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SPAC’s Speaker Series Kicks Off Season With Lecture By Award-Winning Composer Kenneth Frazelle

Having grown up near the Atlantic coast in North Carolina, the rhythm of water always had a strong influence on American composer Kenneth Frazelle. “I spent practically every weekend ten miles from the beach,” he recalls. “I think that was a huge influence on how I hear things now.” And, well, we here in Saratoga Springs know better than most about the power of water. So on Tuesday, June 11, we’ll get to meet another water worshipper at the Saratoga Performing Arts Center (SPAC), when Frazelle kicks off the annual Speaker Series with his lecture, entitled “In the Flow: Music and Water.” If it’s not already obvious, this year’s series, which consists of three events, will explore the influence that water and nature have had on music and other creative forms.

In particular, Frazelle will talk about how certain classical composers have infused water imagery into their works, including Franz Schubert’s beautifully flowing song cycle “The Lovely Maid of the Mill” and Claude Debussy’s water-evoking “La Mer” (“the sea”), “Nuages” (“clouds”) and others. “It’s going to be a very personal view of how artists and composers have incorporated different states of water into their work,” says Frazelle, who will also share with lecture-goers water influences that appear both in his music and his beautiful landscape watercolors. “It’s like a fantasy rather than an academic lecture.”

Expect to hear Frazelle playing excerpts and “live soundbites” on the piano of many water-inspired pieces, including his most recent composition, a choral piece called Songs of War. Based on World War I poems and diary entries by American playwright Paul Green, Songs of War is so new it hasn’t even been debuted yet (that will happen in November at the University of North Carolina at Chapel Hill). “One of the movements is about the magnitude of the ocean,” says Frazelle. “It’s a very beautiful and poetic depiction of people on the shore looking out over the sea at sailors going off to Europe.”

For his compositions, Frazelle has received numerous awards and fellowships from prestigious institutions such as Columbia University, the American Academy of Arts and Letters and the American Academy in Rome. His music has also been commissioned and performed by some of classical music’s top performers, including the Chamber Music Society of Lincoln Center, conductor and pianist Jeffrey Kahane and famed cellist and 18-time Grammy-winner Yo-Yo Ma. Speaking of the latter musician, Frazelle says he had never met Ma before he commissioned his piece. “The phone rang one day and a good friend of mine, Jeffrey Kahane, said, ‘There’s someone here who wants to speak to you.'” That someone, of course, was Ma. Frazelle was to write a substantial sonata for cello and piano, and Ma and Kahane ended up touring with it for several years. “Ma’s wife told me that Ma lost sleep over performing the piece,” says Frazelle. “But he played the hell out of it, as you can imagine.”

As for his upcoming lecture, Frazelle says he’s excited to be speaking at the famed Saratoga arts venue. “In 1973, I saw the New York City Ballet do an evening of Balanchine and Stravinsky works at SPAC,” he says. “It was one of those life-changing things to be outside seeing this amazing work.”

Following Frazelle’s lecture, there will be two more later this summer, one with Sandra Postel, director of the Global Water Policy Project, on August 1; and another, on September 12, with New York Times bestselling author Charles Fishman, who wrote The Big Thirst. Tickets to “In the Flow: Music and Water” and the other two lectures cost $20. For more info, click here.

Glens Falls’ Hyde Collection To Present ‘Rooftops’ Art Exhibit Focusing On Artist John Sloan

Shout it from the rooftops: Starting on June 15 and running through September 15, The Hyde Collection will present a brand-new exhibit at the Wood Gallery, entitled From the Rooftops: John Sloan and the Art of a New Urban Space, an in-depth study of rooftops from artist John Sloan, who was one of the best known painters in the Ashcan School. Presented by the Palmer Museum of Art at Pennsylvania State University, the exhibit will feature more than two dozen of Sloan’s most iconic paintings, prints and drawings, as well as 30 other works by Ashcan contemporaries such as painters William Glackens and Charles Demuth; photographers Walter Rosenblum and Weegee; and printmakers Martin Lewis and Armin Landeck, among others.

The Ashcan School was a movement developed by artists in New York City as it transitioned into the 20th century, and focuses on creating “art for life’s sake, [rather than] art for art’s sake,” per movement leader Robert Henri. Ashcan School artists are known for challenging traditional American realism and impressionism, illuminating the darker side of New York. Before the rise in popularity of art by European masters such as Henri Matisse and Pablo Picasso in the United States, the Ashcan School was the Big Apple’s version of “avant-garde,” stylistically similar to artists such as Francisco de Goya and Edgar Degas.

Sloan, one of the first Ashcan School painters, was particularly fascinated with rooftops, producing portraits of everyday life of lower- and working-class New Yorkers. His work is known for portraying the city in a gritty, realistic and, at times, voyeuristic way, as he observed life, at the time, on the rooftops of tenement buildings. “Sloan grew up in a working-class family and understood well the gritty desperation that so often comes with poverty,” said Jonathan Canning, director of curatorial affairs and programming at The Hyde Collection. “He also knew the beauty that even a moment of respite brings, so he was able to aptly capture quiet glimpses into such liberation.” His works are exhibited in museums nationwide, such as the Whitney Museum of American Art and Brooklyn Museum in NYC; the National Gallery of Art and Corcoran Gallery of Art in Washington, DC; the Detroit Institute of Arts; and the Philadelphia Museum of Art.

Besides the new exhibit focusing on Sloan’s work, the Hyde will also present a lecture the day the exhibition opens at 2pm, given by Adam M. Thomas, Ph.D., curator of American Art at the Palmer and affiliate professor of art history at Pennsylvania State University. “Featuring Sloan’s masterful treatments of elevated urban environments in New York City alongside the work of important contemporaries, [the exhibition] offers the opportunity to consider afresh the legacy of the Ashcan School and the experience of a vital part of the city in the early decades of the last century,” Thomas says. (To RSVP to Thomas’ lecture, click here.)

Daily Racing Form: New York Senate Hearing Highlights Polarizing Opinions On Horse Racing

A four-hour hearing in the New York Senate on Wednesday featuring 20 witnesses laid bare competing, often diametrically opposed perceptions of the racing industry, at a time when the sport is being attacked by some critics and organizations over the health and safety of its horses.

The hearing, which was held before a handful of members of the New York Senate Racing, Wagering, and Gaming Committee, featured several speakers that openly called for the abolition of racing, countered by speakers who sought to emphasize the strides the sport had made over the past several years in attempting to address the frequency of catastrophic injuries and provide aftercare options for retired horses.

The committee chair, Sen. Joseph Addabbo, was joined at one time by four other members of the committee, but one of those members left after the first 90 minutes, while another migrated in and out of the hearing room. The two members who attended the entire hearing, Addabbo and Sen. Daphne Jordan, both appeared to be unreceptive to the calls to ban the sport, and both stressed the industry’s economic impact in remarks to some of the panelists.

“I think [horse racing is] still an industry that is relevant and solid in our state,” Addabbo said. “That being said, there are issues.”

Those issues were brought up continually and resolutely by a string of panelists appearing during the middle two hours of the hearings, as veterinarians who are critical of the industry attacked the sport’s current medication practices and accused racetrack practitioners of widespread abuses. Other panelists excoriated the industry over its neutral position on horse slaughter, while two others said that the state legislature has a “moral obligation” to outlaw the sport.

“Horse racing in New York state, horse racing in America, has run its course, and horse racing must end,” said Patrick Battuello, who runs an anti-racing website called horseracingwrongs.com and who often protests outside of Saratoga Race Course. “It cannot be fixed or reformed. It is wrong from the start.”

The hearing, scheduled three days before the running of the state’s most prestigious race, the Belmont Stakes, was held in the wake of calls in some quarters of the U.S. for racing at Santa Anita in Southern California to be shut down due to a spate of deaths at the track this year that drew widespread attention. The title of the hearing was “To Examine the Health of Racehorse while Training and Racing, and Resources for Aftercare.”

The panel first heard from Robert Williams, the executive director of the New York Gaming Commission, and Dr. Scott Palmer, who is the commission’s equine medical director. Both stressed that New York has reduced its fatality rate by 32 percent since 2011, in large part because of the work done by a state panel convened to consider changes to the sport in order to address a large number of catastrophic injuries at Aqueduct over the 2011-2012 winter racing season.

“We are leaders in safety in North America, no doubt about it,” Palmer said. He later outlined to the committee the steps that had been taken in New York to address the deaths.

But the gaming commission officials were followed immediately thereafter by two equine veterinarians who were sharply critical of racetrack practitioners, with both claiming that the veterinarians on-track take their orders from trainers instead of assessing the needs of the horses.

“The truth is, that attitude is normal practice on the racetracks,” said Kraig Kulikowski, an equine veterinarian who practices in upstate New York. Kulikowski said he interned at the racetrack 20 years ago, at which point he decided to practice away from the track. “The racetrack health-care environment is one of lawlessness on multiple levels,” Kulikowski said.

The claim that trainers determine medication practices for their horses is a consistent complaint lodged by critics of the sport, through racetrack practitioners for the most part deny such claims, saying they adhere to practices recommended by the American Association of Equine Practitioners, a trade group.

Much of the next 90 minutes of the hearing was devoted to the issue of slaughter and aftercare, with critics of horse slaughter contending that Thoroughbred racehorses are consistently among the tens of thousands of horses that are sent to slaughter each year in Mexico and Canada. The last U.S. horse slaughterhouse closed in 2007, largely because of legislation that defunded the inspection of horse meat in the U.S.

While some of the critics worked for non-profit organizations formed to oppose horse slaughter, a number also worked for animal organizations that take in horses from the racetrack for retraining or retirement. One critic of horse slaughter, John Holland, the founder of an organization called the Equine Welfare Alliance, claimed that the racing industry would need $1 billion a year to fund the retirement of all the horses that are produced each year.

“So how would you go about ending it?” asked Sen. Jordan.

“If they could come up with a billion dollars a year, that would help,” Holland said. “But they can’t.”

Representatives of New York’s Thoroughbred horsemen sharply disputed some of the numbers and facts produced by the sport’s critics at the hearing.

“Some of the things you may have been told may not be factual, and some of the statistics you have heard thrown in the air may not be factual either,” said Jeffrey Cannizzo, the executive director of New York Thoroughbred Breeders, the last panelist to appear at the hearing.

Both Andy Belfiore, the executive director of the New York Thoroughbred Horsemen’s Association, and Richard Schosberg, a New York-based trainer who works on behalf of the organization’s aftercare and retirement program, outlined how horses whose careers have ended are aided by the organization. Schosberg told the senators that the programs “do everything we can to make sure those horses find safe haven,” and he said the existing program, while not perfect, is a leader in the industry.

“We want to be at the forefront of aftercare,” Schosberg said. “We are on the forefront of racing, and we want to take the lead on aftercare, and on every issue.”

Sen. Addabbo stressed at the end of the hearing that he wanted to work “with you people on the front lines every day” to determine potential solutions to some of the problems raised at the hearing. Those people were all representatives of the racing industry who appeared as part of the last panel of witnesses.

“Hopefully this hearing provides a blueprint for how we go forward,” Addabbo said.

This story originally appeared on DRF.com.

Daily Racing Form: War Of Will Can Take Control Of The Division With A Belmont Stakes Victory

ELMONT, N.Y. – What a short, strange trip this Triple Crown season has been, starting with a disqualification in the Kentucky Derby, a subsequent appeal and lawsuit, and then a Preakness where one of the horses lost his rider at the start, tried to keep up with his buddies, and briefly became a folk hero.

What might the Belmont Stakes have in store?

“I hope we have a nice, quiet Belmont,” said Mark Casse, the trainer of War of Will, who will be the only horse to run in all three legs of the Triple Crown this year.

There’s plenty on the line for War of Will. A victory here following his triumph in the Preakness three weeks ago will make him the leader in the clubhouse for the 3-year-old male title. Should any of the other nine 3-year-olds win, it will mean that all three legs of the Triple Crown will have gone to a different horse, setting the stage for a compelling second half of the year.

The Belmont, to be run for the 151st time on Saturday here at Belmont Park and worth $1.5 million, will bring the spring classics to a close. Unlike last year or 2015, when a Triple Crown bid was at stake, this Belmont isn’t even the best race on the card Saturday, with the Met Mile – featuring McKinzie, Mitole, and Thunder Snow – coming up a far more compelling race on a blockbuster program that features eight Grade 1 races.

War of Will drew post 9 in the field of 10 for the 1 1/2-mile Belmont Stakes, just inside of Tacitus. Those two are clear standouts on form, which is reflected by the lines of both Mike Watchmaker, Daily Racing Form’s national handicapper, and David Aragona, who makes the official morning line for Belmont Park. Watchmaker has Tacitus at 8-5, with War of Will 9-5 and no one else lower than 10-1. Aragona has Tacitus at 9-5, War of Will 2-1, with Master Fencer his distant third choice at 8-1.

War of Will was involved in the controversial bumping incident in the Derby that led to the disqualification of Maximum Security, who crossed the wire first. War of Will originally finished eighth, then was moved to seventh on the DQ. Two weeks later, he got a gorgeous rail-skimming ride from Tyler Gaffalione to win the Preakness while earning a career-best Beyer Speed Figure of 99.

“The key will be Tyler getting him to relax,” said Casse, who said War of Will “is an exceptional horse.”

“He can handle a lot of things,” Casse said.

Casse has been mindful of keeping weight on War of Will throughout this series, which is one reason he has elected not to work War of Will between the Preakness and the Belmont. War of Will has galloped with enthusiasm since his arrival here.

“If he gets beat in the Belmont it won’t be for a lack of fitness, I’ll tell you that,” Casse said.

No, it could be because he’s facing a worthy rival in Tacitus, who finished in front of War of Will in the Derby, then skipped the Preakness to head straight into the Belmont, a schedule utilized by four of the last seven Belmont winners. Master Fencer, Spinoff, and Tax are also on that itinerary.

Tacitus finished fourth in the Derby before being moved to third on the DQ. He has trained here since the Derby, recording three workouts on the Belmont Park main track, the most recent being the best of the day at the distance, a significant development for a colt who was an indifferent work horse earlier this year. He is a son of Tapit, who has sired three of the last five Belmont winners. His trainer, Bill Mott, won the Belmont in 2010 with Drosselmeyer, and his jockey, Jose Ortiz, won it two years ago with Tapwrit.

“I think they both have a lot of stamina,” Mott said of Tacitus and Drosselmeyer. “I’m not worried about the distance at this moment. It’s a test by fire. You only know when it’s over if they can do it or not.”

Everyone else will be trying to post an upset.

Trainer Todd Pletcher, a three-time winner of the Belmont, has two chances this year, with Intrepid Heart and Spinoff.

The lightly raced Intrepid Heart, who suffered his first loss in his last start, the Peter Pan, after stumbling at the start, is adding blinkers.

“He recovered pretty quickly from the stumble, but it still compromised his early position,” Pletcher said.

Like Tacitus, Intrepid Heart is a son of Tapit.

Spinoff was 18th in the Derby, beating one horse on the sloppy, sealed track. He was second in the Louisiana Derby in his final Derby prep.

“The Louisiana Derby signifies he has the quality to compete with these,” Pletcher said. “His style suits the race. He’s a good galloper. Hopefully he can get into a good rhythm.”

Casse also is doubling up, sending out Peter Pan runner-up Sir Winston.

“He needs pace. He needs things to work out to make him effective,” Casse said. “If the pace is hot it’ll help Sir Winston.”

Bourbon War, the third and final son of Tapit in this race, was eighth in the Preakness when adding blinkers for the first time. They are being removed for this race. Bourbon War raced wide the last half of the Preakness on a day when the rail was advantageous.

“He doesn’t mind being inside. He wants to run with horses,” said his trainer, Mark Hennig, who envisions a ground-saving trip from post 5. “Now we just have to make sure he gets a mile and a half and we’ll be all right.”

Everfast rallied up the gold rail to finish second in the Preakness at 29-1, his best effort since a second-place finish in the Holy Bull four starts earlier.

“Once they show it, don’t give up if they throw in a couple clunkers,” said Dale Romans, who trains Everfast.

Master Fencer closed furiously in the Derby to cross the wire seventh before getting moved to sixth. The Japanese-based runner is seeking his first stakes win.

“The added distance will be good,” said Julien Leparoux, who rides Master Fencer.
Tax crossed the wire 15th in the Derby after finishing second to Tacitus in the Wood Memorial. His biggest win came in the Withers earlier this year, but the form of that race has not aged well.

Joevia, infamous for wiping out half the field in the Wood Memorial, won the Long Branch at Monmouth last time against much softer company. He figures to take up the early running.

The Belmont is race 11 on a 13-race card that begins at 11:35 a.m. Eastern. It is preceded by seven Grade 1 races – the Just a Game, Ogden Phipps, Jaipur, Acorn, Woody Stephens, Met Mile, and Manhattan – with the Grade 2 Brooklyn the day’s finale.

Post time for the Belmont is listed as 6:35 p.m., but likely will be a few minutes later. The race will be shown live by NBC Sports during a three-hour telecast that begins at 4 p.m. There is coverage earlier, too, from 2:30 to 4 on NBCSN.

The National Weather Service predicts a high temperature of 80 degrees on Saturday, with no chance of rain.

This story originally appeared on DRF.com.

Cats, Dogs, Horses, Oh My! Gala For Animals Raises Nearly $140K

On Friday, May 31, the Mohawk Hudson Humane Society hosted its annual Gala for Animals. The event, which took place at the National Museum of Dance in Saratoga Springs, raised more than $138,000 for the nonprofit. With Michelle Riggi serving as honorary chair, the gala was catered by Longfellows, emceed by Steve Caporizzo and featured music band Grand Central Station.

Highlights of the evening included a Kitty Cuddle Corral, where guests could cuddle kittens, and a silent auction, which included trips to destinations around the world. A diamond David Yurman watch, donated by Frank Adams, was also raffled off. This year’s event also made great use of social media, live streaming parts of the night to the Mohawk Hudson Humane Society Facebook page and giving Facebook followers the opportunity to donate, even if they weren’t in attendance.

The Mohawk Hudson Humane Society has been providing shelter for lost, abused and unwanted animals for more than 30 years. It’s the oldest and largest organization of its kind in the Capital Region.

Local ‘American Idol,’ ‘Voice’ Superstars Madison VanDenburg And Moriah Formica Team Up For Times Union Center Show

The Capital Region’s had a solid showing on music reality TV in the past few years. And now three local singers and veterans of the reality circuit are set to perform a one-of-a-kind triple-bill at the Times Union Center on Friday, June 28. The star-power involved? Seventeen-year-old Cohoes native Madison VanDenburg, who’s fresh off a third-place finish on American Idol; 18-year-old Latham native Moriah Formica, who was a finalist on Season 13 of The Voice; and 22-year-old Queensbury native Delaney Silvernell, who starred on Season 15 of The Voice.

The Times Union Center show will mark VanDenburg’s first concert performance since Idol’s finale last month and the very first time these three talented, up-and-coming Capital Region musicians have shared the same stage together. “You grow up thinking, ‘I’ll never play the Times Union,'” VanDenburg tells saratoga living. “I come home, and this is the first thing I get to do. I can’t believe it.”

Silvernell will open the concert, followed by a 45-minute set by Formica, who will be playing a mix of covers and her own tunes. VanDenburg will headline with an hourlong set, singing a number of the songs that defined her soulful performances and show-stopping success on American Idol, as well as a couple of originals that she’ll be releasing as singles later this month. Thrown in the mix may also be a duet with Formica. “It’s not certain yet,” says Formica. “But we definitely have a few things up our sleeves.”

This might be the first time audiences will get to enjoy the trio women onstage together, but it’s not the first time VanDenburg and Formica have performed together. “Even before we started this whole music thing, we were best friends,” says Formica. “It’s an amazing feeling to get to do this, especially with your best friend.” The two met in elementary school and grew up playing music and have been performing together for years. Both women ended up attending Shaker High School in Latham (VanDenburg graduates next year), and even share the same vocal coach at Modern Day Music in Clifton Park. “I actually got a lot of inspiration when I was younger, watching Moriah release her own music and play shows,” says VanDenburg, who opened for Formica at Cohoes Music Hall last November. “She was one of my first music inspirations.”

Tickets for the Times Union Center concert went on sale May 31, and general admission tickets in the pit will also include a VIP meet-and-greet with VanDenburg before the show. For those who can’t make it to the show or who just want to see more of VanDenburg, the Idol finalist will also entertain fans during the opening weekend at Saratoga Race Course, giving a number of short performances on Saturday, July 13 at the track’s Don Julio stage. VanDenburg says she’s also planning a US solo tour, with a schedule of dates coming soon.

Saratoga Senior Center Hosts 9th Annual Music & Mingling Event

A Saratoga Springs tradition got a new vibe when the Saratoga Senior Center‘s 9th Annual Music & Mingling was held at the National Museum of Dance for the first time. Previously held at the Saratoga Polo Fields, this year’s event, taking place on May 30, was as elegant as ever, celebrating honorary chairs Vincent and Patricia Riggi. Attendees enjoyed food by The Olde Daley Inn, live music, tarot card readings, cigar tastings and a silent and live auction, emceed by celebrity auctioneer LeGrande Serras.

The Saratoga Senior Center is a non-profit, non-residential community center providing opportunities for adults over the age of 50. At the community center, members can choose to participate in a wide range of activities, games, trips and exercise opportunities. Funds raised at Music & Mingling help offset costs of programs and support services offered to members of the community center.

Wilton Wildlife Preserve & Park Is Heading Up A Local Effort To Save An Endangered Butterfly

Saratoga County might be the last place you’d expect to find endangered species, but we have two that call the area home: the Indiana bat and Karner blue butterfly (up until 2007, that list also included the bald eagle). What is the county doing to help? It turns out, a lot, actually.

The Wilton Wildlife Preserve & Park has stepped up the fight to save the Karner blue butterfly with an important initiative. After being placed on the federal endangered species list in 1992, the Karner blue butterfly has been making a comeback, thanks, in part, to a recovery plan by the US Fish and Wildlife Service, which is expected be completed in 2023. Wilton’s Wildlife Preserve & Park has joined the recovery effort by protecting areas where the blue lupine wildflower grows, the only plant on which Karner blue butterfly larvae can survive and one that thrives in Saratoga County.

Now through June 26, Wilton Wildlife Preserve & Park is offering guided nature walks, which focus on sightings of the Karner blue butterfly. The tours leave from the parking area on Old Gick Farm on Route 50 and take place on Wednesdays at 11am and 4pm, weather permitting. The preserve will also be hosting a free Bluegrass for Karner Blues concert, with the Schroon River String Band, on Sunday, June 9 from 2-4pm at Camp Saratoga, to raise awareness for the endangered butterflies. A special 1pm nature walk, leaving from Parking Lot No.1 on Scout Road, will precede the concert.

For more information about the walks and to pre-register, visit Wilton Wildlife Preserve & Park’s website.

The National Museum Of Racing Now Offering Its Popular Oklahoma Training Track Tours

The summer track season hasn’t started quite yet at Saratoga Race Course, but it’s certainly not too early to get a sneak peek of what goes into making the races a reality. The National Museum of Racing and Hall of Fame has officially begun offering its annual tours of the historic Oklahoma Training Track on Union Avenue just across from Saratoga Race Course.

For the uninitiated, the Oklahoma is like Saratoga Race Course’s “backstage” area. It’s where much of the training and preparation takes place before the big races and where many leading trainers, such as Todd Pletcher, Chad Brown and Norman Casse, make a home base during the Spa City’s summer meet. All summer long, weather permitting, through Labor Day, the museum, in cooperation with the New York Racing Association (NYRA), is offering in-depth tours of the Oklahoma and its beautiful, historic grounds. “These tours are a lot of fun,” says the Museum of Racing’s Museum Educator Lindsay Doyle. “The most interesting thing about them, I think, is that they provide a great mix of history and modern racing information.”

Speaking of that rich history, Doyle notes that Saratoga Race Course co-founder John Morrissey chose the site of the Oklahoma as Saratoga’s first track in 1863. “On this tour, you can actually see the outline of the original track, which is in front of the Oklahoma Training Track,” says Doyle. In addition to this, many of the buildings still in use around the Oklahoma are original structures from the 19th century, and tours include a firsthand look at some of these notable buildings.

Guests also get a peek behind the curtain of contemporary Thoroughbred racing. “You get to see trainers and even, sometimes, owners exercising the horses,” says Doyle. “That’s why we offer these tours at 9am, so you can actually get the experience of watching exercise riders, and sometimes, jockeys, going through the training.”

For more than 25 years, the museum has partnered with NYRA to offer these guided tours, which are led by the museum’s volunteers. “We’re very lucky that NYRA is a great partner to work with,” says Doyle. And for an even more behind-the-scenes experience, NYRA recently allowed the museum to expand its tours behind the training track to get a closer look at the Oklahoma track’s barns and backstretch area.

Racing fans might expect to pay a pretty penny to gain access to Saratoga Race Course’s historic training grounds, but tours are just $12 for adults, $6 for students/seniors and $5 for members (that includes admission to the museum, too). Each tour lasts an hour and is about a mile and a half in distance, so wear comfortable shoes. Reservations are required at least 48 hours in advance.

Governors Ball 2019: Exclusive Photos From The NYC Music Festival…Before Things Went South

This year’s Governors Ball should serve as a reminder to music fans of what might happen if Mother Nature doesn’t decide to cooperate (see: Woodstock). If you were among the fortunate to have ventured out to Randalls Island in New York City for the first two days of the festival—May 31 and June 1—you would’ve been rewarded with beautiful weather and top-shelf headliners such as Major Lazer, Lil Wayne, Florence + The Machine and Tyler, The Creator, as well as 30-plus other emerging artists.

However, if you had a pass for Sunday, June 2, you would’ve been stuck with the polar opposite: inclement weather, massive delays and eventually, a full-day cancellation, which meant no sets from headliners such as The Strokes, NAS and SZA. Concertgoers were also forced to evacuate the island, which prompted comparisons to 2017’s Fyre Festival. All of this eventually led the festival’s founders to release a lengthy mea culpa on Monday, which in part, apologized for Sunday’s cancellation and also offered refunds for those that had bought Sunday passes (read the full message here).

Despite the controversy, saratoga living‘s Eric Huss was onsite for the first day of the would-be three-day festival and shot some photographs of the festival’s live acts, grounds and concertgoers before things went south. Click on the gallery above to view Huss’ photos.