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William Shatner: Star’s Trek To Proctors Is A Sci-Fi Fan’s Dream Come True

Three years ago was the first time I experienced audience interaction during a movie. I was catching an early screening of Star Wars: The Force Awakens at a Brobdingnagian, old theater in Midtown Manhattan with some friends, and the first time Han Solo appeared onscreen, the crowd went absolutely nuts. I was more than a little annoyed after the first few outbursts, because I’d paid good money for entertainment—and silence. But last night, all the shouts of joy were sort of refreshing.

At 7:30pm sharp at Proctors, the lights dimmed and the opening credits started rolling for 1982’s Star Trek II: The Wrath of Khan, the second, much-better-loved installment of the TV show’s initial push on the big screen. (The first film, 1979’s Star Trek: The Motion Picture, had been an abject box office failure, threatening the future of the futuristic movie series.) From the get-go, there was raucous audience participation, with a smattering of standing ovations, hoots, hollers and applause. Pretty regularly during the screening, audience members reacted, vocally, to action sequences, laughed out loud at various instances of comic relief, and the folks behind me were even whispering one-liners before they even made it out of their actors’ lips. The din, of course, grew loudest when William Shatner made his first appearance onscreen (and thereafter)—because, well, the audience knew that somewhere backstage at Proctors, the actual guy who famously bellowed “KHANNNNN!” would likely be listening.

Shatner was in Schenectady on the night of April 4 as part of the “William Shatner Live On Stage” series, which included a full showing of Wrath followed by a spirited question-and-answer session with him moderated by Time Union arts critic Amy Biancolli. I say “spirited” because, as soon as the closing credits started rolling for the movie, Biancolli made a quick announcement of introduction, and out strode the 87-year-old star of the night, wearing a dark shirt, blazer, ripped jeans and light-grey sneakers. The audience went wild. Instead of sitting down on the chair provided for him onstage and engaging in a one-on-one with Biancolli, Shatner instead stood for the first 20 minutes or so, telling rapid-fire stories in that signature, booming voice that’s made him one of the best-loved (and -aped) actors over the last five decades. (All Biancolli could do was sit back and smile.) At one point in his initial barrage, he noted that he’d been given Saratoga Spring Water to drink—and after accidentally kicking it over during a frenzied story, cracked, “I just knocked Saratoga Springs over…half my Saratoga Springs is gone!”

Shatner talked at length about the failed first attempt at bringing Star Trek to the big screen, saying, bluntly, that the movie “was not good.” But of course, when he started discussing the making of Wrath, he began to get excited (interestingly, the Canadian actor pronounced the titular “Wrath” as “Roth”). Of co-star Ricardo Montalban, who played the title villain, Shatner joked that “he was juicy and I was Jewish.” He revealed that he’d first caught Montalban as a dancer in a Broadway show, and in first meeting him on the set of the original ’60s Star Trek show, noticed that Montalban had, by the point, acquired a visible limp. Montalban had apparently fallen off of a horse, and the injury had gotten progressively worse. By the time Montalban was acting in Wrath, he was wheelchair-bound—but had worked his famous upper-body into tip-top shape, providing those signature pecs.

Upstate New York also played into Shatner’s talk. Apparently, the actor and seven friends had once set out on a canoeing trip that brought them first from Montreal, Canada, to Lake Champlain, then to Lake George. According to Shatner, the entire city of Schenectady caught wind of the actor’s trip and stood out to watch him row by. And row by he did—not stopping for photo ops with the Schenectadian faithful.

Likely playing to the crowd, Shatner also took a few pot-shots at fellow Star Trek actor George Takei (Mr. Sulu), who a few years ago revealed that he and Shatner had feuded. When Biancolli asked Shatner what role he would’ve wanted had he not played Captain James T. Kirk on the show, he deadpanned, “Sulu, so I wouldn’t have to work with George Takei.” (Some members of the crowd were none too happy about the answer, with only a smattering of applause.) Again, when asked if the 2018 version of William Shatner were to have the chance to give some advice to the 1966 version, he said, “Be nice to George Takei.”

But Shatner then had more than a few moments of humbleness. Addressing Biancolli, he said that had someone told him “in 55 years, you’re going to be onstage with Amy Biancolli, I would’ve laughed.” He also joked that, because he had been a theater actor before taking the role of Kirk in Star Trek, “I think in the beginning I was a little theatrical…but on the other hand, why not?”

The talk ran late, getting out around 10:30pm, but Shatner was a good sport, answering a number of pre-prepared audience questions, as well as all of Biancolli’s, and dealt with more than a few outbursts from overzealous fans in the audience (at one point he looked at a person and said, “Me talk, you listen!”).

Overall, the series was a major success for Capital Region pop culture (and Star Trek) fans. Bravo to Proctors for setting it up. It made for a good segue, too, to this weekend’s calendar of events, as both the Empire State Comic Con and Saratoga Comic Con will be battling for the attention of Trekkies, comic book readers and the cosplayers throughout the region.

I will readily admit—way down here, of course—that last night was the first time I’d seen Wrath all the way through. And while it dragged at times, I have to admit that I really enjoyed it. But having its main character discuss his role immediately following the fact? Simply said: priceless.

The Calendar: What’s Going On In Saratoga Springs This Weekend

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Welcome to the Calendar at saratogaliving.com—our expertly curated list of the top events, live music, readings, workshops and everything else in between hitting the Capital Region on Fridays, Saturdays and Sundays. As always the Calendar will be updated every Thursday, so that you’ll have a jump on your weekend plans. You’ll never have to ask “What’s going on in Saratoga?” ever again!

The US Air Force Concert Band And Singing Sergeants – Friday, April 6

It’s not everyday that you get to see a full military concert band and chorus—for free, no less. This Friday, April 6, from 7pm to 9pm at the Saratoga Springs City Center, the Spa City’s in for a rare treat, when the US Air Force Concert Band and Singing Sergeants—two of the USAF’s performing groups—swing into town from Washington, DC, and put on a free concert (though it’s free, you still have to register in advance here).

The Concert Band features 53 active duty members, including five trumpeters, five French horn players and a gaggle of other woodwinds, brass and percussion. They even have a harpist! The Singing Sergeants are a bit more exclusive, featuring 23 active duty Airmen, who perform more than 200 concerts a year. First founded in 1943 as a male-only chorus, the group integrated in 1973 and now includes both men and women.

The groups are stationed at Joint Base Anacostia-Bolling in DC, and as noted on their website, “[honor] those who have served, [inspire] American citizens to heightened patriotism and service, and positively [impact] the global community on behalf of the U.S. Air Force and the United States of America.”

Friday, April 6

Albany Craft Beer Week – various locations around Albany

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The CoverUps – 6pm to 9pm at The Saratoga Winery – 462 Route 29, Saratoga Springs

Intuitive Vinyasa Flow – 6pm to 7pm at Rise Yoga – 422 Broadways, Suite 202, Saratoga Springs

John Primer – 8pm to 10pm at The Linda – 339 Central Avenue, Albany

Saturday, April 7

Empire State Comic Con – 10am to 7pm at the Albany Capital Center – 55 Eagle St., Albany

Saratoga Comic Con – 10am to 6pm at the Saratoga Springs City Center – 522 Broadway, Saratoga Springs

Heard Album Release – 8pm at Caffè Lena – 47 Phila Street, Saratoga Springs

Start Making Sense (Talking Heads Tribute band) – 9pm at Putnam Place – 63a Putnam Street, Saratoga Springs

Sixties Spectacular – 7pm at Proctors – 432 State Street, Schenectady

Albany Craft Beer Festival – 12pm to 3pm and 4pm to 7pm at the Washington Avenue Armory in Albany

Sunday, April 8

Empire State Comic Con – 10am to 5pm at the Albany Capital Center – 55 Eagle St., Albany

Saratoga Comic Con – 10am to 5pm at the Saratoga Springs City Center – 522 Broadway, Saratoga Springs

Schuster Series: final reading of Look Homeward Angel – 1pm to 3pm at The Spa Little Theater – 19 Roosevelt Drive, Saratoga Springs

Bruch at The Blue Hen – 6:30am to 2pm at The Adelphi Hotel – 365 Broadways, Saratoga Springs

10 Most Memorable Upstate New York Advertising Jingles

If you grew up in the Capital Region and owned a television set, they were unavoidable. By “they” I mean, the memorable local advertising jingles that were circulated during news or TV show ad breaks over the past few decades (many are still kicking). So what if these businesses didn’t have the ad budgets to hire the Don Drapers of the world to do their “Coke” ad? They landed the next best thing: A small, local agency that believed a catchy, ear-worm of a song or catchphrase could resonate with a community and become part of its conversation. The majority of the time, they knocked it right out of the park.

The first local TV ad jingle I remember learning, word for word, was that of Lake George’s mini-theme park, Water Slide World. I probably came across the ad as a child in late spring or mid-summer on a Saturday morning, when I was glued to G.I. Joe: A Real American Hero or the World Wrestling Federation. And, well, because I was musically minded—from a young age, I was told I had a good “ear”—I picked up on its nuances right away. It was sort of like an extra-credit music class away from the rudimentary one I attended weekly at Lake Avenue Elementary School. My ear picked up on the excitement in the female ad-jingle singer’s voice, the one engraining in my psyche that I had to go to this mythical place in Lake George, where multiple water slides existed and young boys, just like myself, slid down, all the while enjoying the absolute hell out of life. (The irony of this never really dawned on me until now—that to enjoy Water Slide World, one would be avoiding the area’s main attraction…a gigantic, enjoyable, non-man-made lake.) Nonetheless, the jingle stuck, and below, I’ve included it, written out, with all of its inflections, for posterity.

Water Slide World, I’m really crazy ’bout your wild slides (wild you bet!)
Water Slide World, the No. 1 in family fun (fun you bet!)
C’mon-a baby gonna slide, slide, slide
C’mon-a baby gonna glide, glide, glide
C’mon-a baby gonna slide, slide, slide
Go wayyyyy (?)
Gonna glide down, fly high!
Whirl around, touch the skyyyyyyy!
Water Slide World…I really love the way you feel.

That jingle is so notched in my memory that I actually remember that its little musical denouement (“I really love the way you feel”) was only included in one version of the ad spot. I can’t help but wonder why they had the two versions, and better yet, what “I really love the way you feel” has to do with the rest of the song. Is the singer referring to the water slides? In other words, “I really love the way you [water slides] feel”; or “I really love the way you—that person you’re brushing up against in the water slide queue—feel.” Or maybe I’m missing the meaning altogether. Either way, the ad jingle was worth its weight in gold. It’s no doubt driven multitudes of excited children to their parents, asking, pleading for a trip to Water Slide World. (Ironically, to this day, I’ve never actually set foot in the park; my grandparents had a place on the actual lake when I was a kid, so it was an easy out for my parents.)

Below, find the two Water Slide World variations, as well as nine other memorable local ad jingles or catchphrases that you know you know by heart.

Water Slide World – Lake George, NY – “Water Slide World Theme,” Opus 1 and Opus 2.

Enchanted Forest Water Safari – Old Forge, NY – Besides Water Slide World, this one would be on my local ad jingle greatest hits record, because it’s not only a fully formed song, but it’s also got one of the greatest catch-phrase outros ever: “Enchanted Forest, Water Safari! Where the fun never stops!” Dammit, now it’s stuck in my head.

The Great Escape & Splashwater Kingdom – Lake George, NY – Splashwater Kingdom is basically a competitor of Water Slide World’s, so their ad writers needed to figure out a way to set themselves apart. A bluesy duet? Check. A bitchin’ bassline? Check. Jingle jangle go the coins in their pocket.

Martin, Harding & Mazzotti – Niskayuna, NY – My late grandfather, himself a lawyer, had a decorative plate mounted on his kitchen wall, with the famous William Shakespeare quote from Henry IV, Part II on it: “The first thing we do, let’s kill all the lawyers.” For being a quiet man, he had a great sense of humor. But look, lawyers have a place in this world—especially, local ones such as Finkelstein, Levine, Gittelsohn and Tetenbaum (another lineup I remember by heart from my early days); and Martin, Harding & Mazzotti, the latter of which has one of the funkiest, most out of character—yet tremendously catchy—ad jingles of all time. Do it again!

Jack Byrne Ford – Mechanicville, NY – The brains behind the Jack Byrne Ford ad campaign had such a novel idea: Get a bunch of different people throughout the years—including young children!—to sing the classic jingle. Like the Enchanted Forest tune, it’s less about the complete composition than it is the tagline. But it’s a memorable one. Confession: I looked far and wide on the interwebs and couldn’t find a single pirated version of my favorite version of the ad, where a little kid sings, in an adorably off-key tone, “Everybody, everybody, everybody, everybody, everybody likes Jack Byrne!” But at the end of the video above, a bunch of guys say it. That’s good enough for me.

Metro Mattress – various upstate locations – I lived in New York City for 14 years, and I used to hear this one on TV all the time. But then I moved back upstate, and what do you know? It’s still on. And there’s a Metro Mattress in Saratoga Springs. The next time you have a bad night on your uncomfortable, old futon, singing this jingle might make you feel better. Or want to go out and buy a new one. At Metro Mattress.

Hippo’s Home Entertainment – Albany, NY – So short, yet so effective. Yes, Hippo’s has it.

Saratoga Race Course – Saratoga Springs, NY – Everybody’s favorite horse track has had some memorable jingles throughout the decades. Not that I remember any of them by heart. The Race Course never really needed a jingle, in my opinion; the fact that it’s right along the main drag when you get off the Northway is the best, freest advertisement an entertainment venue could ever ask for. But they cut some dope tracks back in the day. Like the OG one above.

Huck Finn’s Warehouse – Look, I know the business has since rebranded to The Warehouse at Huck Finn’s, but the way I’ll always remember it is per its ad jingle, “Huck Finn’s Warehouse and More.” It’s basically just a quick ditty, but it’s oh so pretty.

Fuccillo Automotive Group – Even though this isn’t a song per se, I had to include Billy Fuccillo and company on this list, because his gonzo ad campaigns—which seem like they’re being videotaped in real time using a camcorder—are some of the greatest achievements in the medium anywhere. Hell, it got him on that BuzzFeed list that got shared a bazillion times, which your high school friend on Facebook thinks published yesterday. Who needs a song? Just be HUUUUUUUUGGEEEEE.

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If I missed any, be sure to leave them in the comments section of this piece, tweet your pick at saratoga living‘s Twitter handle or post them in the comments section when we post this one on Facebook.

Albany Craft Beer Week And Festival Bring Sensational Suds To The Capital Region

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Having spent 14 years in the Big Apple and nine of those years in a trendy part of Brooklyn, I became accustomed to ordering an expertly crafted cocktail, made by a curlicue-mustached hipster, with several artisanal liquors I’d never heard of in it and an oversized ice cube swimming in the middle. With the rare exception of a full-bodied red at a steak dinner or a line of shots consumed on a birthday, the cocktail was my go-to drink.

Since I’ve moved back upstate, that’s no longer the case. Here, the de rigueur drink, at least at the places I go out to on the weekend, is craft beer. It’s bloody everywhere, whether you’re drinking it at an actual craft beer brewery, bar or restaurant—and the number of alcohol contents, flavors, colors and prices seem to be all over the place. I tend towards the darker ones—the stouts and porters—but I love a good IPA, ale, lager or practically anything anyone hands me. Not that I’m some kind of college-aged lush; no, I’m 38 and at this point in my life, just a big fan of never-before-tasted tastes. And that’s what makes craft beer so palatable; it’s like the “32 flavors and then some” of the alcohol world.

It turns out that the Capital Region is bit of a groundbreaker when it comes to craft beer production—and the area loves its beer-based confabs. Take this week’s Albany Craft Beer Week, which runs through April 7, culminating in a Craft Beer Festival this Saturday, with a pair of sessions—12:30pm to 3pm and 4pm to 7pm—with a maximum of 750 participants for each. The Beer Week festivities, which kicked off on Monday, April 2, include a panoply of different tap takeovers, pub crawls and specials at local bars. The Festival, held at the Washington Avenue Armory, will feature pub grub from vendors such as Lost & Found (porchetta sandwiches) and City Beer Hall (gourmet hot dogs); and pours galore (some extremely rare) from breweries, such as Ballast Point, Crooked Stave and Oxbow. Also onsite will be a number of locals tapping their treasured kegs, such as Brown’s of Troy/Hoosick Falls, Ommegang of Cooperstown and Druthers of Albany/Saratoga.

Festival tickets cost $65, and can be purchased here. Follow any goings-on on Albany Craft Beer Week’s Facebook page, too. And if you happen to run into a guy this week or weekend, who’s going slightly gray on the sides of his head, with a grin from ear to ear, at one of these great events, that’s probably me. But then again, that could be just about anybody—who’s 21 or over, of course.

Glens Falls’ Hyde Museum Showcasing Rare Pair Of Rockwell Kent Collections

Two art collections collide at the Hyde museum this April, highlighted by a number of seldom-seen works. The pair of exhibits—one entitled “Rockwell Kent: Prints from the Ralf C. Nemec Collection & Paintings from North Country Collection,” the other, “A Life and Art of His Own: Paintings from North Country Collections”—celebrate the work of American painter, printmaker and illustrator Rockwell Kent (1882-1971). They’ll be on display at the art museum and historic house from April 8 (this Sunday) through July 22.

Born in Tarrytown, NY, and educated at Columbia University, Kent was one of the most versatile artists of the early 20th century, working as a printmaker, painter and ceramicist, as well as woodcutter, writer, illustrator and architect (he studied the latter at Columbia). Though Kent would end up producing many of his famous works, hunkered down at his Adirondacks studio in Au Sable Forks, NY, he was well known for his traveling bug, which led him through Greenland, South America’s Tierra del Fuego, Newfoundland, Alaska and a number of other rugged areas both abroad and stateside. It helped inform his prescient, modernist artwork.

Unlike many of his contemporaries, Kent also stood out by way of his political views, which at times were seen as subversive and controversial. (Some still might believe so.) Politically socialist and progressive, he would spend his lifetime as a social activist, supporting labor-related causes and friendship with the Soviets—which in the ’50s, caught him in the crosshairs of Senator Joseph McCarthy’s Red Scare. “He was a great patriot and very vocal about his strong belief in social rights,” says Jonathan Canning, Director of Curatorial Affairs and Programming at the Hyde. “That led Kent to be labeled a socialist, making him a controversial figure.”

The Hyde’s hoard includes a collection of 52 prints, along with a selection of ceramics by the artist; as well as 37 paintings, many of which have been sourced from Plattsburgh State University’s art museum. The painting collection also includes several that have rarely seen the light of day.

One of Glens Falls’ top tourist attractions, the Hyde’s permanent collection includes nearly 4,000 works of art, including paintings, drawings, graphics, sculptures and more. The Hyde includes works by everyone from Rembrandt and Edgar Degas to Pablo Picasso and Winslow Homer. For more on the Rockwell Kent exhibit, click here—additional reporting by Natalie Moore

Bob Dylan’s ‘Going Electric’ Tour Guitar Set For Auction

I admit it: I wasn’t always a big fan of Bob Dylan’s music. When I was a kid, my mom had two of his LPs from her girlhood collection—Blonde on Blonde and New Morning—and I vividly remember putting them on the living room turntable and wondering why I’d made such a horrible decision. That voice! All the words! Yuck, I thought, and went back to playing with my G.I. Joes.

But as I got older, and my taste in music became a little more refined, I realized the mistake I’d made all those years ago. Dylan wasn’t just some garrulous, off-key faux-hemian; he was a true poet, wordsmith, historian and legend. His voice was actually pretty cool, if you thought about it for awhile; who else sounded like him? It had a lot more soul than some of the junker pop stars of the day. And certainly, contemporaries such as Donovan and Jim McGuinn (of The Byrds) aped his singing style, so they must’ve seen something in it. In short, he’d influenced all of my favorite bands, in some way, shape or form. And he’d done it all by himself. When I discovered his connection to Saratoga Springs—my hometown—it was all over for me.

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Bob Dylan
The Fender Telecaster in question, which was played by Bob Dylan, Eric Clapton and George Harrison. It’s hitting the auction block in May at New York’s Hard Rock Cafe. (Julien’s Auctions)

Dylan had cut his teeth onstage at Caffè Lena, when it was just him, his sneery, talky voice and an acoustic guitar. And fans loved him for it. They ate up that folk aesthetic, and that’s what they came to respect him for and identify him with in those early years. And then, as the story goes, in 1965, he showed up at the Newport Folk Festival with a Fender Stratocaster electric guitar, and all hell broke loose.

That day, folk purists were mad as hell when he launched into a plugged-in version of “Maggie’s Farm,” and they legendarily began booing at him. (That fact has been disputed, of course.) But what really happened that day was something much more monumental than anyone could’ve known at the time: Dylan was showing that “the norm” wasn’t his bag, and just as he had first shaken up the folk scene and ended up influencing supposedly un-influence-able bands such as The Beatles (see the acoustic numbers on Rubber Soul), he was doing the same for the folk music status quo—hell, all of music. Right there on the stage, he was heralding in a new era of rock and roll.

Around that time, Dylan started playing a Fender Telecaster electric, owned by touring bandmate Robbie Robertson, which he used on some of his most famous recordings—and extensively, on his “going electric” tour in ’66. (At that time, Robertson was a member of The Hawks, who later became known as The Band, one of the most influential Americana bands in music history.) That Tele would also be passed around like a peace pipe, played by guitar gods such as Eric Clapton and George Harrison. Some of the recordings its twangy tone made its way onto? Dylan’s rare guitar solo on “Leopard-Skin Pill-Box Hat” on Blonde on Blonde (among other tracks); Dylan and The Band’s Basement Tapes, initially recorded in ’67 and released in the mid-’70s; and The Band’s seminal eponymous record and the groundbreaking Music From Big Pink, recorded in Upstate New York, just outside of Woodstock in West Saugerties, NY. The guitar was also featured in live performances by The Band at Woodstock, Isle of Wight and Watkins Glen, as well as their ’71 concert album, Rock of Ages (see below.) In short, the guitar is a legend unto itself.

Bob Dylan Telecaster
At bottom right, at ‘Rock of Ages’ crease, Robbie Robertson playing the Telecaster in question.

Since the Tele ended up being more of Robertson’s axe than Dylan’s, he held onto it. And now, for the first time ever, he’s putting it on the auction block at Julien’s Auctions at New York’s Hard Rock Cafe on May 29, as part of their annual “Music Icons” sale. It has an estimated hammer price of between $400,000–$600,000—and could easily top that, given its incredible provenance and the fact that it’s been played by a Beatle and Clapton, as well as Dylan and Robertson. (In other words, it will be a desirable score for not just Dylan fanatics.) “The guitar has been on the front lines of so many phenomenal events, I gaze at it with amazement,” said Robertson in a statement. “When I think about all the creativity this guitar has been a part of, I’m still blown away.”

As a guitar player, I can’t help but agree with Robertson’s sentiment; it’s rare that such a historic guitar makes its way to auction, and my hope is that it’ll be bought, preserved and put on loan to the Rock and Roll Hall of Fame in Cleveland, so we can all enjoy it for posterity.

March For Our Lives: Checking In With Four Locals Who Attended Four Different Marches

It’s already been a week since the now historic March for Our Lives. As a student at a local college, I knew plenty of people who, this time last week, were busy making up signs or packing backpacks for a carpool or bus ride down to Albany or the city. It was easy to see the enthusiasm, the fervor in their eyes. But it wasn’t just students and young people that spearheaded this massive wave of people that rolled across the country on the 24th of March. Perhaps the thing that has surprised me the most in the week since the demonstrations is the sheer number and diversity of the people who participated.

Though the main march occurred in Washington, DC, the March for Our Lives was a national event. Almost every town in America either had its own march, or welcomed people who traveled, in some cases hundreds of miles, to participate in another. I found four people from our own community, who participated in four different versions of the march, and asked them why participating was so important to them.

Scott Carrino and his wife Lisa (below) are the owners of the Round House Bakery Café in Cambridge, NY, as well as the Pompanuck Farm Institute, an eco-retreat center near Bennington, VT. They helped organize the march in Cambridge, the one closest to Saratoga Springs. Here’s what Scott told me:

March For Our Lives
Scott Carrino’s wife, Lisa, cutting a cake specially baked for the event at their café. (Ken Gottry)

“Well, Nancy Krauss really deserves all the credit. Nancy owns the Copper Trout Gallery in town. She was also one of the main organizers of the Woman’s March in Cambridge. She loves community and this was her main effort. As for the March, it was great. There were 300 people, including three congressional candidates and the Mayor of Saratoga. But really, it was the people of Cambridge, Salem and Greenwich that showed up. The march went down East Main Street and ended at our café. The Roundhouse Bakery Café is a community gathering place, and so it was logical that we would be asked to host the spot where everybody landed at the end of the march, and we were very, very happy to do so. My wife and I have been living in this community for 30 years, and we believe that people can get together, voice their feelings about issues and make these marches be a larger expression all over the country.”

March for Our Lives
Basil Lilien

Basil Lilien is a junior studying English at Skidmore College and attended the Albany march. Basil’s interested in creative writing, disability studies and education-related advocacy. Here’s what he told me about his experience at the march:

“I wanted to be part of the tangible proof that there’s a significant portion of the country that is tired of the status quo and ready for common sense gun control legislations. However, part of me worries that these sorts of marches are ‘preaching to the choir.’ But another part of me thinks they have the power to influence people. At the very least, I hope the march motivates more people who support gun control to be outspoken and vote. And I did see some signs I didn’t expect to see, like from those who choose to use guns for hunting but want to regulate which guns are available. So hopefully that makes people realize that there are multiple positions that can be taken in this debate; it doesn’t have to be all or nothing.”

March for Our Lives
Gov. Andrew Cuomo (center) and his daughter, Mariah (at his right) took part in last weekend’s March for Our Lives in NYC. (Lawrence White)

saratoga living‘s own Chief Photographer Lawrence White, who snaps photos for our magazine and website all around the Capital Region, attended New York City’s March for Our Lives. Here’s what he told me about being there behind the lens—and for his own personal reasons:

“I served four years in the military during the Vietnam War. During that period, I was trained on handguns, long guns and automatic weapons. I’ve seen what these weapons do to human flesh and bone. For that reason, I have the greatest respect for guns, and I’m fully aware of why we must legislate safer ways to deal with them on a national basis. Events like this are an opportunity to share individual advocacy with the larger group and to display a level of commitment and focus to the public at large. I was struck by the cross-cultural mix of the crowd. Young and old from all races, religions and economic backgrounds were in attendance, and their clear level of commitment to the cause was impressive. During the afternoon, I met photographers from Europe, Asia and South America. If the goal of the march was to get the world’s attention, these marchers were highly successful.”

March for Our Lives
Patrick (left) and Joseph Vesic (right), who is holding the sign he brought with him to the March for Our Lives in Washington, DC.

Joseph Vesic was one of the local high school students who traveled down to Washington, DC, to take part in the march. He’s a senior at Ballston Spa High School and was one of the main organizers of the walkout against gun violence there. His parents own the Ripe Tomato restaurant on Route 9. Here’s his perspective on why he attended the March:

“When people ask me why I personally felt the need to take to the streets of Washington, DC, to protest Congress’ inability to pass comprehensive gun reform regulations, I often like to quote President John F. Kennedy: ‘Ask not what your country can do for you—ask what you can do for your country.’ Participation in the March last week in Washington is what I consider my civic duty; I take great pride in the fact that I participated in protesting an issue that is so important to me. I think that the marches that took place across the country were able to give this debate the momentum that it needed. We’re starting to see many states across the country beginning to listen to the future leaders of this country by changing state gun laws.”

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Of course, these four participants represent only a tiny cross-section of our community. And it’s entirely possible that their neighbors, friends or family members—or even you!— share different views about gun control or national marches than they do. It’s understandable; this is a free country; we all have the right to our own opinion. But even if you find yourself disagreeing with these people’s viewpoints or reasons for attending the march, know that this could be the first step towards a dialogue. After all, having a good, intelligent debate never hurt anyone. And who knows? Maybe you’ll learn something from one another.

‘Nightmare On Elm Street,’ ‘Stranger Things’ Actors Appearing At Empire State Comic Con

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When I was a teenager attending Saratoga Springs High School, I wasn’t part of the cool crowd. No, I was about as big a dork as they come. My Friday nights were spent watching The X-Files somewhere with my equally dorky friends, not attempting to take nips out of my parents’ liquor bottles. Sure, you could’ve found me cheering on the Blue Streaks in the stands at the East Side Rec, but it was all a cover: I was way more interested in baseball cards and comic books to give a crap about jock sports.

Now, years later, long after the majority of my contemporaries have put away childish things, I’m still totally into them—cards, comics, The X-Files (reboot) and a number of other dorky hobbies I don’t mind spilling e-ink about here on saratogaliving.com. One of those is horror movies, which I’d consider myself a connoisseur of. What I like most about the genre is how it thumbs its nose at the futility of life. Most horror films seem to be saying, “Look, you’re going to die someday anyway, so why not go fast—or at times, painfully slow—at the hands of a masked psychopath or giant monster?” I must’ve watched hundreds of horror films in high school, and I even invited a few people over to my house to watch some of them with me.

Nightmare on Elm Street
The original ‘A Nightmare on Elm Street’ came out in 1984. When I was four.

Getting my horror fix in Saratoga was easy back in those days. I still remember the exact layout of the Drive-In Movie Store, which used to be located in a small strip mall on South Broadway in Saratoga (it’s long gone at this point). You’d walk in, and once making it through the circuitous layout of the room, off to your left, there’d be a sizable selection of worn-out slasher film boxes (in those days, you’d get the VHS tape once you paid up at the counter). I’d spend the most time in that section, hunting down the next movie that would make my hair stand up on end. I was obsessed with freaking myself out. I watched The Shining multiple times, as well as The Last House on the Left (the original!). I dug right into the Halloween series, and even cracked the first couple Friday the 13th films, the first of which doesn’t even star the hockey-masked Jason Voorhees, but rather his insane mother and a young Kevin Bacon, whose fate I will not divulge.

One horror series I never summoned the cajones to watch, though, was A Nightmare on Elm Street. To this day, I haven’t seen a single one of the movies from start to finish. I guess the concept of a guy who invades your dreams—and can actually murder you in them—scares the living daylights out of me. But he’s not just any old dream-state menace. His face looks like somebody pressed it into a panini machine; and he has a leather glove, which he only wears on his right hand, that has sharp, Wolverine-like talons jutting out of it. Throw in a fedora and striped sweater, and Freddy Krueger is my worst nightmare. And it just so happens that the actor who originally portrayed Freddy, Robert Englund, is headlining Albany’s upcoming Empire State Comic Con, which opens its doors to the public April 6-8 at the Albany Capital Center. Instead of watching this guy tear people up onscreen, I could actually shake his…left hand in Upstate New York.

Also on tap to appear at the Comic Con are Englund’s Nightmare co-stars Amanda Wyss (Tina Gray) and Charles Fleischer (Dr. King). (Sadly, Johnny Depp, who made his onscreen debut in the film, will not be making an appearance; my guess is he’s gone on to bigger and better things.) But the Nightmare cast members are just the tip of the iceberg, in terms of talent appearing at the event. Also making cameos at the event: co-headliner Ryan Hurst (Opie on Sons of Anarchy); Cara Buono (Karen Wheeler on Stranger Things); Brian O’Halloran (Dante in Clerks); and the meanest, greenest badass of the late ’70s, Lou Ferrigno, who played the Incredible Hulk.

Single-day passes cost between $20-$30, and three-day passes weigh in at $55 (though, for kids, they cost about a third of that price at $20). And if you have a little extra scratch to spend, you can pick up a VIP pass for $110, which will get you a fast pass to the autograph line; a free bag of swag; and a number of other onsite perks throughout the weekend.

Look, if I end up summoning the courage to go to the event—and, you know, get sign-off from my better half—I’m going to make an effort to have fun. There’ll be cards, comics and toys there to tempt me, for sure. But I’ll know that there’s a man somewhere at the event, who could, just by looking at him and picturing that claw strapped to his right hand, give me real nightmares.

Exclusive: Award-Winning Architect Antoine Predock On His Design For Skidmore’s Tang Museum

Before I spoke to Antoine Predock, the award-winning architect behind Skidmore College’s Frances Young Tang Teaching Museum and Art Gallery, I found the building architecturally intriguing but almost entirely inscrutable. Its cement and stainless-steel walls jut out at odd angles and uneven heights, and meet at a mishmash of trapezoidal planes. To me, it looked like a military compound from an alien planet. But during my conversation with the architect, he demonstrated how, for all its otherworldly quirks, the Tang belongs at Skidmore and nowhere else. It wasn’t conceived as just another cookie-cutter, redbrick building, meant to disappear into the architectural mélange the college campus’ original architect, O’Neil Ford, had envisioned in the 1960s. No, the museum, which first opened its doors in 2000, was deeply rooted in the natural, cultural and social fabric of Saratoga Springs.

As the architect explained to me, before his concept for the Tang even made it to the drafting table, he began by producing an enormous, 4-foot-by-12-foot-long collage. Beginning the rectangular piece with what he called Saratoga’s “deepest geologic time,” it consisted of a series of torn-out photographs—both black-and-white and color—and strips of text with incomplete sentences and descriptors written on them in all manner of typefaces. It was sort of a visual brainstorming session. One such photo shows a scene from a horse race, while a thin strip of words nearby reads: “thinner-than-thin Saratoga chips.” It’s really a sight to behold. “I was so deeply committed to the understanding of the place,” Predock says of the project. “The site was detached from the main campus, with a sense of its own precinct. I wanted it to have its own authority and to be very much from scratch, about the place, about the mission at hand.”

Antoine Predock
A portion of Predock’s massive Saratoga collage. (Antoine Predock Architect)

After finishing the collage, Predock sculpted a model out of clay, setting it “on a gray base with topographic contours.” The project was literally taking shape from the ground up. “I think that you see that best in the winter,” says Predock. “There’s one shot I love of the Tang that shows how it comes out of the land, especially in the snow.” The architect’s intention was to “anchor” the building in its natural surroundings: “I think there’s a lot packed into it in terms of an anchorage of the building to the Earth, and then a celebration of the sky. On one side of the building is the masonry arms, and on the other, the catwalk-like steel ramp-way—and they zoom like they’re going into the Earth and they erupt out of it and take you upward into the tower. And having the stainless-steel skin of the building mirror the sky, sometimes it fades into it.” Predock’s choice of building materials was also a direct hat-tip to the plot of land’s geological makeup. “The color of the building matches the limestone strata below, juxtaposed with stainless steel for the section of the building that has galleries,” he says. “So there’s not only a totally modern expression, but also a very timely anchorage to the site.”

However, the Tang’s design aesthetic wasn’t just inspired by its location’s natural and geological features; Predock says he was also heavily influenced by the actual people he met while working on campus. “When you do a building, you really kind of haunt the place,” he says. “I was there a lot, and the Skidmore and Saratoga Springs communities were so welcoming. Their energy and the energy of the place inspired me. And then on top of that, so did this fantastic faculty, this legendary college; you know it’s legendary for a reason.” To the latter point, the Tang was designed to be a teaching museum—both an art gallery and a space for instruction, inhabited by patrons, professors and students. “There are exposed galleries for teaching to make it a very inviting and participatory building, so one arm aims to the campus and invites oncoming students, while the other aims toward the pond; it was another way of anchoring it in place,” says Predock. The architect was also moved by Skidmore’s teaching methodology. “At the time I worked there, interdisciplinary pedagogy was not all that common, but they did cross-disciplinary teaching, merging different disciplines. That kind of cross-pollination was so rich, and it fed right into the building,” he says. “It was one of the best experiences of my life.”
In case you’re wondering, Predock isn’t just a one-trick pony. If you’ve been to Washington, DC, recently, you’ve likely marveled at his and Moody Nolan’s breathtaking design for the National Museum of African American History and Culture. He’s also spearheaded a diverse range of international projects in far-off locales such as Qatar, the United Arab Emirates, China and Japan.

Now that I’ve had a peek inside Predock’s mind, the Tang doesn’t seem so alien to me anymore. Saratoga’s natural and cultural identities were always a part of Skidmore’s campus; it just took a genius architectural mind to bring it to life.

Get To Know GOP Gubernatorial Candidate Marc Molinaro

Things have gotten a little more interesting for upstate Democrats in the past week or so, as Sex And The City actress Cynthia Nixon launched a gubernatorial campaign, attempting to unseat current New York Governor Andrew Cuomo in a potential primary runoff. But while that schism is taking place in the Democratic Party, the Republican Party has its own ideas. And they’re hoping a little youthful exuberance is the ticket.

Meet Dutchess County’s 7th County Executive Marcus J. “Marc” Molinaro—the youngest such executive in county history (he’s just 36)—who’s launched his own gubernatorial campaign. A Yonkers native, Molinaro’s actually been setting an example for young politicians since 1994, when he was first elected to public office at the tender age of 18. The following year, he became the youngest mayor in the US, when he was elected Mayor of Tivoli, a small village in Dutchess County (he was reelected five times).

Molinaro first appeared in Albany in 2006, when he was elected to represent the 103rd District in the New York State Assembly. And he actually has a rather positive history with Cuomo, who previously appointed him to serve on the Governor’s Mandate Relief Redesign Team. Molinaro’s been active in local preservation initiatives, and has also been an advocate to people living with special needs and developmental disabilities. He was even named “Best Politician” by Hudson Valley Magazine in 2012.

On Tuesday, Molinaro released his first campaign video, which lays out his plan for running against the incumbent Gov. Cuomo, though he makes no mention of him in it.

In the video, Molinaro talks about the need to hold politicians to the “highest standard,” and discusses his personal ethos, which is to just do his best. Will his best be enough, though? At the time of Nixon’s campaign kickoff, per a Siena College poll, both she and Molinaro were lagging, considerably, behind Cuomo in their election bids. For Molinaro, that’s to the tune of 57 percent to 29 percent, a nearly two-to-one advantage for the incumbent governor.