, likely the longest shot in the field, is the only horse who looks completely overmatched on paper.

Those are the 14 who made it into the main body of the race. Collected ended up on the also-eligible list at entry time, and trainer Bob Baffert would love to get him into the race. But there’s the matter of needing a scratch, and even if he gets in, he hasn’t run a race since his runner-up effort in last year’s Classic that would make him a major player here.

“It’s a pretty good field with a lot of good horses,” Baffert said. “With American Pharoah, we knew we had ’em over a barrel.”

Accelerate and West Coast were one-two in the Awesome Again, with both getting Beyer Speed Figures below their best. The trainers of both runners believe they will improve.

Accelerate made it more difficult on himself by breaking poorly, getting caught wide, and making a bold move in the middle of the race.

“I looked at it as a prep,” Sadler said. “He didn’t get a trip, everything conspired against him, and he still won going away. I had trained him a little easier for that race, thinking West Coast wasn’t going to run. And I think he wants a mile and a quarter. He’s better now at a mile and a quarter.”

Baffert said West Coast “is coming into this a lot better than last time” but conceded that Accelerate is “definitely the horse to beat.”

Mind Your Biscuits, a sprint star throughout his career, has run terrific races at a mile and 1 1/8 miles as this year has progressed, most recently winning the nine-furlong Lukas Classic here, a performance that gave his connections the confidence to try 10 furlongs.

“He passed that test with flying colors,” trainer Chad Summers said. “On numbers, the two strongest are us and Accelerate.”

Yoshida passed a test last time, too, winning the Woodward in his first try on dirt.

“I was pleasantly surprised,” trainer Bill Mott said. “What was exciting was how easily he looked like he was going coming to the wire. He wasn’t under a drive. He was comfortable.”

Thunder Snow, who beat West Coast in the Dubai World Cup, ran poorly in the Juddmonte International on turf at York before his runner-up effort in the Jockey Club Gold Cup.

“In the race in England, he lost two shoes,” trainer Saeed bin Suroor said.

Suroor is hoping Thunder Snow can get farther into this race than he did in the 2017 Kentucky Derby, where he was pulled up soon after leaving the gate after buck-jumping on an off track.

“Hard to explain,” Suroor said. “Before the race, he was fine. In the gate, he was fine. Suddenly, the drama started.”

This story originally appeared on DRF.com


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Daily Racing Form: Enable Takes Center Stage On Compelling Breeders’ Cup Saturday

LOUISVILLE, Ky. – Drama has surrounded the Breeders’ Cup when it has been run at Churchill Downs, ranging from the stirring rally by Personal Ensign in the 1988 Distaff to retire unbeaten, to the narrow loss suffered by Zenyatta in the 2010 Classic in a similar bid to have a perfect career.

Similar memories are bound to be made on Saturday at Churchill Downs, on a card on which five previous BC race winners will try to win again, including Mendelssohn, who is seeking to become the first horse in the Breeders’ Cup’s 35 years to win a race on turf and on dirt. Trainer John Sadler will send out four runners, including two likely favorites, in a quest to finally get his first Breeders’ Cup win. And the great filly Enable, a two-time winner of the Arc de Triomphe, will try to become the first horse to win the Arc and the Turf in the same year.

All that and more will unfold during the nine Breeders’ Cup races which are the focal point of a 12-race card on Saturday that begins at 10:45 a.m. Eastern.

The unquestioned star of this Breeders’ Cup is Enable, who won her second Arc on Oct. 7 and enters the Turf with a record of nine wins in 10 starts. She is the 4-5 favorite on the line set by Mike Watchmaker, Daily Racing Form’s national handicapper, and is even-money on the morning line of Mike Battaglia of Churchill Downs.

Her rivals include Talismanic, the upset winner of the Turf last year.

Enable is trained by John Gosden, who won the British trainers’ title this year owing to the success of a number of high-class runners, including Roaring Lion, who has won four straight Group 1 races – most recently the Queen Elizabeth II at Ascot on Oct. 20 – and now will try the dirt for the first time in the Classic.

“It’s a huge challenge,” Gosden said Wednesday. “He only won the QE II 11 days ago. He’s traveled incredibly well.”

Gosden said his biggest concern with Roaring Lion is the spray of dirt he’ll encounter.

“The American horses are so fast from the gate, and they’ll go the first quarter way quicker than the last quarter, so you don’t think you’ll be anything but off the pace,” Gosden said. “The problem is the dirt in the face. Horses climb, aren’t used to it. They start losing the rhythm of their breathing, and that’s a big problem. He’s drawn down in [post] 2; he’s going to see a lot of dirt coming back at him from there.

“I couldn’t be more thrilled with the horse. If it was a mile and a quarter on turf, he’d beat anything.”

Among the horses he’ll have to beat are Mendelssohn, who won last year’s Juvenile Turf, and Accelerate, who along with Catalina Cruiser in the Dirt Mile, Selcourt in the Filly and Mare Sprint, and Catapult in the Mile will try to give Sadler his first Breeders’ Cup win.

“It’s probably the best group we’ve brought,” Sadler said.

Accelerate is the 7-2 favorite in the Classic on Watchmaker’s line and is 5-2 on Battaglia’s line.

Catalina Cruiser is favored at 7-5 on Watchmaker’s line and at 8-5 with Battaglia in the Dirt Mile.

Trainer Peter Miller has two returning race winners in male sprint champ Roy H in the Sprint and Stormy Liberal in the Turf Sprint. Imperial Hint, second to Roy H in last year’s Sprint, is rated the one to beat in the Sprint this year. He is 2-1 on Watchmaker’s line, 9-5 with Battaglia.

Watchmaker has Stormy Liberal as the 7-2 favorite in the Turf Sprint, while Battaglia made Disco Partner the 7-2 favorite in that race.

Oscar Performance, the Juvenile Turf winner two years ago, tries to win the Mile against several European invaders, including Polydream, who is the lukewarm favorite at 4-1 on Watchmaker’s line and is 5-1 with Battaglia.

Europeans also look formidable in the Filly and Mare Turf, in which Wild Illusion is the 3-1 favorite on Watchmaker’s line. Battaglia has Sistercharlie, one of five runners in this race trained by Chad Brown, favored at 3-1.

A rare meeting of two Kentucky Oaks winners – Abel Tasman and Monomoy Girl – highlights the Distaff. Monomoy Girl is the 2-1 favorite on the lines of both Watchmaker and Battaglia.

Marley’s Freedom is a solid favorite in the day’s first Breeders’ Cup race, the Filly and Mare Sprint. She is 2-1 on Watchmaker’s line, a shorter 8-5 on Battaglia’s line.

– additional reporting by David Grening

This story originally appeared on DRF.com


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Daily Racing Form: Turnback The Alarm Wide Open After Defection

The original field of seven in the Grade 3 Turnback The Alarm Handicap at Aqueduct on Saturday was complicated, but at least opinions could be built on whether the highweight and expected favorite Divine Miss Grey could get the 1 1/8-mile distance. With Divine Miss Grey’s connections opting to instead run in the Grade 2 Chilukki at Churchill Downs, questions surround each of the remaining six runners.

Teresa Z becomes the starting highweight in the $150,000 race at 121 pounds. She is dropping out of a fourth-place finish in the Grade 1 Beldame and a third in the Grade 2 Delaware Handicap, but is only 1 for 5 on the year, all for trainer Anthony Margotta Jr. She has a solid late run, won the Obeah at Delaware Park going nine furlongs in June, but is pace dependent.

Drawn just to her outside in post 2 is 6-year-old Bishop’s Pond, who spent much of her career on turf but has found new life on dirt the past year for trainer Jason Servis. A disappointing 3 for 22 on grass, she is 3 for 6 on dirt.

Bishop’s Pond is coming off a strong win in the $50,000 Winter Melody at Delaware Park, but will face tougher competition Saturday. Still, she seems capable of making the lead and will be tough if not pressured.

Forever Liesl may be capable of pressing Bishop’s Pond early, but also is stepping up in class for trainer Michelle Nevin. Based at Belmont, she has made four of her last six starts at Monmouth Park, Laurel Park, and Delaware.

Holy Helena is the most accomplished member of the field and has made her last four starts in Grade 1 and Grade 2 company for trainer Jimmy Jerkens. She won the Grade 2 Sheepshead Bay at Belmont Park in May, but has not shown the same late move in her last three races.

The Turnback The Alarm will be Holy Helena’s first dirt start since the 2017 Alabama. She will wear blinkers for the first time Saturday.

Moonlit Garden and trainer Christopher Davis scored their first career stakes wins when she led throughout in the restricted Summer Colony at Saratoga. She did not work for close to two months after that race and will wear two bar shoes in the Turnback The Alarm.

Arraign comes into the race off a 7-1 win in the restricted George Rosenberger on Owners’ Day at Delaware for trainer Michael Matz. The win was her first in a stakes and her first in eight starts going back to June 2017.

Cloud Computing returns

Cloud Computing, winner of the 2017 Preakness for Chad Brown, will make his return to the races Saturday at Aqueduct in a second-level optional-claiming race going a mile.

This will be only the second start for Cloud Computing since he came out of the 2017 Travers with an ankle chip. He returned in the Grade 3 Westchester on May 5 to finish fourth, beaten only a neck in a good effort. Unfortunately, he came out of that race with another ankle chip.

Cloud Computing worked three times in August at the Stonestreet Training Center before rejoining Brown’s stable. He has breezed seven times since, six times at Saratoga and most recently at Belmont Park.

A son of Maclean’s Music owned by the Klaravich Stables of Seth Klarman and William Lawrence, Cloud Computing is 2 for 7 in his career with earnings of more than $1.1 million.

This story originally appeared on DRF.com


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SPAC’s ‘Live At The Jazz Bar’ Winter Series Kicks Off Tonight With Salsa Dancing And Alta Havana

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Though it certainly doesn’t feel like salsa weather outside, there’s no better way to warm yourself up than by hitting the dance floor and moving your feet. Tonight marks the first night of Freihofer’s “Live at the Jazz Bar” Winter Series, with Salsa Dancing, hosted by the Saratoga Performing Arts Center (SPAC). The free music and dance series debuted in the summer months of 2017, and a winter session followed in February 2018. It was so successful that SPAC brought it back early. “Our Winter Jazz Bar series that we introduced at the beginning of the year was met with incredible enthusiasm from social dancers and connoisseurs of great live music, bringing hundreds of guests to our grounds during the winter and spring months,” says Elizabeth Sobol, SPAC’s President and CEO. “The series, an extension of our summer season, is part of our new vision to bring year-round programming to SPAC and free experiences to the community.”

Tonight’s event is from 7pm to 10pm, and highlights the best of Latin music and dance. The first hour includes lessons and guided dance practices in salsa and the cha-cha-cha from Diane Lachtrupp and Johnny Martinez, Co-Directors of Tango Fusion Dance Company here in Saratoga. Then, once moves have been mastered (or at least memorized), attendees will have two full hours to dance away to the live music of Alta Havana, one of the finest Cuban music quartets with the talents of Miguel Valdez (congas), Engels P. Contreras-Tortolo (vocals), Jorge Gómez (keyboard/piano) and Oriente Lopez (flute). (Check out saratoga living‘s “Saratogian of the Month” feature on Gómez in our brand-new Luxury Issue on newsstands now.) There will also be a cash bar from Mazzone Hospitality. “On this rainy, November day we are bringing the heat with vibrant Cuban rhythms by Alta Havana and free salsa lessons from Johnny and Diane of Tango Fusion to the Hall of Springs,” Sobol told saratoga living.

Freihofer’s “Live at the Jazz Bar” series began as part of the 2017 revitalization of a room within the Hall of Springs that Sobol saw as evocative of the Jazz Era, which ended shortly before the historic Hall was constructed in the mid-1930s. The regular summer series showcases live music by swing, folk and jazz ensembles; while the winter series adds free dance lessons to the mix. Be sure to check out Swing Night on December 13, with Lachtrupp and Martinez teaching swing, the Lindy-Hop and Charleston, all to the music of Annie and the Hedonists, local masters of vintage American blues, jazz and swing.