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Daily Racing Form: Firenze Fire Will Go In Gallant Bob Stakes Next

Firenze Fire, who spent the first part of the year chasing the Kentucky Derby dream, will make his next start in the Grade 3, $300,000 Gallant Bob Stakes going six furlongs at Parx Racing on Sept. 22, trainer Jason Servis said Wednesday.

Servis chose the Gallant Bob over the Grade 2, $300,000 Kelso, going a mile at Belmont on the same day, because the Gallant Bob is restricted to 3-year-olds. Also, it could open up the possibility of running in the Breeders’ Cup Sprint.

“If he ran good we’d have to entertain both,” Servis said, referring to the Sprint and the Dirt Mile.

Firenze Fire, who finished 11th in the Kentucky Derby, won the Grade 3 Dwyer going a mile by nine lengths on July 7, then ran third, beaten 1 3/4 lengths, in the Grade 1 H. Allen Jerkens going seven furlongs at Saratoga on Aug. 25. He has not raced at six furlongs since he won the Grade 3 Sanford at Saratoga in his second career start in July 2017.

Servis said Sunny Ridge, most recently ninth in the Grade 1 Woodward at Saratoga, is under consideration for the $150,000 Pennsylvania Derby Champion Stakes at 1 1/16 miles or the Kelso at Belmont, both on Sept. 22.

This story originally appeared on DRF.com


Visit DRF.com for additional news, notes, wagering information, and more.

Daily Racing Form: Saturday, September 15’s Race Of The Day—The Woodbine Mile

A field of 9, led by Delta Prince with 5-2 odds, is set to race in the eighth race of the day at Woodbine Racetrack on Saturday, September 15. The $800,000 race is one mile on the turf. Daily Racing Form‘s Matt Bernier and Jeff Bratt have the preview.

Whispering Angel’s Rosé Parade

It was the happiest of hours, indeed! Whispering Angel Rosé and saratoga living hosted an exclusive cocktail hour on the roof of the Pavilion Grand Hotel on Thursday, August 9.

Delicious, complimentary wine was in ample supply (and high demand!), as was tasty light fare from Fish at 30 Lake’s Executive Chef Tracey Kwiecien.

Guests enjoyed the beautiful weather in the hotel’s penthouse garden—and the gorgeous view of the city of Saratoga Springs down below. It was a rosé all day kinda soirée.

Take a look at some of the photos that were taken at the event above.

Laurence Gartel Brings His Design Magic To Saratoga Springs

I may be a Millennial, but I fall into that awkward camp of older, early-thirty-somethings who grew up before the advent of smartphones and social media. In fact, the most impressive piece of technology I had growing up was the original, thick-as-a-brick Nintendo Game Boy. I was very late (and reluctant) to get a smartphone, I still refuse to take selfies and only recently, did I agree to enter the Twittersphere (it’s strictly for business purposes). OK, so I’m a little behind.

Laurence Gartel, on the other hand, who’s nearly twice my age, has been ahead of the tech curve for more than four decades. “I discovered digital art in 1975 because of a high school girlfriend,” he tells me (more on that story in a minute). In fact, Gartel’s a legendary digital artist. The New York City native’s work has been exhibited all around the world, and he was the official artist for the 2015 Grammy Awards. He even introduced Andy Warhol to digital art, teaching the famed pop artist how to alter an image on his Amiga 1000 home computer.

This summer, Gartel’s driven some of his best work straight up to Saratoga Springs. Literally. DePaula Auto Group commissioned Gartel to skin a uniquely crafted Maserati Ghibli art car, bumper to bumper, with his eye-catching digital designs. The car made an appearance on Opening Day at Saratoga Race Course, at the National Museum of Racing and Hall of Fame, and has figured in a number of other charity events in the Capital Region this summer. Art cars are nothing new for Gartel; his first was a trippy (pun intended) Roadster commissioned by Tesla for the 2010 Art Basel Miami Beach. The Saratoga-themed Maserati that Gartel designed down in Florida marks his 58th such creation, and it’s been a part of raffles and fundraisers for Equine Advocates, Skidmore College and the Saratoga Automobile Museum, among others: Couples have been bidding for a chance to drive the art car to Lake Placid for a weekend getaway. (Tickets for the Auto Museum’s art car raffle will also be available at the Saratoga Wine & Food Festival presented by saratoga living September 7-9.)

But back to that girlfriend—and discovering digital art. Though Gartel says his mother used to take him to the Guggenheim Museum in New York City every Saturday, his true fascination with computers and digital art began more than 40 years ago when, fatefully, he followed that high school love interest to the University of Buffalo for a semester. There, by chance, he met avant-garde Korean-American artist Nam June Paik, long considered the father of video art. At the time, Gartel was interested in taking still images off of moving ones—and approached Paik with the idea (he’d gotten the notion watching Charlie Chaplin’s film Modern Times). “I told him, ‘I believe this is the future of art,’” says Gartel. “And he said, ‘You’re a crazy man.’” Taking that as a “huge compliment,” Gartel followed his passion, and the rest is history. It allowed him to drive a Maserati up from Florida to spend a summer in Saratoga. Sounds like he made the right decision.

Daily Racing Form: Friday, September 14’s Race Of The Day—Race 4 At Belmont

A field of 11, led by Alternative Energy with 5-2 odds, is set to race in the fourth race of the day at Belmont on Friday, September 14. The $75,000 race will be run on the turf at 3:09pm. Daily Racing Form‘s Mike Beer and Dan Illman have the preview.

Daily Racing Form: Catholic Boy Will Train Up To Breeders’ Cup Classic

ELMONT, N.Y. – Travers winner Catholic Boy will forgo a prep race and will train up to the $6 million Breeders’ Cup Classic on Nov. 3 at Churchill Downs, trainer Jonathan Thomas said Wednesday.

Following the Travers, which Catholic Boy won by four lengths, Thomas had said that he might look to use the Hill Prince, a 1 1/8-mile turf race for 3-year-olds at Belmont on Oct. 6, as a stepping-stone to the Classic. But upon further review, Thomas and his ownership group – headed by Robert LaPenta – felt training Catholic Boy up to the Classic is the preferred way to go.

“After taking a little time and going through his [past performances] and what’s worked for us in the past, the smartest move is training up to the Classic,” Thomas said by phone Wednesday from Lexington, Ky., where he was attending the Keeneland yearling auction.

Catholic Boy will have 10 weeks between the Travers and the Classic. He had 10 weeks between races after he won the Remsen and finished second, beaten a half-length, in the Sam. F. Davis at Tampa in February. He had nine weeks between the Florida Derby, where he was fourth, and the Penine Ridge at Belmont, a turf race that he won.

Thomas said he’s “a huge fan” of trainer Bob Baffert’s work and noted that that both American Pharaoh, in 2015, and Arrogate, in 2016, were 3-year-olds who won the Classic without having raced since the Travers.

“It’s a recipe that’s worked well, not that I’m putting him in the same category of American Pharoah and Arrogate,” Thomas said. “It seems like a good way to approach that race.”

Thomas said Catholic Boy would likely ship from Saratoga to Churchill “in the next week or two” and get four or five workouts over the main track in preparation for the Classic.

This story originally appeared on DRF.com


Visit DRF.com for additional news, notes, wagering information, and more.

Daily Racing Form: Lots To Like With Sister Sophia

ELMONT, N.Y. – Sister Sophia surprised even her trainer, Jorge Abreu, when she came with an eye-catching rally to go from last in a field off 11 to first in a first-level allowance race going 5 1/2 furlongs at Saratoga last month.

“The way she ran really impressed me that day,” Abreu said. “I don’t think she really wants to do 5 1/2. Three-quarters is better for her.”

Sister Sophia will get three-quarters of a mile when she returns to her favorite surface Friday in a second-level allowance/optional $62,500 claimer that serves as the featured event on Belmont Park’s nine-race card.

Sister Sophia is 4 for 14, with three of those wins coming at Belmont. Two of those three wins came at six furlongs, including a New York-bred second-level allowance victory here last September.

For Abreu, Sister Sophia has two wins and three seconds from six starts. She finished fourth to La Moneda – a subsequent stakes winner – going a mile here in June.

“A mile is not for her,” Abreu said.

Judging by her last performance, soft turf – which could very well be the case Friday – is for Sister Sophia, who handled give in the ground just fine at Saratoga.

“It was pretty soft,” Abreu said. “She didn’t mind it. She can run on both.”

Manny Franco has the call on Sister Sophia.

Franco is also named to ride Play Unified, who is entered to run only if the race is moved to the dirt. She won a similar race in the mud at Belmont in June. She was offered for the optional claiming price of $62,500 that day and is entered for that price on Friday as well.

KEY CONTENDERS

Sister Sophia, by Tale of the Cat
Last 3 Beyers: 84-76-79
◗ Won as easy as she pleased rallying from last despite a moderate pace last month.
“That’s just her style,” Abreu said. “She breaks with them and then she takes herself out of the race.”

Quality Time, by Exceed and Excel
Last 3 Beyers: 84-81-78
◗ Doesn’t win very often as her 2 for 13 record would suggest, but she has enough speed to be a factor in this spot under Joel Rosario.
“Big question mark is going to be the [soft] ground,” said Christophe Lorieul, assistant to trainer Christophe Clement. “It’s coming back a bit quick, but the filly’s doing okay.”
◗ Lorieul felt that Quality Time’s fourth in this condition at Saratoga was one of her better races.
“The quality of the field and the way she ran,” he said. “She was right there and she just gave up the last sixteenth of a mile.”

Sugar Queen, by Gemologist
Last 3 Beyers: 74-74-67
◗ Returns from 11-month layoff with a solid work tab for trainer Todd Pletcher.
◗ Finished third, beaten one length, in her lone try sprinting on turf, the Bolton Landing Stakes 13 months ago at Saratoga.

This story originally appeared on DRF.com


Visit DRF.com for additional news, notes, wagering information, and more.

Daily Racing Form: Delta Prince Favored Among Nine In Woodbine Mile

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ETOBICOKE, Ontario – The late-blooming Stronach Stable runner Delta Prince has been made the 5-2 morning line favorite in a field of nine for Saturday’s Grade 1, $800,000 Woodbine Mile.

Delta Prince made quite a splash on a sweltering day in his lone Woodbine outing June 30 in the Grade 2 King Edward Stakes, when he flirted with the one-mile course record during a decisive score.

Trained by Jimmy Jerkens, Delta Prince will start from post 3 under Javier Castellano, who was aboard when the 5-year-old finished a close second Aug. 11 in the Grade 1 Fourstardave at Saratoga.

“According to Jimmy, he’s doing great,” said Stronach Stable racing manager Mike Doyle.

Oscar Performance is the 7-2 second choice, with Jose Ortiz riding for trainer Brian Lynch. A multiple Grade 1 winner, Oscar Performance has worked regularly since being pulled up when favored in the Grade 1 Arlington Million on Aug. 11.

The Europeans Lord Glitters and Stormy Antarctic had their flight from Amsterdam delayed this week due to mechanical problems.

The ultra-consistent Lord Glitters (4-1) is coming off a Group 3 victory at York, which came on the heels of a third-place finish behind Lightning Spear in the Group 1 Sussex Stakes at Goodwood. His trainer, David O’Meara, won this event in 2015 with Mondialiste. Jamie Spencer has the mount.

Stormy Antarctic (8-1), a Group 2 winner in Germany, wound up third last time out in the Group 2 Celebration Mile at Goodwood. Gerald Mosse will ride him for trainer E.C.D. Walker.

The popular Mr Havercamp (6-1) romped over a modest group in the local prep for the Mile, the Grade 2 Play the King, run on yielding ground. Trainer Catherine Day Phillips will give leading local rider Eurico Da Silva a leg up on Mr Havercamp, who is unbeaten in four starts over Woodbine’s roomy course.

The Grade 1-winning millionaire Divisidero (8-1) has been idle since ending up third behind Voodoo Song and Delta Prince in the Fourstardave.

Rounding out the field are Good Samaritan (10-1), La Sardane (15-1), and Vanish (20-1).

Saturday’s 12-race program also includes a top-notch edition of the Grade 1 Northern Dancer Turf, headed by Hawkbill. Reigning Canadian Horse of the Year Pink Lloyd will be favored in the Grade 3 Bold Venture. The Grade 2 Canadian and the $100,00 Sweet Briar Too Stakes are also on the card.

Sunday’s excellent 11-race card includes the Grade 1 Natalma, the Grade 1 Summer, and the $100,000 Vice Regent Stakes.

The Woodbine Mile, a Breeders’ Cup Win and You’re in qualifier for the Breeders’ Cup Mile, will be broadcast in Canada on TSN 2 from 4-5 p.m. Eastern. Carded as race 8, the Woodbine Mile has a post time of 4:48 p.m.

This story originally appeared on DRF.com


Visit DRF.com for additional news, notes, wagering information, and more.

The Calendar: What To Do In Saratoga Springs This Weekend

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It didn’t take long for the summer to get blown away by an early autumn chill, but here in Saratoga, we’re still lucky to have plenty to do (see: last weekend’s Saratoga Wine & Food Festival—phew! I’m still recovering). And this weekend we’ll have the luck of the Irish with us thanks to Ballston Spa’s Irish 2000 Music and Arts Festival. It’s a one-day event jam-packed with all things Irish: delicious food, incredible Celtic crafts and works of art, and, oh yes, two stages’ worth of almost nonstop Irish music.

In previous years, the Irish 2000 Festival was held over two days with a smaller Friday night show and the full festival on Saturday. However, this year the organizers are returning to their green roots and doing the whole kit and caboodle on Saturday, September 15, 11am – 11pm (but let’s be honest, it’ll probably go later than that). So instead of cutting out any music, the Irish 2000 Festival decided to add a second stage and fill the day with a stunning lineup of music with everything from traditional folk to dance to gritty Irish punk and much more. Between the Coors Light and Nelligan stages, patrons will get to enjoy local favorites such as the Farrell School of Irish Dancers, the Schenectady Pipe Band (one of the oldest pipe bands in the country), local Celtic rockers Hair of the Dog and the not-so-local Screaming Orphans, four sisters who all grew up playing music together in Donegal, Ireland, and now have their own award-winning, pop rock band.

All this fun, music and festivities is happening at the Saratoga County Fairgrounds. Tickets are $16, if you preorder them, or $20 at the gate. And, as already stated, there’s always a lot of other great things to do in Saratoga. Check out some of the other events that are taking place below.

Friday, September 14

Ringo Starr & His All Starr Band – 8pm at Saratoga Performing Arts Center (SPAC).
Malta League of Arts – Plein Air Festival – 8:30am-3pm at Round Lake Auditorium and Village.
It Came From Schenectady 10th Anniversary Party – 7pm, celebrate with a screening of Forbidden Planet at Proctor’s Theater.

Saturday, September 15

Capital Region Apple & Wine Festival – 10am-5pm at the Altamont Fair Grounds.
NatureFest – 10am-3pm at Moreau Lake State Park Nature Center.
The 2018 Saratoga Showcase of Homes – It’s the Showcase’s first weekend, 11am-5pm Saturday and Sunday throughout Saratoga County.
Sebastian Maniscalco “Stay Hungry Tour” – 7 and 9:30pm, the popular comedian will be at the Palace Theater in Albany.
Hank Williams Birthday Celebration with the Bluebillies – 8pm at Caffè Lena.

Sunday, September 16

Saratoga Native American Festival – 10am-7pm, a free event at the National Museum of Dance.
Saratoga Palio Melanie Merola O’Donnell Memorial Race – 7:45am, the footrace (needs to be clarified) starts at the Saratoga City Center.

The Healing Arts: Saratoga Artist David Keenan’s Stunning Works Came To Life After A Personal Tragedy

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I value transparency. My favorite people tend to be those who easily reveal things about themselves without much thought to holding back. I found local artist David Keenan to be one of those people when we chatted about his distinctively high-energy works. From capturing the drama of horse racing and portraiture to a twist on patriotic themes, Keenan’s style is a celebration of saturated color and exaggerated scale. “I put everything I can into painting,” Keenan says. “I take risks—I’ve got nothing to lose. I want to be 100 percent satisfied that I gave it everything I could.”

It was personal loss, however, that ultimately brought him to this confident, creative place. Keenan describes how the untimely death of his wife had him reeling for years—but how throwing himself headlong into his work became cathartic, and ultimately, led to a creative rebirth. “I had the perfect life, and then the world just stopped,” he says. “Art was the one thing that got my head straight. I’m finally in a good place, and I think that shows in my work.”

Keenan maintains that his favorite piece is always the one he’s working on, but after some light prodding, he admits that he’s partial to Remembrance, a painting of a jockey who prevailed in a race he wasn’t supposed to win (see gallery above). “The odds were something like 30 to 1 against him,” says Keenan. “He’s looking up, with his hand to his face, as if to acknowledge someone who had passed. I found it to be very powerful.”

As a child, Keenan would accompany his father and siblings to Saratoga Race Course, but placing bets wasn’t what wound his clock. “There was always so much to look at: the colorful jockey silks, the horses and so much history,” he tells me. These days, he pops into town as often as possible to see his friends Rebecca Kane and Sharon Castro of AMP Galleries and Mike Marino of Gallery5one, all of whom display his work, and are always encouraging him to get into his studio to cook up more brilliance. He’s clearly been following their advice. “When I work on a piece, I look at it more than I paint on it,” he says. “I hang it up so I can stare at it, then I go back and work on it.” He then asks playfully: “Ever hear that expression, ‘a painting’s never really done?’ For me, it’s done.”