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Lake George Expedition Park Set To Open New Kid-Friendly Attraction, Dino Roar Valley

Upstate New York is about to get its own Jurassic Park—for kids. The Lake George Expedition Park, located on Route 9 in Lake George, is set to open its new Dino Roar Valley attraction later this year. The interactive park, open to groups of all ages—but with a particularly kid-friendly bent—will feature 20 life-size, animatronic dinosaurs and is connected by a paved walking trail, which will take visitors about 90-120 minutes to complete.

Before groups embark on their journey through the Dino Roar Valley, the park’s staff will give them an expedition briefing, which includes historical information about the dinosaurs, what they ate and where they lived. Then, you’ll get to see them in action. While the real McCoy has been extinct for about 65 million years, the park’s animatronic dinosaurs do the originals justice, roaring, blinking and moving in your presence.

Dino Roar Valley
A map of the trail at Dino Roar Valley, which will take families approximately 90 to 120 minutes to complete.

Park-goers can also climb into “dinosaur nests” and dig for fossils, among other related activities—and interested guests can fill out an expedition study guide as they go and attend workshops afterwards to learn even more about the long-extinct creatures. Groups also have the option of attending a post-tour show hosted by Rory the Raptor in a 200-seat amphitheater.

Despite the fact that the attraction is still being built, the park is already booking groups to Dino Roar Valley, and tickets cost $24.99 (group discounts are available). Dino Roar Valley joins the park’s other attraction, Magic Forest, a sprawling amusement park for children of all ages. Tickets to Magic Forest cost $19.99, and can now be bundled with Dino Roar Valley for $35. (Children two years and under get in for free.)

Trio Of Local Women Musicians Team Up For Triple-Bill At WAMC’s Performing Arts Studio

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The morning after the Grammys, I was listening to a local country station on the way to work, and one of the morning show personalities said something that almost made me lose control of my car. The guy—of course, a guy—was bemoaning the fact that recent Record of the Year Grammy winner Kacey Musgraves, who won for her sublime Golden Hour, had basically shot herself in the foot by recording an album that didn’t “fit” on country radio. “Is this idiot really saying this…live on the air?” I thought to myself. Unfortunately, it’s opinions like that one that have persisted throughout time and built a double-thick glass ceiling on mainstream—especially, country—radio for women artists the world over.

Thankfully, up here in the Capital Region, we have independent radio stations like 97.7/106.1 WEXT, which go out of their way to spin female artists of all genres and don’t come up with idiotic excuses not to. In fact, WEXT DJ Chris Wienk, a personal favorite of mine, is a huge fan/cheerleader of Brandi Carlile’s and singlehandedly got me into her latest album, By The Way, I Forgive You, which won Grammy gold itself. (Take a minute and let your jaw hit the floor when listening to “The Joke.”) Wienk also gets massive props for helping me discover a number of the artists I ended up including on my saratoga living list of the “8 Female Musicians From Upstate New York You Should Be Listening To Right Now.”

I’m not saying it’s fate or anything, but three of the wonderful artists I included on that list—electro-popster Girl Blue, indie folkie Belle-Skinner and bluegrass folksters Zan & The Winter Folk—are playing an upcoming three-woman show they’re billing as “Siren Songs” on March 2 from 8pm to 10:30pm at The Linda, WAMC’s Performing Arts Studio in Albany. Tickets cost $12 in advance or $15 at the door. Arielle O’Keefe (a.k.a. Girl Blue) tells saratoga living that the chrysalis of the show came from Maria Brosgol, who performs as Belle-Skinner. “Maria had asked me about doing a show in Troy at Superior Merchandise,” says O’Keefe. “We were looking for one more act, and I’d recently met Zan [Strumfeld of Zan & The Winter Folk] while out in Troy, so I suggested we ask her to hop on. We had a great time at the show, we all really got along and felt like we made a good bill together.” In fact, it was the first time the trio of talented women had teamed up for a show—and Matt Plummer, who’s the booker and Technical Director at The Linda, was in the audience. Shortly thereafter he invited the women and their bands to perform at his space.

While O’Keefe, Brosgol and Zan Strumfeld (who heads up The Winter Folk) have all played solo shows around the area, the gig at The Linda will feature all of them with backing bands—and at least two of the three artists are saying that they could be sharing the stage together at some point during the night. I guess you’ll just have to be there to see if it happens. You might even run into me.

Daily Racing Form: Trio Of Fine Fillies In Franklin Square Stakes

There are only six 3-year-old fillies entered in the $100,000 Franklin Square Stakes on Saturday at Aqueduct, but the six-furlong race for statebreds offers a fine matchup. Stonesintheroad, Forgotten Hero, and Flush are quick off the blocks, have won five of their six combined starts, and are not easy to separate.

Stonesintheroad is 2 for 2 for trainer Jeremiah Englehart, having won a maiden race and an optional claimer by open lengths. Forgotten Hero, also unbeaten, is coming off a one-length victory in the Fifth Avenue division of the New York Stallion Stakes for John Toscano Jr.

Flush finished fifth in her debut but came back to win a maiden race by 7 1/2 lengths for Kiaran McLaughlin. The 82 Beyer Speed Figure she earned is the highest in this field by seven points. Stonesintheroad’s four-length maiden win has turned out to be a productive race. Not only did she come back to win, but so did the third- and fourth-place finishers. The second- and fifth-place runners were second in their next starts. A Bustin Stones filly owned and bred by the Team Penney Racing of Shirl Penney, Stonesintheroad was more explosive the second time out, showing improved early speed and a sharper finish while winning by 6 1/4 lengths. Englehart and Team Penney Racing are 9 for 15 together.

Englehart takes responsibility for Stonesintheroad not being ready for her best effort the first time out.

“The first time, I didn’t run her the way I wanted,” he said. “I had planned on a different race, but this one was right there, and she was doing so good. I thought maybe in the winter I could get away with not sending her into the race perfectly. I entered her the same day I worked her.

“She showed me a lot more in her second start.”

Stonesintheroad came from just off the pace in her debut. She led throughout in her next race. Rajiv Maragh, who was aboard for both, also has been the rider of Flush but sticks with Stonesintheroad on Saturday.

“She’s the type of filly, it really doesn’t matter to me whether she goes to the front or sits off it,” Englehart said. “She can do it either way. Rajiv has a lot of confidence in her. I’ll just leave it to him.”

Forgotten Hero not only has speed, but she ran the turn very well under Mike Luzzi in the six-furlong Fifth Avenue, opening up on three-time stakes winner Sassy Agnes. The Franklin Square will be her first start in 10 weeks.

Flush ran even fractions of 48.05 seconds and 1:00.12 en route to a final time of 1:12.64 in her maiden win. A race with the same conditions an hour later had a slightly faster half-mile (47.85) but a much slower final clocking (1:14.34).

She will face faster early splits Saturday while facing much tougher rivals. Junior Alvarado picks up the mount.

The field also includes Maiden Beauty, Quietude, and Wadadli Princess.

This story originally appeared on DRF.com


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Daily Racing Form: Kathy Kusner And Her #JockeyToo Moment

Every morning, as the Saratoga summer of 1967 drifted by, Kathy Kusner kept waiting, waiting for one of the talented young women she watched on horseback to step up and apply for a license to ride racehorses in the afternoon.

Kusner, 27 at the time, was one of those young women, their numbers increasing as trainers discovered that the female of the species could handle a Thoroughbred with as much finesse as their male counterparts. However, conventional wisdom, such as it was, drew the line at women as jockeys. It was a man’s game, went the same wisdom, and there were plenty of men in high places determined to keep it that way.

Men like the members of the Maryland Racing Commission, who sat in judgment when it was Kusner who finally put herself on the line and applied for a jockey license in the fall of 1967. Four times they considered her application and four times it was denied, while challenging her strength, her emotional stability, and her amateur status as a member of the U.S. Equestrian Team.

At that point, Kusner already had competed in the 1964 Summer Olympics in Tokyo and was preparing for the Mexico City games of 1968. Her amateur status, she maintained, was her business, dealt with by her assurances that any purse winnings on the racetrack would be turned over to the USET.

As for her ability to handle a horse in high-pressure competition, the commission needed only to refer to Kusner’s contribution to the U.S. silver medal at the 1967 Pan American Games, or, for a visual aid, the classic picture of Kusner and the gray horse Aberali clearing a seven-foot, two-inch wall at prestigious Aachen that same year.

Kusner, quietly determined, found hope for aspiring women jockeys in the passage of the 1964 Civil Rights Act. She was convinced that it could be applied to an equal opportunity of employment in a profession that stipulated no physical limitations other than weight.

“I looked around the racetrack and saw one guy who had worked in a laundromat, another who’d been a plumber, and they were urged to become jockeys just because they were small,” Kusner recalled recently from her home in suburban Los Angeles.

“And I’d already ridden in two Olympic Games.”
With attorney Audrey Melbourne by her side – working pro bono for what she called “a landmark case” – Kusner exhausted the commission process then took her case to a Maryland circuit court. On Sept. 27, 1968, Judge Ernest Loveless ruled in favor of Kusner and ordered the Maryland commission to issue a license.

“It took him all of about five minutes to bring that verdict,” Kusner said.

As a result of Kusner’s legal pioneering, some anniversaries of purest gold are rolling by
this year, half a century since those watersheds when women asserted their right to ride
alongside men in officially sanctioned parimutuel Thoroughbred events.

Feb. 7, 1969 – Diane Crump becomes the first woman to ride in such a race, at Hialeah
Park.

Feb. 22, 1969 – Barbara Jo Rubin becomes the first woman to win an official race, at
Charles Town Race Course in West Virginia.

March 1, 1969 – Tuesdee Testa becomes the first woman to win a race at one of North
America’s major tracks, Santa Anita Park.

Kathy Kusner had to watch all the history unfold from the sidelines. In early November 1968, while competing with the U.S. Equestrian Team in the National Horse Show at Madison Square Garden, she suffered a broken right tibia when her horse – a mare named Fru – fell during a jumping round.

“She was a wonderful horse,” Kusner said. “That’s just the way it goes – she wins her class the night before and then the next day goes end over end.”

In reporting her Madison Square Garden success, before she was injured, The New York Times referred to Kusner as “distinguished particularly because she now is America’s first licensed woman jockey for big-time flat racing.”

She might as well have been described as an elephant with wings. In 1968, the idea that a woman would be allowed to compete against men in a mainstream professional sport was unthinkable.

But the dam of legal obstruction had burst. The moment Kusner received her ruling in Maryland, women began applying for licenses. Right on cue, the sporting media rose to the occasion, deploying its most condescending prose in an attempt to explain why these “jockettes” who wore their silks “with a panache no man can match” would want to
encroach upon turf reserved for men.

In its Dec. 13, 1968, issue, Life magazine allowed champion jockey Bill Hartack weigh in on the issue of riding against women.

“I think women should get a chance to ride,” Hartack wrote. “It’s a matter of principle. Women have legal rights, probably too many, but they’ve got them, and that’s all there is to it.”

Hartack proceeded to embellish his theme with warnings like, “As a group, I don’t think their brains are as capable of making fast decisions. Women are also more likely to panic. It’s their nature.

“Hell, women would make racing easier for me,” Hartack added. “I’d like 11 of them in each race.”

It bears reminding that Hartack, a card-carrying contrarian, was a wellspring of universal scorn who would say anything to anybody. As cringe-worthy as his attitude seems today, he was then giving voice to a widely held view of the growing movement for women’s rights, and not just in sports.

Penny Ann Early received a provisional license to ride in Kentucky in late ’68 but was thwarted by male jockey boycotts at Churchill Downs, forcing cancellation of two chances to be the first. That winter, Barbara Jo Rubin’s dressing trailer at Hialeah was pelted with rocks, and her passage to and from the paddock required a police escort.
Meanwhile, Kusner was in Connecticut, recuperating at the home of Olympic teammate
and gold medal winner Bill Steinkraus. Her broken leg would take months to heal, and considerable conditioning was required to recover the muscles needed to ride Thoroughbreds. She finally was able to ride in her first official race during August of
1969 at Pocono Downs.

“It didn’t bother me at all that the other girls rode before I did,” Kusner said. “In fact, I was glad I didn’t have to go through all the attention they received. I got enough of that trying to get my license. And when I did, they were able to go ahead and get theirs.”

Of course, the ability to get a license was no guarantee of success. Ingrained prejudice
toward women jockeys was a rock that required years of erosion before the likes of P.J. Cooksey, Patti and Donna Barton, Julie Krone, Maryann Alligood, Tammi Piermarini, Rosemary Homeister, Vicky Aragon, Emma-Jayne Wilson, Chantal Sutherland, and Rosie Napravnik could make their wider impact.

Crump managed 249 mounts in 1969 and won with 24, Rubin won 22 of 89, while Mary Bacon led the sisterhood, with 55 wins from 396 mounts.

After her late start and her USET commitments, Kusner had only 13 mounts and one winner that year, on Sept. 7, 1969, at Pocono.

“You can’t call my numbers very impressive,” Kusner said. “I ended up with 528 mounts and 34 winners by the time I finished that part of my life, nothing like the women who came after.”

That would be in addition to the silver medal Kusner and her teammates won in the 1972 Olympic Games in Munich. Kusner went on to become a commercial pilot and founder of the Los Angeles-based Horses in the Hood, an organization that gives inner-city youth a summer camp chance to interact with horses. Asked if her fight to get a
license long ago was worth the trouble, Kusner challenged the premise.

“What trouble?” she replied. “There’s no thrill like riding a Thoroughbred racehorse. I loved every minute, and treasured every one of those opportunities.”

This story originally appeared on DRF.com


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Daily Racing Form: The Stronach Group, Baltimore Mayor Spar Over Future Of Pimlico

A public rift has opened up between the mayor of Baltimore and The Stronach Group, the company that owns Pimlico Race Course, over the company’s support of bills that would eventually lead to the consolidation of racing at Laurel Park in Maryland.

The dispute arose after Tim Ritvo, The Stronach Group’s chief operating officer, sent a
letter in early February to legislative leaders asking them to support bills that would allow the company to tap state revenue sources to fund as much as $120 million of improvements to Laurel and the Bowie training center, two facilities owned by the company. The letter stated that Pimlico is “at the end of its useful life as a major event
venue,” and the “most viable plan” for racing in the state entailed the creation of a “super track” at Laurel.

In response, Baltimore Mayor Catherine Pugh sent a letter to the same individuals urging caution before supporting the legislation sought by the company. It also accused the privately owned, Toronto-based company of reneging on promises to support Pimlico and the community.

“Allowing a wealthy family from another country to use Maryland tax money for a racetrack to have as their anchor for the development of their 300-acre site in Laurel would be a travesty,” Pugh wrote. “TSG would be enriched and Maryland would be
diminished.”

The dispute underscores the delicate relationship between The Stronach Group and Baltimore following a years-long campaign by the company to build political support for the relocation of the Preakness to Laurel. The Preakness annually attracts more than 100,000 people to the track and is considered an economic engine for the city of
Baltimore, despite the track’s structural deficiencies.

Alan Foreman, general counsel for the Maryland Thoroughbred Horsemen’s Association, said that the organization does not have a specific opinion on the relocation of the Preakness. But he said horsemen supported the points in Ritvo’s letter
outlining long-term goals for the state’s racing industry, including a need for more racing
days “in pursuit of year-round racing” and “first-class training and equine health facilities.”

Late last year, a state agency, the Maryland Stadium Authority, released a report, prepared in consultation with The Stronach Group, that said a complete rebuild of Pimlico to turn the track into an “ideal venue to host the Preakness Stakes” would cost $424 million. The report recommended a so-called “public-private partnership” to fund
the renovation, even as officials for The Stronach Group balked at providing any of its own money to the project.

In her letter, Pugh pointed out that the report also said that a renovation of Pimlico for “racing-related structures alone” would cost $29 million, and she outlined a series of proposals The Stronach Group had offered in the past to improve the property, plans she said the company had never followed through on even as it tapped casino subsidies to improve Laurel.

“TSG allowed Pimlico to deteriorate even when they had [casino subsidies] to maintain and improve it,” Pugh wrote.

In an interview Thursday, Ritvo reiterated that The Stronach Group considers the future of the state’s racing industry to be based around Laurel Park and a refurbished Bowie training center. The company’s plan to support legislation that would allow casino subsidies to go toward the Bowie renovations and provide the basis for a $120 million
bond issue would allow the company to turn Laurel into a proper destination for the Preakness and, eventually, the Breeders’ Cup, Ritvo said.

“That’s our goal for Maryland,” Ritvo said. “That’s our whole plan.”

As for Pimlico, Ritvo said the company does not intend to improve the property without
the state and city funding the renovation.

“What we could do for $400 million at Pimlico would cost $100 million at Laurel,” Ritvo
said.

This story originally appeared on DRF.com


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Skidmore’s Tang Museum Unveils New Digital Art Collection Featuring Drawings, Paintings And Sculptures

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Skidmore College’s on-campus art museum just put added a permanent collection in cyberspace. The Frances Young Tang Teaching Museum and Art Gallery at Skidmore, in collaboration with Linked by Air, a New York City-based design firm, has unveiled a major digital expansion with the launch of its “online collection” hub.

The new microsite groups 1100 high-resolution images of the museum’s drawings, paintings, sculptures, prints and photographs by categories such as artist, theme or Skidmore class. Virtual visitors can also browse creative responses to the artwork provided by students, faculty, curators and even the artists themselves. These personalized writings and videos provide an added element to the online collections, breathing new life into them. Some examples include artists such as Njideka Akunyili Crosby speaking about the influence of the photographs of Malick Sidibé on her artwork, as well as Tim Rollins and K.O.S. speaking about their work, Winterreise (songs XX-XXIV) (after Schubert). There are also creative responses within the collection from members of the Skidmore faculty members such as Professor of Political Science Beau Breslin, who speaks about Kate Ericson and Mel Ziegler’s Constitution on Tour; and even students such as Sophie Heath of the class of 2018, on Fred Wilson’s Pharaoh Fetish.

Says the Tang’s Dayton Director Ian Berry, the project’s leader, of the new digital collection: “We operate the museum as a laboratory of ideas, and this expands that mission by giving space for multiple voices to bring fresh perspectives on the objects in our care.” Berry also notes that the 1100 images and 52 responses currently inhabiting the site are just the tip of the iceberg, and the museum plans to further expand the collection as new ideas emerge.

In the meantime, take a look at a curated group of the collection’s images in the gallery above.

Daily Racing Form: Game Winner, Improbable Both On Track For San Felipe

In a surprising development, trainer Bob Baffert on Tuesday said there is a very good chance his top two Kentucky Derby prospects, Game Winner and Improbable, will make their 3-year-old debuts against one another in the Grade 2, $500,000 San Felipe Stakes on March 9 at Santa Anita.

“I have a feeling they’ll both be in there,” Baffert said. “It might be Clemson vs. Alabama.”

Baffert said the main reason both could end up in the San Felipe is a reluctance to make one of them ship for both their scheduled preps this spring. If both run in the San Felipe, one could run back in the Santa Anita Derby on April 6, and the other could go to the Arkansas Derby at Oaklawn on April 13. But if one goes to the Rebel at Oaklawn on
March 16, that horse would have to be wheeled back on short rest to run in the Santa Anita Derby in order to avoid a second trip to Oaklawn.

Baffert said another of his 3-year-olds, Robert Lewis winner Mucho Gusto, is under consideration for the Rebel. He said the Sunland Derby on March 24 is also possible for Mucho Gusto.

Improbable and Mucho Gusto both worked on Wednesday morning at Santa Anita. Improbable went six furlongs in 1:13.20, while Mucho Gusto went a half-mile in 47.60 seconds.

Game Winner worked seven furlongs in 1:25 on Tuesday with regular rider Joel Rosario
up.

In addition to Game Winner and Improbable, both unbeaten, the San Felipe is scheduled to be the 3-year-old debut for another unbeaten colt, Instagrand, who is trained by Jerry Hollendorfer. Also under consideration for the race is recent allowance winner Extra Hope, who worked five furlongs in 59.80 seconds on Tuesday for trainer
Richard Mandella.

This story originally appeared on DRF.com


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Daily Racing Form: Romping Maiden Winner Hey Mamaluke Figures to Get Tested

On Friday, the 3-year-old filly Hey Mamaluke will ship to Aqueduct off a 10 3/4-length debut victory. Based at Parx Racing with the family stable of Mike and Patricia Farro, she’ll meet five others in a six-furlong first-level optional claimer with a $70,000 purse.

The Farros currently have about 55 horses, and that number will grow when they set up their second string at Monmouth Park this summer. They led the Parx trainer standings in 2013, 2016, and 2017, and finished a close second last year.

Mike Farro has been training horses since 1978 and is a realist. He likes what he has seen so far from Hey Mamaluke and hopes she will be a player in Pennsylvania-bred stakes later this season.

“We expected her to run good first time out but didn’t know she was going to do that,” he said.

Farro estimates that he and Joseph Capriglione, who owns and bred Hey Mamaluke, have known each other 30 years. They claimed her dam, Pu Dew, for $5,000 at The Meadowlands in 2009. She ended her career with 18 wins from 76 starts.

Pu Dew’s first foal to race, Hey Braciole, put together a 22-5-8-2 record and earned $289,680 for Capriglione and Farro between 2016 and 2018.

“Hey Braciole was a hard-knocking filly and so was her mother,” Farro said. “When Manny [Esquivel] was breezing Hey Mamaluke before she ran, he told me she might be better than Hey Braciole.”

Esquivel was aboard for Hey Mamaluke’s win. He would have had the mount Friday, but he broke his collarbone in mid-January. Dylan Davis will ride from post 1.

Hey Mamaluke’s front-running debut victory wasn’t perfect, and she may not have beaten much. Still, she was dominant.

“I think it was a little scary out there for her and she just ran hard as she could,” Farro said. “There was a big pile of manure out in the track on the backstretch and it spooked her and she jumped. The boy almost fell, and then she just took off.”

This story originally appeared on DRF.com


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Daily Racing Form: Nicodemus Ends Hiatus In Thursday Allowance

Nicodemus made a favorable first impression on trainer Linda Rice when, running back on short rest, he finished second in the Curlin Stakes last July at Saratoga.

A soft-tissue injury forced Nicodemus to the sidelines, but now Rice seems eager to bring Nicodemus back to the races in Thursday’s featured first-level allowance race going a mile at Aqueduct.

The race drew a field of 12, but not that many will run. Bon Raison won at this condition last Saturday and is no longer eligible. Blewitt won a second-level New York-bred allowance on Sunday, while his entrymate Storm Prophet scratched out of that race for this one.

Last year, Rodolphe Brisset trained Nicodemus for WinStar Farm, China Horse Club, and SF Racing. In his second start, he won a one-mile maiden race at Ellis Park. A few days later, he was in the Fasig-Tipton horses of racing age sale. He failed to meet his reserve, but Avram Freedberg of Everythings Cricket Racing and Lawrence Goichman
purchased him privately.

“Frankly, I liked the horse quite well,” Rice said. “I was pretty excited when Avram told me he bought the horse. We were very disappointed when we had to stop on him.” Rice said Nicodemus has trained “very well” for his return. Dylan Davis rides.

Rice also entered Monteleone back after he finished fourth to Bon Raison on Saturday. Rice said she would run Monteleone on Thursday if the track is wet. Monteleone is 3 for 4 on a wet surface.

Mr. Dougie Fresh and House Limit finished second and third behind Stoney Bennett in a first-level allowance here on Jan. 12. Gio d’Oro and the Chad Brown uncoupled entry of Business Cycle and Allured add to this field.

KEY CONTENDERS

Nicodemus, by Candy Ride
Last 3 Beyers: 93-86-67

◗ Makes his first start in 209 days, but Rice has shown with recent runs from Midnight Disguise and Holiday Disguise that she can get one ready off a long layoff.

◗ In his last work, he went a half-mile in 47.92 from the half-mile pole and galloped out five furlongs in 1:00.41 and six furlongs in 1:13.74 over Belmont’s training track.

House Limit, by First Defence
Last 3 Beyers: 92-96-79

◗ Had a wide trip when third in his first try at this condition following a16 3/4-length maiden win five weeks earlier.

◗ “He ran tough last time,” said Steve Moyer, assistant to trainer Jimmy Jerkens. “He had
to make a couple of different runs.”

Mr. Dougie Fresh, by Ghostzapper
Last 3 Beyers: 94-94-81

◗ In his first start off the Jason Servis claim, this gelding headed Stoney Bennett in the lane before getting beat a neck on the wire.

◗ Stoney Bennett finished fifth in Sunday’s Haynesfield Stakes.

Allured, by Flatter
Last 3 Beyers: 91-81-84

◗ After dropping farther back than his connections desire in his last two starts, he is being equipped with blinkers for the first time.

This story originally appeared on DRF.com


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The Calendar: Everything To Do In Saratoga This Weekend

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It’s no secret that Saratoga Springs loves its libations. For a small city there’s a surprisingly robust restaurant, bar and brewery scene here, and this week’s Editor’s Pick is a perfect combination of all of the above.

Saratoga Beer Week washes over the Spa City this week through Saturday, February 23, with hundreds of beer samples from local and regional breweries at 60-plus special events scattered across Saratoga’s most popular restaurants and businesses. Expect everything from beer and cheese pairings at the Olde Bryan Inn to an ALL Beer Trivia Night at Racing City Brewing Co. and even a Q&A at Beer Wine Pizza with some of the brewers from RS Taylor & Sons Brewery. Best of all, the majority of the events are free!

In addition to these happenings, Saratoga Beer Week will be presenting three signature weekend events at the Saratoga Springs City Center. Enjoy whiskey tastings and delicious fare on Whiskey Night from 7-9pm on Thursday, February 21 ($60 for tickets), or if cider’s more your speed, check out the 4th annual Cider Night from 6-9pm on Friday, February 22 (tickets are $35 and include samples from more than 30 cideries). Capping off the week of festivities will be the 8th Annual Saratoga Beer Summit on Saturday, February 23. General admission is $45 and includes three hours of beer sampling from 1-4pm or 5-8pm; VIP tickets ($65), include an extra hour of early access sampling plus  a commemorative hat and a $5 food voucher.

And if you’d rather avoid the suds altogether, check out what else is happening in the Capital Region this weekend.

Friday, February 22

Murder Mystery Dinner – 6-10pm at the Adelphi Hotel.
Dane Cook: Tell It Like It Is – See the comedian live, 7:30pm at the Palace Theatre.
Postmodern Jukebox: Welcome to the Twenties – 8pm at the Troy Savings Bank Music Hall.
Lecture by Great American Baker Andrea Maranville – 2-3:30pm at at SUNY Adirondack’s Seasoned restaurant in Glens Falls. (Read an exclusive interview with Maranville here.)

Saturday, February 23

Skidmore Wind and Brass Festival with guest quintet Windscape – After the free festival, Windscape will play in Ladd Hall at 8pm.
Skeletons in the Piano, Fine Grain, Dirt Church – A free show, 8pm-12am at Putnam Place.
Mike Recine: Pretty Much the Best Comedy Show – 8pm at Proctors Theatre.
Orange is the New Bluegrass – Comedy and Music featuring Brain Medicine and the Bullpen Therapy Podcast, 7:30pm at the Park Theater in Glens Falls.
We Believe You Can Sing Fundraiser – A karaoke competition from 3-6pm at Nostalgia Alehouse & Wine Bar in Malta.

Sunday, February 24

Longfellows Wedding Show – 11am-3pm at Longfellows in Saratoga.
Cole Porter Dinner Theater – 1-5pm at the Van Patten Golf Course in Clifton Park.