fbpx
Home Blog Page 299

Izzy and Moe: How The First Prohibition Agent And His Partner Tried To Dry Up Saratoga

One hundred years ago, in January 1918, Americans were waiting for Prohibition to take effect. The National Prohibition Act, also known as the Volstead Act, had already been passed by the United States Congress, and upon ratification by the required two-thirds majority of states, Prohibition became the law of the land in January of 1920. Even though one of the first Temperance meetings in the country was held in Saratoga County in 1808, that did not mean that the citizens of Saratoga Springs were willing to accept a restriction on their consumption of spirits in 1920. Federal law or not, the “Roaring Twenties” were exactly that when it came to the Prohibition Era at the Spa.

Almost from the very beginning, Prohibition agents tried their best to dry up Saratoga, while bootleggers and gangsters smuggled the liquid gold through town, and often had shootouts with rivals and police. The very first Prohibition agent, Isidor Einstein, and his partner, Moe Smith, were based in New York City, but raided speakeasies in such diverse cities as El Paso, Providence and Detroit. Known as “Izzy and Moe,” the agents employed a variety of disguises during their investigations and often raided the same places and arrested the same people more than once.

Saratoga Springs, of course, did not escape their attention, and Izzy and Moe made annual visits to the Spa from 1921 to 1925 to enforce the Volstead Act. They were very successful here in raiding speakeasies and making arrests. Their first raid in Saratoga may have been in 1921 when they arrested two men for selling liquor at R.H Mellefont’s Hotel on Broadway. A couple of years later, Izzy and Moe were back at the Spa and raided several places, including an Italian restaurant at 36 Phila St., Alvan Morrison’s place at 57 Congress St., and poor Mr. Mellefont’s for the third time since the selling of alcohol had been banned.

57 Congress St. was raided by the famous prohibition agents, Izzy and Moe. Wendy’s Restaurant stands at the location today. (Office of the City Historian, Saratoga Springs)

Izzy Einstein never carried a weapon while enforcing the law; his affable manner and clever disguises often left those he arrested in a good mood after having been caught by the popular agent. Yet Prohibition brought with it enormous profits, and Saratoga Springs was not immune from the subsequent violence and rise of organized crime.

The “bootleg trail,” which today we know as State Route 9, was the route travelled by rum runners down from Canada, through Saratoga and to points south. The area of the bootleg trail just to the north and through the city of Saratoga Springs was particularly dangerous, and there were several shootouts, stickups and even the killing of a state trooper along that part of the trail.

Local smuggling rings, like the ones run by A.J. Patneaude and Louis “Doc” Farone, would often use the side streets of Saratoga Springs to stay off the main road through town, but rivals and hijackers inevitably would find them. Gunplay related to liquor smuggling was reported on Circular Street, Maple Avenue, Ballston Avenue and Church Street over several weeks in the fall of 1923, which was about the same time that State Trooper Roy Donivan was gunned down by bandits on the bootleg trail about five miles north of Saratoga Springs.

In response to the murder of Trooper Donivan and the seemingly out-of-control wildness along the bootleg trail, as many as 30 federal agents were reassigned to the Saratoga district with orders to clean up the smuggling route once and for all. The violence associated with the bootleg trail led Commissioner of Public Safety Arthur “Doc” Leonard to issue sawed-off shotguns to the police and order his men to shoot to kill. The officers were told by Commissioner Leonard to “take no chances when assured of your man.”

Whether it was the result of the efforts of law enforcement or a truce between rival gangsters, the level of violence seemed to slacken off during the latter half of the 1920s. Yet less violence did not mean the authorities had an easier time of it in Saratoga. Thirsty residents of the Spa soon began registering their displeasure with the Volstead Act and those tasked with enforcing it more strongly.

Prohibition
Millet’s Hotel on Railroad Place was raided multiple times by Prohibition men. During one raid, the chief of police was called and asked to prevent the federal lawmen from entering the place, but he wisely refused to interfere. (Office of the City Historian, Saratoga Springs)

In 1929, Millet’s Hotel was again raided. Izzy and Moe had retired from Prohibition work, but other agents making a visit to Millet’s watering hole managed to seize a large cache of spirits including five barrels of whiskey, one barrel of alcohol, 100 quarts of Scotch whiskey and 200 quarts of rye whiskey.

While the agents were conducting their raid, Chief of Police John Armstrong received a phone call from an anonymous person who told him that the federals were making a mistake, and asked Armstrong to send his local officers to prevent the raid. Chief Armstrong wisely refused the request to interfere with the Prohibition men, and the seized liquor was soon secured at police headquarters.

Later, during another raid on Railroad Place, this time at Thomas Fennell’s premises, residents of the area did not content themselves with merely asking police to stop the probies, but took an active part in harassing the lawmen. Nearly 300 people began jeering at the Prohibition men, and some started to let the air out of the tires of government vehicles. Two members of the raiding party were required to stand guard over the cars with their hands resting on their guns until the business was complete. When it was all over and the agents had made a hasty retreat, no arrests or seizures were reported by the Prohibition Office in Albany.

On the west side of town, Gus “Dynamite” DeMatteo was operating his own watering hole when he was visited by a squad of Prohibition men at about 9:30 p.m. one night in August 1930. When DeMatteo realized what was happening, he refused to open the door, thus requiring the lawmen to break into the place and attracting a crowd of some 200 neighborhood residents to the scene. Soon a scuffle broke out when the agents tried to seize DeMatteo, and the agents found themselves on the wrong side of an angry crowd of West Side men, women and children. A clear-thinking woman telephoned police headquarters, and soon several Saratoga policemen arrived and fought their way into the DeMatteo place, rescuing the federal agents and escorting them to their cars that had been left parked near the intersection of Beekman and West Circular streets.

No arrests were ever made as a result of the Beekman Street fracas at the DeMatteo place, and with sentiment against the National Prohibition Act widespread locally and nationally, Prohibition would soon fade into history. The end of Prohibition was not the end of the gangsters in Saratoga, but it did close another wonderfully wicked and wild chapter in the history of the Spa.

C-SPAN’s Mobile Cities Tour Features Saratoga Springs

0

While filming episodes of Cities Tour, a series on C-SPAN, producers drive around selected cities in red, white and blue vans outfitted with cameras and production equipment to visit literary and historic sites. They also interview local historians, authors and civic leaders.

“It’s a bit like Carpool Karaoke,” C-SPAN producer Ashley Hill joked during a press event in September at the historic Canfield Casino in Congress Park, where the producer discussed Saratoga Springs’ turn in the spotlight for a Cities Tour that airs Dec. 16 and 17 on C-SPAN 2 and 3.

C-SPAN producers Ashley Hill, Tiffany Rocque, and trainer H. James Bond at the Oklahoma Training Track shooting footage for“A Special Saratoga Springs Weekend” set to air Dec. 16 and 17 on American History TV and BookTV. (Cathleen Duffy)

It’s not quite like Carpool Karaoke, the recurring late-night TV segment where show host James Corden drives celebrity guests around for a sappy pop sing-along. On the first and third weekend of very month, C-SPAN — known for its no-frills, no-commercials public affairs programming — takes its brainy “Book TV” and “American History TV” on the road to feature the history and literary legacy of each chosen city.

Producers of the series spent five days in Saratoga Springs during the last week in September. “Not every city we go to is as hospitable and welcoming,” Hill said, buttering up the crowd of local officials and journalists at the Casino. “We were immediately taken aback by how beautiful your downtown is. One day in, and I’m already impressed. I can’t wait to get out to Broadway and visit all your local shops.”

C-SPAN film vans took to the streets of Saratoga during the last week of September. (Cathleen Duffy)

The program on Saratoga Springs delves into the city’s history, including the legacy of horse racing and the healing mineral springs that first drew people here. The producers ventured to the Saratoga National Historic Park and Battlefield, the site of the turning point of the Revolutionary War; the Saratoga Race Course; Yaddo, the famed artist’s retreat; Grant Cottage, where Ulysses S. Grant spent the last weeks of his life finishing his memoirs; and other historic and literary landmarks.

Interview subjects included historian and Saratoga Living writer Field Horne; Mayor Joanne Yepsen; and author David Fiske, the biographer of Solomon Northup, an abolitionist with roots in Saratoga Springs, who wrote his memoir Twelve Years a Slave about his escape from slavery.

“Once we’re into telling a story, we let the people who know it best, tell it,” Hill said of the show’s focus on interviewing knowledgeable local sources.

Saratoga After Dark: Big Eyed Phish Concert Benefits UPH, SAM

Amid an array of vintage “Wheels at Work” vehicles, the Dave Matthews tribute band Big Eyed Phish performed to benefit Universal Preservation Hall and the Saratoga Automobile Museum at the museum October 14.

“This is a first for us, with the cars,” Big Eyed Phish lead vocalist Brandon DePaul told the growing crowd. “You can come closer to the stage if you want,” he said later, as the over 100 people in attendance warmed up to the band and unconventional venue. “We’re scary but we don’t bite,” violinist and harmonica player Mike Hoeschele added.

Eventually, the crowd responded, moving closer and swaying to the boomp-bahs of the band’s jazzy rock sound. Others stayed in the back showroom, listening to the Dave Matthews classics, but continuing conversation over hors d’oeuvres and drinks from Mount Felix Winery. Others perused the vehicles on display in the “Wheels at Work” exhibit, which included a 1951 International Harvester van that sold Grasso’s Italian Ice, and a Port Authority K-9 Police Jeep smashed by falling debris in September 11.

The concert, organized by UPH and hosted by SAM, raised funds for UPH’s renovations, as the former church is being transformed into a year-round performing arts and community events venue, and for SAM’s education, distracted driving and exhibition programs. UPH Campaign Director Teddy Foster said the benefit concert reached the organizations’ fundraising goal, and was a success in every aspect.

Big Eyed Fish
Bart Earley, Tina Marzano and Brian McGarrahan serving up drinks from Mount Felix Winery behind the car bar. (Cathleen Duffy)

“It was fabulous,” Foster said. “Everybody loved the band – people were crazy for the band. They are the tribute band for Dave Matthews nationally.”

More importantly, Foster said, the event made more people aware of the SAM and UPH venues. She said that usually, at events like this, she knows a lot of the attendees. At the Big Eyed Phish concert, many were strangers to her.

“For me, that’s a total win,” she said.

Lighting and sound production by SAVI; a cash bar selling beer, wine and cider; raffles for a stay at the Adelphi hotel; and two tickets to see former Vice President Joe Biden speak at Proctors, rounded out the successful night.

The first-time collaboration between UPH and SAM proved a success.

“We were thrilled to partner with Teddy Foster and UPH,” Heidi Shull, director of sales and corporate development at SAM, said. “Everyone on her staff was wonderful to work with and share a genuine passion for supporting the arts. UPH did a tremendous job blending an auto museum with a concert hall. It looked and sounded amazing.”

A second collaboration between UPH and SAM took place Nov. 4: a dance party at SAM featuring Alta Havana. The Latin jazz band includes keyboardist Jorge Gomez, founder of the three-time Grammy-nominated Cuban music group Tiempo Libre (and husband of Saratoga Performing Arts Center President and CEO Elizabeth Sobol).

UPH also teamed up with SPAC and Proctors in October to present The Sachal Ensemble, a Pakistani jazz group, and Song of Lahore, the 2015 film about them, in Saratoga and Schenectady.

Saratoga After Dark: Saratoga’s Spirit Comes To Life At Trask Art Show

The past, present and future were on display at the 2017 Trask Art Show & Sale at Canfield Casino in Congress Park.

The juried art show and fundraiser for the Saratoga Springs Preservation Foundation on Oct. 5 was held during the apex of our remarkably balmy Indian Summer. Women in sleeveless dresses, men in shorts, children playing ball and feeding the ducks (despite the signs) filled the city’s 17-acre backyard.

Famed landscape artist Frederick Law Olmstead helped create the basin-shaped park, with its mineral springs, Grecian pavilions and stunning Spirit of Life fountain—a memorial to Spencer Trask added in 1915 and restored by the SSPF a century later.

The park is at its best when the swelter of summer passes and autumn’s amber leaves peep out.

Carolyn Walker, art show judge Takeyce Walter and co-chair Betsy Olmsted. (Cathleen Duffy)

The three-story Canfield Casino building, erected in 1870, crowns the park, with its bracketed cornice and stately rooms. (Inquiring minds can report to the Saratoga Springs History Museum, conveniently housed inside, and learn about the gamblers, ghosts and gangsters who’ve haunted its hallways.)

And that’s why everyone was here. The Trask Art Show benefits ongoing efforts to maintain and restore the beauty of the town and share its story and treasures for years to come.

“Nearly 60 artists participated this year and over 50 of the works sold,” Nicole Babie, membership and programs coordinator for SSPF, said. “The event was a success, and we’ve received wonderful feedback from both the artists and attendees.”

Artists were invited to submit works that interpreted the spirit of life in Saratoga Springs by directly addressing local history, architecture, culture, preservation and concepts of philanthropy. The judges were Saratoga Arts founder Delores “Dee” Sarno and contemporary landscape artist Takeyce Walter.

Chuck Miller created his “Spirit of Saratoga” sculpture with old Saratoga Vichy Water bottles he bought on eBay. (Cathleen Duffy)

A printmaker, Betsy Olmsted (her work has been featured in HGTV Magazine, House Beautiful and Saratoga Living), and photographer Elizabeth Pedinotti Haynes (whose work has appeared in this magazine and many others) co-chaired the evening.

As the band Tanager played, the open bar flowed and delicious appetizers were passed, attendees took in the paintings, photographs, prints, drawings and mixed-media sculptures. Ballerinas, horses and stunning landscapes dominated.

One of the more memorable items included Jerolyn Ouimet’s “At the Canfield Casino,” which recreated the very room it was displayed in, with soft pastels. The effect was shimmering and Klimt-like, and throughout the night, attendees were drawn to its quiet but gilded beauty.

One eye-magnet — equal parts delightful, fun and intellectually stimulating — was Chuck Miller’s “Spirit of Saratoga,” a sculpture featuring old bottles of Saratoga Vichy Water (he got them on eBay) and a wooden Vichy crate circa 1960 (from a local antique store), all of it wired with a flashing light display.

Was it subtle? Would I want it in my living room? No, but I wouldn’t want Marcel Duchamp’s “Fountain” (1917) there either. And like Duchamp and his conceptual art, the piece evokes the subject (in his case, the spirit of Saratoga) literally and metaphorically and is just good, smart fun.

In addition to many of the artists, the judges and organizers of the event, most of SSPF’s board, Assemblywoman Carrie Woerner, Mayor Joanne Yepsen, Supervisor Matt Veitch (who also came wearing his SSPF board president hat), Supervisor Peter Martin and Commissioner of Public Works Skip Scirocco attended to support Saratoga’s past, present and future.

The evening was a closed loop in the best way: it paid homage to the past while funding the future of the storybook town we’ve been lucky to find ourselves in and must preserve for future generations.

Proctors, SPAC And UPH Present Sachal Ensemble And Film

0

Imagine this: You wake up tomorrow and immediately learn that a radical group within the military has staged a coup of your government. This group has strict religious rules, including grossly repressive rules on culture. One new rule mandates that only the coup’s style of religious-themed music can be played in the entire country. They call it a “cleansing.”This is exactly what happened in 1977 in Pakistan, the homeland of the musical group The Sachal Ensemble, which performed at Proctors on Oct. 28 and the Spa Little Theater on Oct. 30.

In response to the coup, Izzat Majeed, a Pakistani investor and music producer, formed Sachal Studios in the city of Lahore, which had been “Pakistan’s Hollywood” before the coup. Majeed had been heavily influenced by American jazz, after hearing American pianist Dave Brubeck perform when he was 8 years old. Majeed created The Sachal Ensemble as a place for traditional musicians and singers to perform the music that was in their hearts, not just the music on the coup playlist.

Violinist and conductor Nijat Ali. (Lawrence White)

In the film Song of Lahore that accompanies their tour, Sachal Ensemble flutist Baqir Abbas states, “I thank Allah that I can express myself through music and not through violence.”

“God willing, the entire world will see that Pakistanis are artists, not terrorists,” says conductor, violinist and co-arranger Nijat Ali, in support.


Drawing influences from all genres of music to color their traditional Pakistani sounds, The Sachal Ensemble calmly and exquisitely take us on a mystical musical journey that is somehow familiar, yet completely new. Their music provides fresh new perspectives, unexpected interpretations and infectious rhythms that captivate the listener.

The full Sachal Ensemble. (Lawrence White)

The audience at the Sachal Ensemble performance at Proctors was seated on the stage, up close to the performers, so the meditative expertise of the performance was intense and personal. The sound quality in the hall was stellar; however, some in the audience had trouble seeing the performers, who were seated on risers in front of a dark curtain. By design, the informality of the arrangement allowed audience members to roam to the side or to the back of the seating area, where they could see the performers and sway and groove to the music.

The Capital Region is incredibly fortunate to have such amazing cultural resources and historic venues as Proctors, Saratoga Performing Arts Center, and UPH, who collaborate to sponsor performances by rare and uncommonly brilliant talents such as The Sachal Ensemble and their sublime sounds of peace.

Tom Petty Remembered, From San Francisco to Saratoga

0

When I heard about Tom Petty’s untimely passing, it struck me that I had witnessed his genesis as an artist through the lens of my camera.

In the 1970s—the golden age of FM Radio—our local station, KTIM, in Marin County, California, was an amazing resource for new music. KTIM was the kind of station that introduced new unknown talent because they simply played good music, not just playing the big hits on the industry playlists.

One of their featured artists was Tom Petty and the Heartbreakers. KTIM played his first album extensively, particularly the songs “Breakdown” and “Fooled Again,” which were ignored on mainstream radio stations. In late 1977, I went to Winterland Ballroom in San Francisco with some pals and my Pentax Spotmatic SLR camera to see Tom Petty perform on a program that also featured English progressive rock band Be-Bop Deluxe. That was exactly 40 years ago.

As promoter Bill Graham introduced Tom Petty, you could see the singer-songwriter was so skinny he barely filled his striped white shirt. His glowing blonde hair and ultra-white flesh made him hard to see in the bright spotlights. Frankly, he looked like the abused child he had been in real life, and yet at the same time he looked fearless, unintimidated and bold.

When the show began, the band cut loose with an enormous, embracing sound that filled the hall. Petty’s interpretation of his own lyrics was brazen and brilliant. His band was impeccably responsive to his moods, while guitarist Mike Campbell showed why he is one of the greatest rock musicians of all time. It was a fantastic show.

Then, in 2010, I went to SPAC to photograph Tom Petty in performance again. Petty had reunited with The Heartbreakers after an extended time apart, and they were having a great time. It was clear from the moment that Tom Petty—seeming healthy and vibrant—hit the stage that he was an artist who had climbed the mountain. He had battled several personal issues and come out the other side with considerable humility and focus. His tremendous talent, artistry and magnetic persona were in full flower that night, and it was inspiring to see and photograph.

Upon hearing of his passing, I pored through these historic images again. It was breathtaking to witness Tom Petty’s artistic and personal transition and to realize what his music meant to our collective imaginations. Saratoga will surely miss Tom Petty, but we have his tremendous catalog to refer to and the knowledge that he loved to visit us here and did so often.

Tom Petty
Tom Petty at the Winterland in San Francisco, 1977. (Lawrence White)

NYC’s Cultural Carnival Is Just A Short Ride Away From The Capital Region

0

No sooner do the holiday celebrations begin, than a certain weary plea is heard. “I need to get away for a few days after the holidays — any ideas?” There’s the usual suggestions of skiing or beaches, but if you love entertainment, I posit New York City.

Did you know that New York City hosts more than 45,000 performing arts professionals and enthusiasts, attending eleven different industry conferences and festivals during the month of January? It is a cultural carnival, with many events free of charge or at nominal cost.

It’s an easy drive, but a difficult park, so I suggest taking mass transit. Amtrak is comfortable and travels through the beautiful Hudson River Valley. There’s also the Megabus, Trailways and other bus service.

Getting around the city is easy, no matter what Mother Nature brings. If your idea of the NYC subway is taken from a gritty, old movie from the 1970s, you are in for a shock. The subway of today is blindingly clean, with electronic signs that inform you when the next train will reach the platform — some stations even have Wi-Fi.

Lodging is a little less expensive in January, especially on weekends. There are deals to be had — call the hotels directly to inquire and don’t forget about Airbnb. With a little effort, you can find something at every price point.

Marc Ribot’s Ceramic Dog & Songs of Resistance will perform at the Winter Jazzfest Marathon. (Susan Brink)

The entertainment world convenes January 11–16 for the 61st annual global performing arts gathering, known as APAP, The Association of Performing Arts Professionals Conference. This year they will host 3,600 performing arts professionals – venues, booking agents, producers, performers and management from all over the world, representing 1,600 performing arts organizations. There will be over 10,000 performance showcases and a 370-booth EXPO Hall, the largest of its kind at The Hilton Midtown. While you do need to be a registered attendee for the EXPO and industry events, you don’t to visit many of the showcases staged at the hotel.

There are many pre and post conferences that are genre specific surrounding APAP. Chamber Music America, Public Theater, American Dance Platform, GlobalFEST, Opera & Music Theatre — the list goes on. The NYC Mayor’s office has a website, janartsnyc.org, that has information and links to many of the organizations convening. It’s a great resource to get an overview of what’s offered.

My particular focus is jazz and truly, it’s the most wonderful time of the year. JazzTimes magazine has been organizing conferences with various partners since 1979. New this year is a partnership with Jazz at Lincoln Center to be held at their home base, Fredrick P. Rose Hall, on January 11–12, called Jazz Congress 2018.

Jazz Congress will bring the global jazz community together to exchange ideas and resources. There will be workshops, meetings, and performances.

Winter Jazzfest takes place January 10–17. Centered between The New School and Le Poisson Rouge, with many jazz clubs and other venues in between, it is a kaleidoscope of the genre. This year’s event will continue last year’s focus on five main themes pertaining to social justice (mass incarceration, sexual and gender equality, racial justice, immigration rights and environmental responsibility), in opposition to the actions and legislative agenda of the current White House and Congress.

The Fest opens with a British Jazz Showcase. Then there’s a celebration of the music of Bill Witherspoon, and Ravi Coltrane presents “Universal Consciousness,” a tribute to his mother, Alice Coltrane. Buika, who is the daughter of African parents from Equatorial Guinea, will appear at Town Hall, as well as a jazz all-star Tribute to Geri Allen, who passed this year, with music direction by Terri Lynne Carrington.

Artist-in-Residence is flutist, composer, bandleader and educator Nicole Mitchell. Her music celebrates African-American culture while reaching across genres and integrating new ideas from gospel, experimentalism, pop and African percussion.

However, it is the two-day all-out extravaganza that is the jewel — the Winter Jazzfest Marathon. Multiple venues host five or six different bands each evening, hundreds of musicians are involved and if you purchase a wristband, you can gain admission to any of the venues and enjoy the vibe. It really is a banquet — a diverse feast for your ears as well as your spirit.

Hot House and The NYC Jazz Record are a great resource, too (both are free in print and online). If you think you don’t like jazz, give this playlist a listen. You might be very pleasantly surprised by what you hear.

Upstate Alliance For The Creative Economy Working To Strengthen The Freelance Community

There was a time when working Americans could expect to spend their career in one, maybe two, places, where they received healthcare and other benefits, including a pension upon retirement. That is no longer the case.

In the new freelance-oriented economy, people who work in the arts and related businesses—the “creative industries”—make up the sixth-largest employment sector in the Capital Region. There are now over 31,000 people employed locally in cultural institutions, as well as industries such as media, design, heritage preservation, and artisanal food and agriculture.

Maureen Sager is the project director for Upstate Alliance for the Creative Economy, also known as ACE. The organization defines the creative economy as “the enterprises and people involved in the origination, production and distribution of goods and services in which artistic and cultural content gives the product or service value in the marketplace.” The group works to strengthen the creative economy, bringing focus to, and connecting, the various segments.

Founded in 2013, ACE has a rapidly growing list of accomplishments: forming Film Upstate and the Creative Industries Council, and winning grants that led to Pathways to Dance and the award-winning Breathing Lights art installation. The group hosts educational/inspirational events and partnered, for a time, with the Freelancer’s Union, putting on monthly events to facilitate networking among the 13,000 freelancers who live and work in our region.

Freelancing is by definition a solitary pursuit. On the first Wednesday of each month, ACE hosts a networking event specifically for freelancers. The September event was held at The Mopco Improv Theatre in Schenectady, where Maria’s Café and Catering provided pulled pork and other nibbles. There’s a format to these gatherings. After signing in, there’s an informal introduction among the attendees, very low-key, casual and comfortable. People are quick to make connections as they explore the venue and enjoy the food and drink provided.

The second portion of the September event was a mini workshop and demonstration led by Koppett & Company. In jazz, improvisation is spontaneous composition. Life is that way too, and Koppett is an industry leader in the art of applied improv. Founding partner Kat Koppett led the group in a bit of role play, then brought up partner Michael Burns and performers Alex Timmis and Livia Armstrong for a rollicking demonstration of the art. There was much laughter, as well as a bit of insight into the human condition. The evening ended with a chance for more networking. The chance to learn something new, meet someone new, with a hearty dose of laughter and tasty treats, is the hallmark of an ACE networking event.

The October networking event, hosted by Saratoga Arts and ACE, was held at Kru Coffee in Saratoga Springs. SUPER DARK Collective artist Selector David Normal curated the soundtrack, and the discussion part of the evening was facilitated by Eddy Abraham, owner/founder of True North BA Consulting, and Bob Carlton, an expert on virtual and augmented reality technology. Conversation flowed and connections were made.

There was a very special event for 50 ACE members on Sept. 26: a private, behind-the- scenes tour of Yaddo, the world-famous artist’s retreat, located on a 400-acre estate in Saratoga Springs. The group gathered in the magnificent wood-paneled dining room to enjoy punch and sandwiches provided by Yaddo, and macarons from Albany’s Crisan Bakery. The group was then separated, with two leaders for the tour of the buildings and grounds.

Yaddo offers 200 residencies a year to artists working in a long list of disciplines. By offering time and studio space, free of charge, in a supportive communal setting, they have amassed amazing results. Yaddo artists have been awarded 71 Pulitzer Prizes, 68 National Book Awards, a Nobel Prize, three Academy Awards, 456 Guggenheim Fellowships, 42 National Book Critics Circle Awards, 29 MacArthur Fellowships, numerous Emmy and Grammy awards, and many other honors. The grounds and the buildings, many of architectural or historic significance, are beautiful and gracious in a way that is rare today.

‘House Hunters’ For A Day: Exploring The Saratoga Builders Association’s Showcase of Homes

On a grassy cul-de-sac in Stillwater, a custom-built sage green two-level home overlooks Saratoga Lake. The house boasts a timber-framed Douglas fir porch, a stone staircase leading to the door, and a cupola topped with an eagle weathervane. Inside, an open-concept living space is complete with a stone wood-burning fireplace, dark stained ceiling beams and a doublewide quartzite island with a second sink, not to mention the lower level gym and wine cellar.

No, this isn’t an episode of HGTV’s House Hunters. This is a Bella Home Builders house—one stop on the 2017 Saratoga Builders Association Showcase of Homes.

The 22nd annual showcase featured 18 recently constructed homes by 14 of Saratoga County’s finest builders for three weekends, from Sept. 16 to Oct. 1. About 3,750 people toured the homes to check out the newest construction techniques, interior design trends and quality furnishings.

At an awards ceremony at Vapor Nightclub Sept. 14, Liz Bishop of CBS 6 News presented showcase winners and runners-up with honors for best in landscaping, workmanship, master bath, exterior design, interior decorating, kitchen and interior floor plan. The seven categories were judged separately for classic, executive and luxury homes, based upon their approximate price point: classic homes, less than $500,000; executive homes, between $500,000 and $750,000; and luxury, more than $750,000.

Showcase
Builder Sonny Bonacio (left) of Bonacio Construction accepts an award from Saratoga Builders Association Executive Director Barry Potoker. (Cathleen Duffy)

McPadden Builders won five out of seven classic home categories, Bonacio Construction’s two homes won all but one executive home category, and Bella Home Builders nabbed an award each for its classic and executive homes, as well as every luxury home category for its $1.2 million Stillwater home.

The winning Bella home “was a house that all came together with all the people who worked on it,” said Andrea Chenier of the Bennington Furniture Design team. “It couldn’t have been done by one person.” Bennington Furniture Design also designed the McPadden home, which won the classic home award for interior decorating.

Competition aside, each of the 14 builders in the showcase not only gave people the opportunity to pretend they were on “House Hunters” for a day, they helped Saratoga Builders Association raise $75,000 for showcase beneficiaries Habitat for Humanity and Rebuilding Together Saratoga, which work to provide safe and affordable homes to county residents. “A commitment to the growth, prosperity and quality of life of Saratoga County” is what the Saratoga Builders Association is all about, says Executive Director Barry Potoker.

Luxury Winner

Builder: Bella Home BuIlders
Location: Cedar Bluff, Stillwater
Estimated price: $1.2 million

The luxury Bella home was a favorite of Showcase attendee Don Lebarron of Ballston Spa, who after attending the Showcase of Homes in 2014 chose Dave DePaulo of Bella Home Builders to build his next home. Now, in the design phase of a new home on Plummer Road, Lebarron returned to the showcase to get ideas.

“All of his houses share certain characteristics,” Lebarron said about DePaulo. “Obviously he builds houses in the million, 2 million dollar range, downwards to a half million and less, but all of them have really good quality moldings, solid doors, really good space, kind of open, good quality kitchens. So I really liked his style, and he is considered a customable builder, so you get to choose when you’re doing your own home, as opposed to having a strict model.”

The owners of this specific Bella Home will enjoy all the characteristics Lebarron loves, plus some. It has three floor-to-ceiling fireplaces, a walk-out first floor with a custom bar and entertaining area and an in-ground swimming pool. Off the giant kitchen and living room space, the master bedroom has a sliding glass door leading to the front porch, and a closet big enough to be another bedroom.

Classic Winner

Builder: McPadden BuIlders
Location: Craw Farm, Wilton
Estimated price: $499,900

At the McPadden home, a one-level house in the new Craw Farm development in Wilton, the conversation was about affordability rather than luxury.

“I feel like this would be in the average person’s budget,” Mary from Halfmoon told builder Matt McPadden, who was on site to answer questions. Mary withheld her last name as she didn’t want her builder to know she was admiring the work of another. As for the award-sweeping Bella house? “It’s way too…” Mary waved her hands in the air — a gesture that said over-the-top.

Where the Bella home may seem excessively luxurious — at 4,160 square feet, it has three bedrooms, 3 1/2 bathrooms, and three fireplaces — McPadden’s home is realistically beautiful. The 1,856-square-foot house has three bedrooms — with one designed as an office — and two bathrooms. Gray furniture and wood accents fill the home, and crown molding lines the ceilings. Outside, purple and yellow flowers overflow from the two window boxes. The home is estimated at $499,900.

Executive Finalists

Builder: Bonacio Construction
Locations: Pine Brook Landing and The Spencer, Saratoga Springs
Estimated price: $635,800-$983,600

For $751,000, a prospective homeowner could buy an elegantly modern Bonacio Construction house in Pine Brook Landing, near the Saratoga-Wilton border. The executive home has a baby- blue exterior, and the downstairs is dressed almost entirely in navy and silver, with an entryway chandelier shedding speckled light above the staircase. Upstairs are two children’s bedrooms and a master bedroom with a canopy bed and spacious walk-in closet. Out back, an umbrella-covered porch overlooks a stone fire pit with a built-in semicircle bench seat.

For the environmentally conscious, Bonacio is pursuing a National Green Building Standard Gold Level Certification for the home, which calls for a building to include mandatory efficiency standards, and optional water conservation and indoor air quality features.

While this home has a suburban feel, the other Bonacio property is as urban as it gets in Saratoga County. The Spencer condominiums – which won executive home awards for workmanship, best master bath, exterior design and interior floor plan – are on the corner of Phila and Henry Streets, a three-minute walk from Broadway.

Sharing the building with Caffè Lena, The Spencer is named after Lena Spencer, who founded the adjacent music venue in 1960. The third-floor condo on display is one of eight in the building. Decorated throughout with horse art, it has granite countertops, a gas fireplace and a balcony above Phila Street. The units, all two-bedrooms with two parking spaces, range in price from $635,800 on the second floor to $983,600 on the fourth floor. Homeowner Association fees are $573 monthly.



This R.J. Taylor Builders home on Eastridge Drive in Saratoga Springs won the Realtor’s Choice Award for luxury homes, with 4 bedrooms, 4 1/2 baths, screen porch and custom kitchen.


The Abele Builders home in the Cedar Pointe development in Malta won the Realtor’s Choice Award for executive homes. It has four bedrooms, two full and two half bathrooms and a bonus living space in the basement.


Winner of the People’s Choice Award for executive homes, Marini Homes’ house in the Linden Woods development in Halfmoon has a three-car garage, a covered outdoor living space and a first-floor master suite.


The luxury Bella Home Builders home sits in a cul-de-sac on a hill overlooking Saratoga Lake in Stillwater.


The first floor is perfect for entertaining, complete with a stone arched doorway, a full bar and extra seating for an abundance of guests.


Open-concept was the name of the game in many showcase homes. This Bella Home space is complete with a floor-to-ceiling fireplace, visible from the kitchen.


Bella Home Builders won best kitchen for this Zarillo’s Custom Design kitchen, featuring a double-wide quartzite island, two sinks and white cabinetry.


Out back, the Bella home is just as luxurious, with an in-ground pool and screen room.


A walk-out sliding glass door from the master bedroom opens to the porch overlooking Saratoga Lake.


Showcase-goers check out the open-concept space in the McPadden Builders home.


The McPadden Builders home is beautiful at half the size of the Luxury winner.


Gray furniture and accents were chosen by the Bennington Furniture Design Team.


Outdoor seating off the back of the McPadden home.


The elegant gray and wood master bedroom, with a gray accent wall at the head of the bed.


An office at the front of the house can also serve as a third bedroom.


Builder Matt McPadden and his wife Jaime at their award-winning home.


Horse decor was a theme throughout the unit – even the decorative pillows were detailed with saddlery straps.


One of two bedrooms in The Spencer condominium, with an adjoining bathroom and bay window.


An outdoor entertaining space is included on the third floor.


A sunny alcove at The Spencer condominiums, at the corner of Phila and Henry streets, in downtown Saratoga Springs.


The condo’s white and navy kitchen, complete with stainless steel appliances.


This Bonacio Construction home in the Pine Brook Landing development took home executive awards in interior decorating and best kitchen.
All photos by Cathleen Duffy

To Sell Or Not To Sell, That Is The Question

0

Having watched local real estate patterns for over 11 years, I often have gut feelings about timing a sale. One of those is that once mid-November hits, you can expect a lull until the end of January.

There are definitely advantageous times to place a home for sale in upstate New York, and mid-November has never been one of those times. Unfortunately, not everyone has the luxury of opportunity, and sometimes time is just not on our side. Job relocation, financial stresses, divorce or just a plain old desire to move are some of the culprits that force our hand into selling at any time of year.

I wanted to explore numbers behind the timing of sales in the Capital Region to see if my “feeling” was truly supported by the numbers in our local market, and not just because it seems that everyone is in hibernation mode over the holiday months.

Here is what I found using data from the Capital Region Multiple Listing Service (resale properties only):

Nov. 15, 2016 through Jan. 15, 2017

Average Days on Market: 78
Average List to Sale Price (asking price vs. what the home actually sold for): 96 percent
Average Sale Price: $202,139

May 15, 2017 through July 15, 2017

Average Days on Market: 66
Average List to Sale Price (asking price vs. what the home actually sold for): 98 percent
Average Sale Price: $221,436

Winter-month numbers actually look pretty good. Seventy-eight days on market is an average any region of the country would be happy with, and that’s because we are in a strong and steady real estate market overall in the Capital Region.

Digging deeper, we see that selling during the holiday months results in an 18 percent longer time on the market, a 2 percent lower listing-to-sales price (on a $300,000 house, this is $6,000 less in the negotiated acceptable price, which is likely due to more stagnant inventory and the resulting lack of urgency on the buyers’ part) and an 8.7 percent lower average sales price. Clearly my “gut feeling” is backed by the data.

So, what’s an owner forced to sell during these months to do?

First of all, if it’s a bad time to sell, it’s a good time to buy, so perhaps you can make a purchase at a favorable price during the same time frame, or at least lock in a price via a contingent offer for a new home.

Second, you’ll want to pay extra close attention to pricing. If a winter sale is upon you, you must avoid “chasing the market.” What this means is pricing high and thinking, “we will just reduce if needed.” That’s a dangerous black hole during this time of year. Price aggressively right off the bat, and remember that data from six months ago is not necessarily relevant because of the seasonality of our market.

Properties ARE going to sell around 8 to 9 percent less in the winter than in the height of the market, so look at the July closing comparables and price 10 percent under to create a buzz around your property. A quick sale will lead to a more favorable list-to-sales price.
Finally, if you think a winter sale may be a reality, take some outside shots of your home in late summer or fall. Your Realtor should be more than happy to help you out with this. Drone videos and photos of the exterior always look more appealing in summer/fall (unless, of course, you are selling a chalet near a ski resort).

If you follow this advice, you can make the most of an unfavorable situation. We are in a strong overall market, and with the right team on your side, you can keep winter sales pain to a minimum.