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A Uniquely Saratoga Oral History: Going to See ‘Titanic’ on Opening Night in 1997

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It’s safe to say that on December 19, 1997, when Titanic opened in movie theaters, few people expected it to become the highest-grossing movie of all time. (It has since fallen to second in worldwide grosses and third in domestic, but that it remains that high on those lists 20 years later is remarkable.) At first, it was just a night out at the movies-but it became an experience that almost everyone of a certain age in ’97 experienced.

What follows is a uniquely “Saratoga” oral history, featuring Saratoga Springs High School students, who graduated in the Class of 1998, preparing for and watching one of the biggest movies of their lifetime.

The Anticipation

Titanic was getting a lot of press throughout 1997 for the budget-busting exploits of director James Cameron, who had previously made the ultra-expensive Terminator 2 and True Lies. Plenty of movie fans wondered if Titanic would be his first big flop, though plenty of viewers wouldn’t have that in mind when they decided to see it.

Jesse Hassenger: Fall 1997 was the first part of senior year of high school for a lot of us. I think that time of life is inherently tumultuous, even when it’s also fun. And it’s not always fun.

Maddie Bonneville: That time, around the last month or so of 1997, wasn’t exactly an easy time for me. My parents were splitting up and my sister was away in Russia for a semester abroad. Combine all that with senior year and being 16, and it wasn’t exactly a picnic! It helped to be able to bomb off somewhere with friends and get lost in something for a while.

Rob Kuczynski: Maddie was a real good friend. I was dealing with the fallout from a break-up, and she was dealing with her parents, and we would, like, go down to Bogie’s [in Albany] and see [the band] Perfect Thyroid.

Jesse: We would periodically try to break a record for the number of people we saw a movie with. Titanic was one of those times.

Katie Hoek: All of my knowledge of James Cameron prior to Titanic came from hanging out with [my friends]. I always knew that there was some sort of cultish following. I also loved, loved The Abyss, so that is something. I’m not sure if I knew he directed it, but I’d like to give myself some credit and say that I did at the time.

Jeff Prisco: Terminator 2 was my favorite movie for a long time. I also loved The Abyss and Aliens. So it was safe to say Cameron was my favorite director. Titanic seemed a bit of a departure from those movies, but I was game.

Jen Chelstad: It was hotly anticipated, 100 percent because Romeo + Juliet came out the year before, with Leonardo DiCaprio.

Maddie: I can’t say that I was really feeling any kind of build up to Titanic, or any movie that we all went to see. I enjoyed going to movies with the group, more for the combination of terror and hilarity that driving anywhere with a group of high schoolers involved than any real need to go to the movies. You could probably have asked me who James Cameron was after I saw the movie and I still wouldn’t know who he was.

‘Titanic’ is the rare blockbuster where the audience already knows what’s going to happen at the end. (Paramount Pictures)

The Ritual

Somehow, close to two dozen Saratoga teenagers made their way to the Crossgates Mall down I-87 to see Titanic after school on December 19, 1997, though accounts differ on how everyone actually got there. But for a small group of us, moviegoing was becoming more of an event, with its attendant habits and rituals.

Jesse: It was weird how many big movies we saw at the rinky-dink Wilton Mall theater at the time, which was then a Hoyts. Later it was bought by Regal, and then it closed, and then they put a Bow Tie in there. The theater there now is much nicer than what we had growing up, and so is the Bow Tie downtown. But at the time it was like, where else could you go?

Jeff: While we had an acceptable movie theater minutes from all our homes, it was not as good as the larger theater at Crossgates Mall. So for the most “important” movies, we’d drive the 45 minutes to Crossgates. Somewhere along the way we started making a mixtape to cover the transit time. The tape content usually loosely tied to the theme of the movie, and songs were selected for maximum sing-a-long-ability.

Jesse: The first one we went to Crossgates was to see Spawn, of all things. But we didn’t do a tape for that one. I think the first movie tape was for Starship Troopers, when it came out in November 1997. [Our mutual friend] Chris Adams made that one and I think we were expecting that he would do a follow-up for Titanic.

Rob: The tapes were designed to kind of amp us up. They Might Be Giants, and a lot of Britpop-Stone Roses, Oasis, Blur. Also, ’97, we were getting into techno.

Jesse: Chris or [classmate] Matt Robidoux usually drove us to these things.

Rob: Chris did a really ill-advised thing where he got into this fight with his mother a week or two before and he was grounded for the only time I could remember.

Jesse: I remember feeling panicked about our plans possibly coming apart.

Rob: Jesse ended up having to negotiate with Chris’s mother so he could come.

Jesse: I called her at work, from school. In retrospect, I can’t believe I did that. I basically pleaded that Chris be allowed to drive us to Crossgates to see Titanic. I didn’t mention that we were trying to break a record for the most people at a single movie. I think I framed it as like, look, I know how it goes, but you’re hurting everybody.

Rob: She did not agree to that. She let him go, but he could not drive. So the cars were divided up different than usual. I’m pretty sure we went in Katie’s car. It was me, Jesse, Chris, Katie, and I could have sworn that Bond Caldaro was there with us.

Bond Caldaro: My most vivid recollection is that I remember feeling quite excited and honored to join all of you, as I was a bit younger and didn’t often get such invitations from the group.

Katie: I’m 90 percent sure that I rode to Crossgates with Matt.

Jesse: If we didn’t have a tape, Chris must have been DJing in the front of Katie’s car.

Katie: I remember looking at the clock and thinking we had about 22 minutes to get to Crossgates from Exit 14 [approximately 30 miles away]. And I remember Matt saying it would only take 17 minutes. I think it took 22. Don’t tell my mom! He drove there in record time.

Matt Robidoux: If I was going anywhere, it was in record time.

Katie: I can’t exactly say what antics ensued or what we listened to on the drive. I was more focused on traveling at the speed of sound.

Jesse: To make the Crossgates trip worth it, we’d sometimes do double features. We actually went to see Tomorrow Never Dies as sort of a palate cleanser before Titanic, but not everyone joined us.

Bond: I distinctly remember that I was invited to join the group as a good-natured lark-to see Bond with Bond!

Jen: I remember a helicopter scene and you guys yelling “BOND!” a bunch. Any of that sound accurate? I actually don’t remember if I was there at all.

Tom McSweeney: Did they really go to Tomorrow Never Dies immediately beforehand? Man, that would have been a long double feature.

‘Titanic’ Director James Cameron (left) directing his two young stars, Kate Winslet and Leonardo DiCaprio. (Paramount Pictures)

The Main Event

With James Bond out of the way and many more Saratoga High School kids meeting up with us, a couple of rows’ worth of teenagers sat down way too close to the screen and settled in for the three-hour movie event of the season.

Katie: I remember really loving the movie. I was worried that it would be cheesy or overdone, and it was a little of both of those things but only in really wonderful ways. I also remember being blown away by the cinematography. And really liking the guy who designed the boat; would he officially be the engineer? Architect? I don’t know but I liked that character a lot, along with the whole story being around elderly Rose and the actual sinking sequence.

Jen: I was totally confused and bored by the whole old lady with the jewel part. A little uncomfortable with the awkwardness of I’m the king of the world. Otherwise it was awesome. I remember the last half most vividly-Leo [DiCaprio] being handcuffed to the pipe, Leo and Kate [Winslet] running around through the water as the ship started to flood, the orchestra playing on the deck. There was so much detail in the scenes at the end where the ship tipped up and people were flying down into the ocean and hitting stuff on the way down, and in the scenes when people were getting into the lifeboats and then everyone in the water. Oh, and the hand on the car window-that was awkward. So was “draw me like one of your French girls.” Lots of awkward moments. But really excellent disaster action.

Maddie: I enjoyed the movie. It had enough of a combination of action and character interest. Oddly, I have most vivid memories of the Irish dancing scene in third class. The other memories are more like single shot images of the ship reaching the peak before it sunk, men stoking the boilers, Jack gambling to get on the ship, and the hand on the steamy car window.

Tom: The plot and the dialogue are kind of goofy. Billy Zane’s character is comically evil. When Kate Winslet said “Half the people on this ship are going to die” and he smirked and replied “Not the better half,” I think I might have laughed a little. But the sets and the shots of the boat are amazing.

Jesse: I always contend that the shot of the guy falling off the boat and hitting the propeller on the way down is super influential. I feel like every disaster movie afterward had to include a super-gnarly death like that.

Jason Forman: At the point where the boat sinking into the water and basically as perpendicular to the water as it can get, someone falls and hits one of the propellers, and I laughed out loud because I thought it was really funny. When I did that the girl sitting next to me hit me on the arm. I feel like it was Bond Caldaro but was she even there?

Bond: I probably did punch Jason in the arm over laughing at a guy who hit the boat propeller. Although I’m terribly embarrassed to admit it, it sounds like something my immature teenage self would do.

Leo and Kate

Apart from the enormity of the special effects and historical interest, there was Leonardo DiCaprio. Titanic made him a superstar, but the teenage demographic was already well aware of him. His co-star Kate Winslet, however, was not as well-known.

Maddie: I first knew of Leonardo DiCaprio from the adaptation of Romeo + Juliet with him and Claire Danes. I had a typical angsty teen appreciation of all things overly emotional and that movie fit right into that My So-Called Life-type satisfaction I was enjoying at that time. I can’t say I spent a ton of time thinking about him, but he was already on my radar prior to Titanic. Kate Winslet was new to me at that point.

Jen: I didn’t know who Kate Winslet was and was mostly disturbed by her through the whole movie. I think I warmed up by the end, but she was no Claire Danes. It look me many years to develop my appreciation for her.

Katie: I loved Leonardo DiCaprio: Romeo + Juliet! Basketball Diaries! What’s Eating Gilbert Grape! Needless to say, I was pretty pumped that Leo was going to star in this movie, both so I could gawk at him and because of his incredible talent. I wasn’t so sure about Kate Winslet but as long as Leo was on the screen 90 percent of the time, I knew I would be happy.

Jeff: I felt going into Titanic, there was a dislike of DiCaprio. Was this just a teenage boy being jealous of how much teenage girls liked him? Was it the ease of “Di-CRAP-rio” jokes? At that point in his career I knew him most from Romeo + Juliet, which I liked a lot. So I don’t think I had specific animosity towards him.

Tom: I do remember one conversation that probably took place around the time we saw Titanic where someone said that Leo was a pretty boy, and Jesse very stridently said “He’s a good actor!”

The Tears

Part of this movie’s staying power had to do with its tear-jerking qualities.

Maddie: I am sure that I was doing a good job of making sure no one saw me tearing up. I wasn’t quite as comfortable crying in public as I am now. I distinctly remember sitting near Katie, who was definitely crying. There were tears everywhere in the theater, though.

Katie: I very specifically remember sitting next to Jen and crying, very, very hard during the movie. We were sitting pretty close to the screen, as we would, down on the floor part and not in the stadium seats. I remember it being one of the movies I cried the hardest at, right up there with Big Fish and Up. Brutal.

Jen: So much crying. I was sitting next to Jeff Prisco, and I looked over and he was crying, which was startling because he was someone I never expected to ever see cry. I’m pretty sure it was the door scene.

Jeff: As a teenager I don’t recall crying much at all. Not because I was too cool for it; I just didn’t have urges to cry. But during Titanic I don’t remember exactly what part but I remember thinking, “This is sad, I should be crying!” (I guess I thought like a robot back then.) And more or less made myself cry. I like to think I’m a truthful person, so I wouldn’t say I faked it but there was some mental machinations to get there. Maybe that’s when I first learned of human emotions. As karmic payback, now I tear up all the time at random things!

Tom: I remember being really moved by the scene at the end where the Titanic comes back to life and Rose imagines a different past where she and Jack kiss on the staircase. I remember getting a little misty at that point, being a little embarrassed by it, and then running into Matt Robidoux, who also had little tears at the corners of his eyes. Then I figured “If Matt’s crying, it’s OK to cry.”

Bond: The only thing that stuck with me is that it was cloyingly melodramatic. And too long. I can’t imagine I have the stamina to sit through three hours of overly romantic what-not today. With that said, if there was quiet weeping during the Titanic viewing, it likely included me. Even now movies, shows, or even TV commercials that involve death, gratuitous stress, and hopelessness bring me to tears.

Adam Szot: I cried when Leo sank into the icy depths. I felt like him, as I was currently breaking up with my then-girlfriend.

Katie: I’m fairly certain I cried the hardest from when the ship started sinking and people starting giving up and saying goodbye to each other, pretty much until the end. The whole scene when Jack dies, of course, and the ending were all remarkably beautiful and sad, especially seeing it the first time.

Rob: I don’t want to stereotype the girls in our group or anything, because they’re all more interesting people than I am, but movies we went to where Katie cried: Titanic. Saving Private Ryan. City of Angels. American Pie.

Jesse: Hey, I cried at City of Angels too. I feel like Titanic kind of opened the floodgates, actually. I cried at way more movies after December 1997 than I did before.

The Aftermath

It was a sensation at the time. But how do people feel about Titanic in retrospect?

Jesse: For all that, Titanic wasn’t even our group’s big record-breaker. That was Star Trek: First Contact, in 1996. We got like 26 or 27 people to go to that one. For Titanic we only mustered about 20. Some of our friends sat it out.

Jared Henley: I didn’t see it until a few years ago. I boycotted it at the time because of its exorbitant budget. I don’t know why that mattered to me.

Nikola Bolas: I eventually saw it years later. I know my sister was all about it, which made it anathema to me.

Rob: I actually didn’t want to go. In some ways, in senior year, our friend group started to fracture. I’ve described it as the guys into sci-fi and the guys into fantasy.

Jesse: I don’t remember that particular outing as fractured, but it was definitely the transition from trying to get as many people as possible to go to a movie with us to maybe keeping it smaller and not trying to cajole everyone into getting excited about what we were excited about. The next really big event for us as a group was the 1998 version of Godzilla, which came out right before we graduated that spring. We had like two cars’ worth of people, max. And then there was kind of a reunion a year later when Phantom Menace came out. But I don’t think we had as many people there as we had for Titanic.

Jason: After Titanic came out in the theater, I was walking in New York City, and I saw a bootleg copy that came on two VHS tapes. I bought it [for] 10 bucks, I believe-and brought it back to Saratoga. I watched it at least twice at my house with two different lovely young women.

Chris Adams: I’m pretty sure we got a two-VHS [copy] of it the next Christmas… and possibly never watched it? That might be a story often told. That VHS is probably still in my mother’s hoard. (I can mail it to you, if you want.) See it the way it was meant to be seen. If you need a name for your Titanic extravaganza, here’s one: Peak Billy Zane.

Tom: [My wife and I] actually own it on DVD. I like to watch it during the winter. It feels like a winter kind of movie. It’s usually the kind of movie I put on in the background on a Sunday afternoon, or something like that.

Jeff: Because of the eventual backlash against the movie I feel like Titanic is referenced today as more of a joke. I can’t think of the last time I saw it as a movie but I probably made a “King of the World” joke last week (granted, I spend a lot of time on boats, so maybe that’s just me!).

Jesse: I saw it two more times when it was in theaters. That’s the best way to see it, but I still love it. Even more than Star Trek: First Contact.

‘Saratoga Living’ Announces Big Changes By Hiring Veteran NYC Editor In Chief, New Look, Increased Frequency

saratoga living, the premier lifestyle media company in Saratoga Springs and New York’s Capital Region, announced today several exciting developments, including the hiring of veteran media executive, Richard Pérez-Feria, as the company’s President, CEO and Editor in Chief. saratoga living‘s longtime Advertising Director, Rebecca (“Becky”) Kendall, was promoted to Publisher of both the magazine and website.

“I can’t wait for everyone to see what we have in store for saratoga living in 2018,” Pérez-Feria said. “What we’re doing is completely re-imagining what a media company can do—from the fresh look, exclusive stories, departments, and special issues to saratogaliving.com’s original interviews, interactive components, all access and behind-the-scenes capabilities—it’s really going to be something. Oh, and the amazing Kathleen Gates is joining us as Creative Director—a dream team for sure.”

The magazine will now publish eight times a year (up from six in 2017) with several “tent pole” specials being launched including “The Design Issue,” “The Saratoga 20,” “Saratoga After Dark,” “The Best Of Everything,” “Saratoga Goes Luxe” and, the biggest issue every year, “The Races!” (formerly the “Track” issue) in August.

“With the media experience and passion Richard brings to saratoga living, our advertisers are going to be blown away by the quality of the magazine and website as well as with the innovation in marketing and sponsorship opportunities now available to them,” Kendall said. “Our goal is nothing less than to be a source of pride for everyone who loves Saratoga Springs as much as we do.”

The re-imagined magazine’s first issue—complete with new logo, tagline and related visuals—will debut in the January/February 2018 edition, “Weddings.” Similarly, saratogaliving.com will showcase its new look in February 2018.

“We finally now have all the important pieces in place to make saratoga living not only much better and more responsive to the community, but a savvy, effective business as well,” Saratoga Living, LLC Chair, Anthony Ianniello, said. “These are exciting times to be sure.”

Please like saratoga living‘s page on Facebook, and follow us on Twitter and Instagram.

New Life Breathed Into North Creek Ski Bowl

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A variation on the “More Gore” marketing theme at Gore Mountain Ski Center fits nicely at the North Creek Ski Bowl: “More Nordic.” The historic site, operated by the Olympic Regional Development Authority in partnership with the Town of Johnsburg, now offers cross-country ski facilities, a direct result of the non-winter weather of 2015-16.

Once famous as a pioneer in winter sports in New York’s Adirondack Mountains, the Ski Bowl languished but has come back to life in the past 15 years and is flourishing again at the base of Little Gore Mountain. It is connected to ORDA’s seemingly ever-growing Gore Mountain center and offers a full menu of activities—Alpine and Nordic skiing, a terrain park with a half pipe, ski/boarder cross and snowshoeing under the lights on its grounds. The new Nordic and snowshoe network open to the public was developed over the summer following a successful experience of hosting cross-country races last winter.

The overall turnaround at the Ski Bowl is the result of several factors, including efforts by FrontStreet Mountain Development LLC to bring its ambitious Ski Bowl Village at Gore Mountain project to reality. David Crikelair, who has been skiing at Gore Mountain since the 1960s, is the managing partner. His son, Mac, is the project manager.

FrontStreet—working with over 400 acres that it intends to turn into a four-season sporting club community of hotels, townhouses and private residences—has made land transfers totaling 73 acres with the Town of Johnsburg that allowed for the expansion at the Ski Bowl. The first land deal led to the construction of the Hudson triple chairlift, which opened in January 2011, to replace the long-closed T-bar. The addition of the Hudson chair was the link to the interconnect with trails at Gore Mountain, and the Ski Bowl became a second entry point to the state-owned ski center.

In September 2015, FrontStreet announced the transfer of 35 acres that will enable ORDA to offer more trails off the Hudson chair. A vibrant Ski Bowl is essential for FrontStreet, as it markets and sells its property as a ski-in/ski-out resort.

ORDA has made some changes in its operational plans for the Ski Bowl, which have expanded the space open to cross-country skiing and snowshoeing. Tubing—a staple at the Ski Bowl since ORDA began managing that site in 2002—has been discontinued and some of that part of the venue has been repurposed for cross-country skiing. The Ski Bowl has nine loops—the longest at 2.5 kilometers—for skiers of various abilities. Some three kilometers of the total of nearly five kilometers have lighting and snow making. Being able to produce snow for the groomed courses assures a viable season during a winter with very natural little snow, as was the case last year.

Mike Pratt, the longtime general manager at Gore, who will become the interim president and CEO of ORDA in February when Ted Blazer retires, says that the Nordic expansion meets a grow- ing demand and has been well received.

“In the demographics of society, the endurance community is growing. The Nordic community is part of that trend,” Pratt says. “Nationally, if you survey the population, more people would say that they Nordic ski than Alpine ski.”

After seeing what could be done last winter to accommodate cross-country skiing with snowmaking in place, ORDA improved the trails in the summer of 2016 so they could pass certification by the International Ski Federation to be used as race courses.

“Those standards are very tricky in Nordic,” Pratt says. “They require certain hill climbs and a lot of different standards, and we met it.” The inspection has been completed and ORDA was awaiting the official documentation.

SPECTATOR-FRIENDLY RACES

Traditionally, cross-country ski races started and finished at the same spot, but most of the competition occurred on trails well out of sight of the public. ORDA took a different approach and set up the Ski Bowl to make the races spectator friendly.

“In modern Nordic ski racing, the courses are developed around what is called the ‘stadium effect,’ so there is a lot of visual impact,” Pratt says. “We had parents of racers saying last year that this was the first time they had ever seen their children race. The visual impact was tremendous. We have some bleachers and little outdoor fire pits just to make the spectators comfortable, too.”

The 2016-17 season opened in early December when 215 competitors took part in Section II high school races.

“It was scheduled on their calendar to be a roller-ski event in Queensbury and, because we had snow, they came to Gore,” Pratt says. “Last year, because many areas were closed and we were hosting competitive and recreational skiing, we hosted nine Section II races and the sectional championships. We hosted four New York State Ski Racing Association events and a Junior National qualifier event.”

Cross-country skiing has been popular in the Adirondacks for decades, and more Americans began to embrace the sport after Bill Koch of Brattleboro, Vermont, earned a silver medal in the 30-kilometer race at the 1976 Winter Olympics at Innsbruck, Austria. Forty years ago, there were very few high schools in the Capital-Saratoga Region that had ski teams. That has changed quite a bit through the decades—there were 13 districts participating in Nordic a year ago—and the Ski Bowl has become an important location for high school and age-group races.

“One of the things that was problematic last winter was the uncertainty of what we could provide, and what the Nordic skiers wanted,” Pratt says. “Going through the process of formal- izing our courses, we can show people the certificates; everyone knows what we have. With the stadium effect and the modern certificates, the Nordic industry is really excited.”

SNOW TRAINS TO THE SKI BOWL

This season, the Ski Bowl is scheduled to be the site of many Section II events and its championships, more NYSSRA races and two Junior National qualifiers. It is part of the evolution of the Ski Bowl, which traces its roots to the arrival of the first snow train on March 4, 1934, carrying nearly 400 members of the Wintersports Club of Schenectady. Buses and trucks took skiers up the road to the Barton Mines for the ride up, slide down adventure. The community purchased 250 acres in 1935 to develop what became the Ski Bowl.

During the winters that followed, trains brought skiers from Manhattan to North Creek, and events at the Ski Bowl in the 1930s were routinely writ- ten about in major newspapers on the East Coast. The ski industry grew after World War II, and the Ski Bowl faced increasing competition from many other venues, especially nearby Gore Mountain, which opened for business in 1964.

Saratoga’s Adelphi Hotel Reborn

When you step into the Adelphi Hotel, look for the pineapples.

Lush golden shapes of the sunny fruit, a centuries-old symbol of welcome, are splashed upon the royal blue carpet that rolls into the lobby and travels up the grand staircase.

After a five-year renovation project estimated to cost $32 million, the historic Adelphi, the only surviving hotel from Saratoga Springs’ Golden Age, reopened on Oct. 1, and is now offering luxury accommodations to out-of-town guests.

Saratogians, who fondly remember the old hotel’s Victorian ambiance

and sipping cool summer cocktails in its charming courtyard garden, are rediscovering their beloved Adelphi.

Morrissey’s the hotel bar, is a place to relax or meet a friend. (Lawrence White)

Adelphi Hospitality Group, the hotel’s new owners, are hoping that local residents, along with overnight guests and tourists, make themselves at home on the main floor of the boutique hotel — in the lobby, in Morrissey’s bar, in the Grand Ballroom and The Blue Hen restaurant.

“Use it as your second home. You will get a kick out of it,” Simon Milde told a crowd at the hotel’s ribbon-cutting, on Oct. 19.

Milde, managing partner of Adelphi Hospitality Group, said the revived hotel “mixed Victorian with high-tech and extreme comfort,” and that his team was “most proud of the craftsmanship.”

A Star Is Reborn

Built in 1877, the Adelphi is a striking Broadway landmark of late 19th century Italianate architecture, distinguished by box pillars that rise from a wide piazza. After consulting historic photos, the new owners changed the exterior from its old brown-and-yellow to a bright cream color. At night, the decorative cornice that crowns the Adelphi is now illuminated, enhancing its starring role on Broadway.

“This is the closest it’s been to its original façade,” Steven Bouchard, the hotel’s marketing coordinator, said during a recent tour.

Outside the front doors, guests who wish to take a spin around town will find shiny gold Martone bicycles ready to go in a rack near the valet parking podium.

Inside, the spacious lobby is re-imagined Victorian, with a sleek

black-and-white color scheme punctuated with blue accents, an old-fashioned wooden phone booth and contemporary chandeliers. Dishes from the old hotel are artfully displayed on the wall behind the reception desk.

A Victorian couch and armchairs — furniture that will remind locals of the old hotel — have been re-upholstered in velvety golds and blues that complement their antique lines and our contemporary times. About 50 pieces from the old hotel have been refurbished and re-introduced.

“We understand that the Adelphi is a community treasure. The lobby is meant to be inviting to the community,” said Jean Marie Phillipou, a consultant and project manager for the hotel property.

A VIP Lives On

At Morrissey’s, which is open for lunch, dinner and cocktails, visitors can grab a coffee and relax in the lobby.

In the lobby, the grand four-story staircase with its original black walnut handrail can be admired. (Bennett Stair Company of Ballston Lake did the restoration and made the railing sturdier and safer.)

In Morrissey’s, the atmosphere is old-time tavern, with decorative touches like an antique cash register from the original hotel.

“There is no dress code, there are no white tablecloths,” said Bouchard.

Toasting John Morrissey, the bar’s namesake, is sure to become a tradition, as there are photographs of one of Saratoga’s most fascinating characters posted near the bar.

A poor Irish immigrant who taught himself to read and write, Morrissey became the bareknuckle boxing champion in America. After he left the sport, he helped start Saratoga Race Course, opened an exclusive gambling casino in Congress Park, and served as a congressman and state senator.

“John Morrissey is one of the coolest people to know about,” said Bouchard. “He was one of the Adelphi’s first VIPs.”

The Blue Hen, set for a November opening, will seat 60 for breakfast and dinner under a soaring glass atrium, with views of the sky and the steeple of Universal Preservation Hall. An outdoor courtyard with umbrella tables will debut next spring, when landscaping will be added. “It will take two years for it to become a garden. There will be lush greens in patterns along the walls,” Philippou said.

From the restaurant, the Grand Ballroom, an event space that can accommodate 250 guests, beckons. When there are no events scheduled, a section of the ballroom will serve as a casual gathering spot. “It’s another common space,” said Bouchard. “You can read The New York Times, meet a friend or business partner.”

Of the 32 luxury suites, the most prized will be the Travers and Whitney Suites on the second floor, as each opens onto a large veranda that overlooks Broadway.

“It’s one of the iconic balconies of Broadway,” says Bouchard.

Morrissey and Cornelius Vanderbilt, the richest man in America in his day, once sat and chatted on this veranda.

Adjoining the two suites is a library, open to all overnight guests, with a faux fireplace and shelves of cloth-bound books.

During the renovation, the interior of the hotel was reconfigured to create larger rooms. The brand-new bathrooms are also super-sized, with soaking tubs and huge walk-in showers. One room, the Polaris Suite, has a private outdoor hot tub.

Still in the planning stage is a 10,000-square-foot health and wellness spa with an indoor swimming pool. The spa would be part of a new six-story, 152-room hotel that Adelphi Hotel Partners plan to build behind the Adelphi hotel. If approved by the city, the ownership hopes to begin work next fall.

During the renovation of the Adelphi, when its massive original trusses were found to be compromised, a steel superstructure had to be constructed and the building was then hydraulically lifted on top of it.

The Adelphi was rebuilt to survive yet another century, to create memories for future generations, the new owners say. It will be marketed internationally as a destination hotel, a place as unique as Saratoga Springs itself.

Mayor Joanne Yepsen addressing the crowd at the Adelphi ribbon-cutting. (Lawrence White)

“This is a historic day for Saratoga Springs,” Mayor Joanne Yepsen said at the ribbon-cutting. “We treasure our history here. This is going to draw more tourists, more investors and more development.”

When you look for the pineapples at the hotel, keep your eyes open for another symbol borrowed from nature. During the tour, Bouchard also pointed out the images of bees that appear here and there.

“Pineapple means welcome, the bee is a symbol of sustainability,” he explains. “There are bees and pineapples pleasantly sprinkled everywhere.”

Saratoga Arts Soiree Honors Marcia White

This year’s Saratoga Arts Soiree at Longfellows honored former powerhouse Saratoga Performing Arts Center President Marcia J. White.

As she accepted the 6th Annual Community Arts Leadership Award, after a decade at the helm of SPAC, White told the crowd of 125: “Martin Luther King didn’t say ‘I have a plan.’ He said ‘I have a dream.’ And that’s where it starts… Arts have a profound effect on the health of a community. Arts can bring us light in a dark time.”

Assemblywoman Carrier Woerner praised White for not only keeping the New York City Ballet coming to Saratoga, “but you expanded our aperture, bringing us the Bolshoi Ballet and Lincoln Center Chamber Orchestra. Your management skills ensured that SPAC not only survived, but thrived.”

Elizabeth Sobol, White’s successor at SPAC, was among the guests, who grazed on pumpkin gnocchi, almond-roasted Brussels sprouts, and goat-cheese and date rumaki, while enjoying jazz standards with the OMS Trio.

Along with an inaugural raffle of SPAC tickets, the silent auction featured not only fun getaways — such as a Lake Placid condo weekend for eight, and day of sailing with Captain Bob Allen — but also (naturally) art. “Isis,” a drawing by Ralph Caputo; “The Adelphi at Night,” a pastel by Carolyn Justin; and “The Last Light,” an oil by by Takeyce Walter, were offered.

Walter, a board member, also teaches at the center. “They are bringing art to the community; the summer day arts camp creates opportunities for children who might not otherwise be exposed to art,” said Walter, who teaches retired learners, too. “It’s an honor to work with these people returning to their love for art, after being steered away from it to a more practical career.”

Founding director Dolores “Dee” Sarno, last year’s “Leadership” awardee, said she is thrilled to witness how the organization has blossomed since 1986, when the center moved into ‘the old library’ on Broadway.

Saratoga is seen as an arts mecca, “but SPAC is the jewel in our crown,” said Joel Reed, Saratoga Arts director. “Lucky non-profits get the leadership they need at the time that they need it — leaders who will respond to the ever-changing environment of the arts. Marcia has been a model to us all.”

Jeff Durstewitz Publishes New Novel, ‘The Devil’s Room’

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Saratoga author Jeff Durstewitz, writing as Joe Fegan, has published his second novel, The Devil’s Room.

The book follows a bestselling American author who moves to Ireland. After busting into a walled-off room in his new home—despite warnings from the locals—he unleashes his “life accountant”: the Devil.

Durstewitz’s inspiration for the book stems from a 40-year friendship between the author and his former professor-turned-close-friend Campbell Black (who wrote a string of successful thrillers, including the novelization of Raiders of the Lost Ark, as Campbell Armstrong). Though Durstewitz took three fiction courses with Black during his time at SUNY Oswego—in which he says Black didn’t “teach” but “expertly advised”—he never pursued fiction. Instead, he opted for a career in newspapers; retail (he opened the Ben & Jerry’s in Saratoga in 1983); political and corporate public relations; and eventually financial writing and editing. (He also co-wrote Younger Than That Now – A Shared Passage From the Sixties, an award-winning memoir published by Bantam Press in 2000.)

But when Black invited Durstewitz to his rehabbed manor house built on the foundation of an old castle in Ireland, Durstewitz says, an odd, walled-off room with a bizarre legend in the house sparked an idea.

“Campbell had always bugged me to write fiction, and I was sitting in that vast haunted house one night, and I thought ‘My god, here’s a plot; here’s a novel with a built-in title, The Devil’s Room,” Durstewitz told Saratoga Living.

Durstewitz worked on this story for the next two decades, with Black feeding him anecdotes about Irish ways like “begrudgery” and Irishisms like “yoke,” meaning “thing.” When he didn’t know what two Irishmen would do in a given situation he had made up, he called Black. And when he thought he had finished, Black’s critiques sent him back to rework the manuscript.

This back-and-forth between the author and Black wasn’t anything new; Durstewitz says that back in college Black introduced him to the writing life. “Watching him work and hanging out with him and having him tell me that he thought some of my stuff was pretty good—that was a huge thing,” Durstewitz says. “It was almost like a young musician hanging out with John Lennon or someone like that. ‘Hey, you’re pretty good, do you want to be on my next album?’ That kind of thing.”

To Durstewitz’s great disappointment, Black didn’t live to see the final product: His friend died in 2013. But it was that event that spurred Durstewitz to finally finish the book, completing it as a tribute to his friend and his dark thrillers. “I wanted to write a comedy in his style—suspenseful, but with laughs instead of mayhem,” he says.

On the day of Black’s death, Durstewitz had an experience not unlike the supernatural occurrences he writes about in The Devil’s Room. He’d driven out to a property he’d once owned, an old farmhouse on Bain Road in Argyle. “That house will be the ‘bane’ of your existence,” Durstewitz remembered Black saying about the property some 20 years beforehand. It turned out that, at literally the same time Durstewitz had been thinking about his friend, he’d passed away.

 

The Dish It Out Celebrity Chef Gourmet Challenge at Saratoga National

Chefs from around the Capital Region competed in The Dish It Out Celebrity Chef Gourmet Challenge at Saratoga National on Oct. 5. The crowd of 150 raised about $70,000 for prevention education programs run by the Capital Region Office of the National Center for Exploited and Missing Children.

“All our programs are free and designed to keep children safe at home, on the Internet especially, and when they are away from home,” said Linda Palazzole, co-chair with her husband, Sam.

Yono’s in Albany, Swifty’s Restaurant & Pub in Delmar, and Lake Ridge Restaurant in Round Lake participated, along with Sushi Thai Garden, Chianti Il Ristorante, Osteria Danny, Max London’s, Ronnie & Ralphie’s, Sperry’s and Prime from Saratoga.

Mike Giovanone of Concord Pools donated a Big Green Egg grill, and Tom and Sandy McTygue donated a Disney vacation timeshare for the live auction. Tony Ianniello donated the Arias wine.

Patty Riggi attended with her son, police officer Johnny Rich, who will be joining the board.

Tanya Pellegrini-Lawrence and Mark Lawrence, and Robin and Matthew Dalton,were presented the 2017 Outstanding Parent Recognition Award.

NCMEC was founded by John Walsh after the 1981 murder of his son Adam, 6. Learn more at ncmecnycr.org.

SPAC’s 13th Annual Fall Lecture Luncheon

A sold-out crowd of 350 people filled the Spa Little Theatre to hear literary dramatist Betty Spinelli’s talk on “The Fascinating Life of Katrina Trask” at SPAC’s 13th annual Fall Lecture Luncheon Oct. 26.

Fascinating it was, with rare photos and stories of her life as a writer, mother and arts patron, and the backstory behind her marriages to the two loves of her life: Spencer Trask, and his longtime friend and business partner, George Foster Peabody.

The tragedies that consumed the family — the deaths of their four children in Brooklyn, the fire that destroyed their just-restored mansion in Saratoga, Spencer’s loss of an eye in an auto accident and subsequent death in a train crash on New Year’s Eve 1909 — did not destroy them.

Like the Phoenix mosaic on the fireplace of their newly rebuilt mansion at Yaddo, they rose from the ashes of their sorrow to celebrate life and enrich the community — Spencer saving the mineral springs of Saratoga, Katrina and Peabody making the world-renowned artists’ retreat a reality.

Spencer and Katrina were born to wealth; Peabody was not, and educated himself at the Brooklyn YMCA. Both men were in love with Katrina since meeting her in 1893; she married Spencer the following year. Katrina finally agreed to marry Peabody in 1921, and died less than a year later.

Following the talk, guests moved to the Hall of Springs for a convivial luncheon and lively boutique shopping, with 20 percent of sales going to the SPAC Action Council to bring the arts to life — a cause Katrina loved.

Dark Faerie Tale Ball a Tour de Force

More than 170 costumed celebrants filled the Canfield Casino for the inaugural “All Hallows Eve Dark Faerie Tale Masquerade Ball” on Oct. 26, a benefit for SaratogaArtsFest.

“We had originally capped the attendance at 150… because we wanted those who came to feel like they were at something exclusive,” said Tas Steiner, ball chairman. “But when people walked up to the event, all dressed for a masquerade ball, we managed to accommodate them.”

The event paid homage to Grimm’s Fairy Tales, with an immersive twist. A sabre duel between Little Red Riding Hood (Stephanie Ward) and the Big, Bad Wolf (Michael John Gilbert) and other vignettes were acted out during cocktail hour.

“We wanted to create an immersive theater experience that invited our guests to be part of the action,” said Ellen Beal, board chairwoman of Arts Fest Fridays. “The audience quickly got into the spirit of the evening — they cheered the performers and loved being treated as members of a royal court.”

Kim Klopstock of Lily and the Rose served dinner medieval-style at three long tables. Jacqueline Goldstein’s remarkable rendition of Phantom of the Opera’s “Think of Me” was presented at the rear of the dining room instead of onstage, another creative touch. Nicole Coady was the ball’s artistic director, and Sidney Martin designed the décor.

“Everything worked together to make for an amazing night,” said Beal. Next year’s theme? “We’re not giving that away yet!”

Alicia and Dustin Skidmore at the Masquerade Ball at the Canfield Casino. (Cathleen Duffy)
The Savory Pantry’s Keeley and Stephen DeSalvo with attorneys Eleanor Mullaney and Rob Coughlin. (Cathleen Duffy)
Sidney Martin of Simply Sidney Floral Design, a new store on Broadway, which provided the Casino decor. (Cathleen Duffy)
Big Bad Wolf Michael Gilbert lets out a growl on stage during one of the evening’s pop-up performances. (Cathleen Duffy)
Amy Rosen as the evil witch and Alex Timmis as the blue-bearded man. (Cathleen Duffy)
Bart Bartholomew Altamari, Jeff Altamari and Dee Sarno, SaratogaArtsFest ex-officio chairwoman. (Cathleen Duffy)
‘Deb, a Wood Nymph’ and Andie Zajaceskowski (Cathleen Duffy)
Seth and Sequoyah Finkell.

 

Girlfriends Lend a Helping Hand to Wellspring

It had been a very bad week for women. The annual Girlfriends Helping Girlfriends evening out at Longfellows landed right after movie mogul Harvey Weinstein’s sexual assault scandal broke.

Were the ladies of Saratoga really up for a night of fashion, art, fun and pampering?

As it turns out, absolutely. Because the evening — and the cause it was benefiting, Wellspring — was created for helping survivors of domestic violence and assault, which felt more timely and essential than ever.

The Oct. 11 party graced three floors, featuring an array of the city’s chicest goods and services from Lifestyles and Violet’s, to Alexis Aida and Saratoga Day Spa, to Razimus and Spoken.

“This evening was created for Wellspring by the women of Saratoga,” said Maggie Fronk, executive director at Wellspring. She credited three key women behind Girlfriends Helping Girlfriends: Pam Worth of Spoken, Heidi West of Lifestyles, and Laura Farrar-Pileckas of Violet’s.

“They are absolutely essential to our work. It’s these women, and their friends and cohorts in Saratoga, who enable Wellspring to serve the community,” Fronk said.

“Both domestic violence and sexual assault are prevalent in our community, but often hidden from view. These kinds of events… increase awareness, so that individuals know there’s a place to get help and are better able to recognize subtle signs of abuse.”

The evening of early holiday shopping (for a cause!), flowing bars, a fashion show, fantastic music, great food from Longfellows and networking felt like a vacation from bad news — with a dose of comfort that the fight to prevent abuse is strong.

Over 200 people attended, raising $20,000 towards crisis and support services, and prevention programs at Saratoga schools.

Founded nearly 40 years ago as a provider of basic shelter and crisis services, Wellspring today offers a full range of emergency, shelter and community services that are free and confidential.

Last year, Wellspring responded to 1,600 calls to its hotline, counseled 800 abuse survivors, and provided 19,000 safe-bed nights to clients and their children, a 35 percent increase over last year, according to Wellspring’s annual report.

“We want to reduce the stigma and the prevalence of abuse,” Fronk said. “Our goal is to end relationship and sexual abuse in Saratoga County.” For more information, visit wellspringcares.org.