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NYRA, Fox Sports Ink Wide-Reaching TV Programming Deal To Expand Coverage For ‘Saratoga Live’

Saratoga Race Course is officially open for the season, and now more eyes than ever will be on the Spa City’s prestigious summer meet. The New York Racing Association (NYRA) has cut a broad, expansive TV programming deal with Fox Sports to exponentially expand the reach of Saratoga Live, the track’s televised coverage of the races. NYRA’s calling the new agreement the most expansive in horse racing history.

“We are thrilled to be providing racing fans with the most in-depth and comprehensive television coverage of the 2019 meet at Saratoga Race Course,” Tony Allevato, President of NYRA Bets and Executive Producer of NYRA TV, tells saratoga living. As part of the new broadcasting deal, Saratoga Live will appear on Fox Sports, FS1 and FS2 for a combined 192.5 show hours. That includes a one-hour special on Fox Broadcast Network of the historic 150th running of the Grade 1 Travers Stakes on Saturday, August 24.

In addition to Saratoga Live‘s increased reach on FS2, it will also be viewable on regional sports networks such as MSG Networks, which will air 105 hours of coverage; Fox Sports San Diego, Fox Sports Prime Ticket and Altitude Sports. All that regional and national coverage adds up to 198 television hours in total, an almost 100 percent increase in exposure for Saratoga’s prized summer races. “Our goal with Saratoga Live is to take sports fans and bettors inside the sport for all 40 days of live racing here in the Spa City,” says Allevato.

Part of that push to bring more racing fans closer to the sport will be a star-studded lineup of experts and professionals offering commentary on Saratoga Live, such as Greg Wolf and Laffit Pincay III, Eclipse Award-winning jockey Richard Migliore (aka “The Mig”), Kentucky Oaks-winning trainer Tom Amoss, retired Hall of Fame jockey Gary Stevens and retired All-Star catcher Paul LoDuca, among others. Another big name joining the lineup is Larry Collmus, Saratoga Race Course’s track announcer and the voice of the Triple Crown. Additionally, Saratoga Live‘s set—which was previously filmed on the roof of Saratoga Race Course—has been moved to the track’s apron to better capture the festive atmosphere of the races and give fans a closer, on-the-ground perspective of the action.

Saratoga Live was launched in 2016 in partnership with Fox Sports. Since then, the critically acclaimed live broadcast’s on-air hours and ratings have increased every year. “There never was any sport that was hurt by being on television,” says Allevato. “It really speaks volumes to Fox’s commitment and [to] the success we’ve had with our shows.”

Saratoga Shakespeare Company: Summer Season Of Shakespeare In The Parks To Feature ‘The Tempest,’ ‘King Lear’

In his play King Lear, William Shakespeare wrote: “In jest, there is truth.” There’ll certainly be plenty of both—plus a bit of tragedy (it’s Shakespeare after all)—at the Saratoga Shakespeare Company‘s annual outdoor theater festival, Shakespeare in the Parks. Now in its 19th year, Shakespeare in the Parks performs the works of the Bard in Saratoga’s most popular parks and outdoor destinations. And for this year’s series, Shakespeare in the Parks will be doing its first-ever performance of Shakespeare’s classic tragedy, King Lear, in addition to a fresh interpretation of The Tempest, Shakespeare’s mysterious tale of shipwreck and magic.

“Poetry in the Pines” Friday, July 19 A free afternoon celebrating poetry, roaming actors, and a one-hour adaptation of The Tempest in the Spa State Park Reflecting Pool

The outdoor theater festival will kick off near the reflecting pool at Saratoga Spa State Park’s Hall of Springs on Friday, July 19 with a special celebration of poetry, drama and music called “Poetry in the Pines.” Following this event will be two performances of The Tempest (also by the reflecting pool), July 19 and Saturday, July 20. This will mark the company’s first performance of The Tempest in almost a decade, and for the production, the troupe has employed a lot of local talent. “This year we have far more professional artists than ever before gracing our stages,” says Lary Opitz, a Skidmore drama professor and one of the founding members of Saratoga Shakespeare Company. That list of artists includes 17 members of Actors Equity, one of the country’s largest and most respected labor unions for theatrical performers, and the company has teamed up with some big-name, Saratoga-based partners such as the Saratoga Performing Arts Center and Radial Arts.

For the main event, King Lear will open on the Alfred Z. Solomon Stage in Congress Park on Tuesday, July 23 and run for two weeks through Saturday, August 3. All ten performances of Lear begin at 6pm (there will be no shows on Sunday or Monday). “Over the years, we’ve presented mostly lighter fare, and we felt it was time to challenge ourselves with King Lear,” says Opitz, who will be portraying the title role, which is one of Shakespeare’s most verbose, with nearly 700 lines of dialogue. “Besides, at the age of 71—and as I think about retiring in the not too distant future—I’m beginning to understand the role better than ever before,” says Opitz.

Saratoga Shakespeare Company is Saratoga’s longest-running professional theater troupe, having been founded in December 1999, with the mission of presenting accessible and professional Shakespeare productions. The company’s first show was Twelfth Night in 2000 at Congress Park, with Opitz appearing as the flatulent and freeloading drunkard Sir Toby Belch.

All performances for the company’s 2019 season are free and open to the public. However, inclement weather is a game-changer: rain at showtime means a no-go for any of the scheduled performances. “The greatest challenge, by far, is the weather; we lost five performances [to it] last year,” says Opitz. In spite of the meteorological difficulties, Opitz says that the herculean effort of putting on Shakespeare plays in the park, especially productions as big as Lear, is well worth it. “Seeing the faces of the audience while performing outdoors in daylight, just as Shakespeare’s original actors did, is a great joy,” he says.

Woodstock 50 Denied Permit At Vernon Downs, Future Of Festival Once Again In Jeopardy

Woodstock’s 50th anniversary is shaping up to be one that its creators might want to forget. The embattled Woodstock 50 festival, which originally boasted a star-studded lineup, including Jay-Z and The Killers, and was set to occur at Watkins Glen—before its financial backers pulled out and a lawsuit ensued—have now been denied access to a second potential festival site.

According to Variety, Woodstock 50 organizers, led by Michael Lang, creator of the original Woodstock Music and Art Fair in 1969, who had applied for a permit in June to throw the festival at Vernon Downs, have been denied the permit by the town of Vernon, NY. The denial of the permit came on the heels of a Vernon town meeting earlier this week, in which the Oneida County sheriff told a gathered crowd that he couldn’t guarantee the safety of the public if the event were to happen at Vernon Downs. The festival was supposed to take place on August 16-18.

A rep from Woodstock 50 told Variety: “In response to the denial of an event permit by the Town of Vernon, Woodstock 50 believes certain political forces may be working against the resurrection of the Festival. Local reports claim Woodstock’s filing for the permit was ‘incomplete’ but that is not the case. Woodstock 50 officials were informed by the Town of Vernon that most questions had been answered and asked only that Woodstock submit medical, safety/security and traffic plans by this past Sunday, which it did. With a venue chosen, financing assembled and many of the artist’s supporting Woodstock’s 50th Anniversary event, the organizers are hopeful that their appeal and reapplication tonight will prevail without further political interference.”

Organizers had high hopes for the 50th anniversary event, which was officially announced earlier this year, but by April, Woodstock 50’s financial backer, the Dentsu Aegis Network, had pulled the plug on its funding and “cancelled” the event, which led to a court battle with a few key outcomes. Dentsu avoided having to pay Lang and the Woodstock 50 organizers more than $18 million that Lang had accused the company of bleeding from the festival’s accounts. On the other hand, the New York Supreme Court ruled that the festival’s initial cancellation had been unlawful, giving Lang and Woodstock 50 the green light to start anew. But out that $18 million-plus and with the roster of artists having already been paid $30 million to perform, Lang soon found himself in a massive financial hole.

The permit denial can still be appealed by the Woodstock 50 festival organizers—and likewise, again be denied by the town of Vernon. The two parties could then wind up in court again. But with less than five weeks until the proposed first day of the festival (August 16)—and not a single ticket for it having been sold—this might have been a fatal blow to the festival.

 

Daily Racing Form: Pletcher And O’Neill Each Have Two Fillies In Schuylerville

SARATOGA SPRINGS, N.Y. – Regardless of when the Saratoga meet starts, one constant of an opening-day card is Todd Pletcher will have at least one horse in the Schuylerville Stakes for 2-year-old fillies.

Thursday, Pletcher has both Integral and Kiss the Girl entered in the Grade 3, $150,000 Schuylerville Stakes at six furlongs. In 16 of the last 22 years, Pletcher has been represented in the Schuylerville, winning the race six times with five seconds and three thirds from 19 starters.

Kiss the Girl comes off a 4 1/2-length debut victory June 12 at Belmont. She was hustled out of the gate by John Velazquez, then pressed Sweet Kisses from the outside before drawing away in the final furlong. She earned a Beyer Speed Figure of 61.

Kiss the Girl, a daughter of Into Mischief, drew the outside post in the nine-horse field.

Pletcher’s other entrant is Integral, a daughter of Algorithms, who won her debut by 3 1/2 lengths going 4 1/2 furlongs on May 25 at Gulfstream Park. She broke extremely well out of the gate and was seemingly in hand until turning for home before jockey Edgard Zayas had go to the whip a time or two in the lane. She earned a Beyer of 67.

Luis Saez will ride Integral from post 2.

This year’s Schuylerville is somewhat unique in that there are no horses who made their last start at Churchill Downs. There are horses from five tracks who won their maidens outside of Belmont Park.

Trainer Doug O’Neill has entered two in the Schuylerville. Comical, a daughter of Into Mischief, was a six-length debut winner May 26 at Santa Anita. Shippy, a daughter of Midshipman, was a recent private purchase following a 10 3/4-length victory at on June 14 Laurel for which she earned a field-best Beyer of 87.

“With 2-year-old fillies, it’s always hard to tell how well they’re going to handle the traveling,” O’Neill wrote in an e-mail. “Both our fillies seem to have mature dispositions. I’m optimistic that six furlongs won’t be a problem for either one.”

O’Neill added that “Comical has been training steadily since her debut with this race in mind.”

Wesley Ward is 0 for 32 in graded stakes at Saratoga. He sends out Aurelia Garland off a solid five-length victory May 2 at Belmont. Ward said the filly ran better in the afternoon than she did in the morning and believes the further the better for this daughter of Constitution.

“She’s a big filly, she’ll want to go two turns,” Ward said. “The outside [post] will really help her. She got away slow when she won.”

His Glory, a debut winner at Indiana Grand for Tom Amoss; Lula’s Roadrunner, a debut winner at Parx Racing for Edward Coletti Jr.; Lady Fatima, a second-out winner on turf for Mark Casse; and Buxum Beast, a first-time starter for trainer Gary Contessa complete the field.

The New York Racing Association on Thursday fired three executives and added job titles to three others in a management shake-up that comes two weeks before the opening of the Saratoga meet.

In an internal company memo obtained by Daily Racing Form, NYRA president and CEO David O’Rourke described these moves as “an internal restructuring to the executive team that will position our organization for continued success.”

Lynn LaRocca, NYRA’s chief experience officer, Bob Hughes, chief information officer and Jim Ranton, senior vice-president and chief human resources officer, were all fired on Thursday. Replacements for those positions were not immediately identified.

LaRocca had been with NYRA since May 2014 while Hughes and Ranton each had their positions since 2015.

“We appreciate their many contributions to the company and wish them success in the future,” O’Rourke wrote in his company e-mail.

A NYRA spokesman declined to comment on internal personnel matters.

Jelena Alonso, vice-president/controller, has been promoted to the position of chief accounting officer, with broad responsibilities over all internal accounting and financial reporting functions.

Gordon Lavalette, the company’s chief financial officer since 2016, will also serve the company’s chief operating officer. He will supervise frontside operations including sales, food & beverage and parking.

Tony Allevato, president of NYRA Bets and executive producer for NYRA TV, is now the chief revenue officer as well, overseeing sponsorships and marketing.

These changes come just two weeks before the opening of the Saratoga meet on July 11. They also are the first major moves made by O’Rourke, who took over as president and CEO in January after the abrupt firing of Chris Kay.

Prior to filling that job, O’Rourke at NYRA held titles of director of financial planning, vice president of corporate development and, in 2013, he was appointed senior vice president and chief revenue officer.

This story originally appeared on DRF.com.

Daily Racing Form Q&A: NYRA’s David O’Rourke

David O’Rourke was named New York Racing Association CEO and president on March 26 after serving that role on an interim basis for two months following the resignation of Chris Kay. O’Rourke has been with NYRA since 2008, first as director of financial planning then vice president for corporate development. In 2013, he was appointed senior vice president/chief revenue officer. In that role, he developed NYRA’s business strategies in a variety of areas, including industry relations, simulcasting, television, and account wagering. NYRA has expanded its television presence to the point where there will be more than 500 hours of NYRA racing telecasts this year. NYRA Bets has expanded to more than 30 states.

Beginning Thursday, O’Rourke, 45, will oversee his first Saratoga meet. On July 2, O’Rourke sat down with Daily Racing Form’s David Grening to talk about a variety of topics.

Daily Racing Form: You’ve been with the company over a decade, but obviously in roles that were different than this one. What part of the business have you spent most of your time trying to learn?

David O’Rourke: The horsemen side, absolutely. The backstretch, trainers. That’s the fun part now. For years, I was on the content, wagering side, television, and now it’s expanding the ownership and how do we bring more owners into the game. It’s a challenge. It’s something we’re starting to do some background work on, and I think over the next year or two you’ll start seeing us organize our operations and potentially the facilities as we talk about development or adding additional spaces with that customer demographic in mind.

DRF: You take over the stewardship at a crucial time for NYRA and the industry as a whole. It seems like we’ve been talking about construction of a new hockey arena/retail space as well as Belmont Park redevelopment for about 18 months. So far, those of us on the outside haven’t seen anything. Can you update us on those projects?

O’Rourke: If you look out the window, they’re not digging a hole yet. Obviously, we’re moving up to Saratoga earlier for a lack of a better term, to get out of the way so the construction can start in earnest. All the information that we have still points to a July groundbreaking, so we look forward to that. It’s going to create some challenges over the next year or two, but in the long run I think it’s a good thing for the property and Long Island, keep the Islanders here, and get some more foot traffic on our property and increase utilization.

DRF: One reason NYRA adjusted the Saratoga schedule was in anticipation of construction at Belmont this spring as you mentioned, but it seems like NYRA, for years, was always looking to go to a five-day race week upstate. What do you hope that schedule does for you?

O’Rourke: For years, it has been a piece of conversation. We were the last organization to run six days a week, and I could go through the foal crop and the difficulty there, but there’s also the side of the operation itself. Being up there for six weeks, six days, it’s a strain on the labor force as well. From an academic side – and I come from the finance, wagering [side] – when you model it out, five days does look good. So there is the potential that it will improve our business and bottom line.

But with Saratoga, in essence it’s an ecosystem, it’s the town that works with the track and the community. While it might work for us financially, we have to make sure it works for the rest, holistically, up there. So that’s a massive component to contemplate. We have the opportunity because of the construction to test this. Part of that test will be how will it impact us outside the gates in terms of the community. I’ll see the numbers, but we’ll need to have a very open dialogue with the business owners and the community leaders up there to see how it impacts the community as a whole.

DRF: Obviously, handle is one metric we use to measure the success of a race meet. What other metrics will you use to measure the success of Saratoga 2019?

O’Rourke: That’s a great question. There’s KPIs [Key Performance Indicators] not just on handle but food and beverage, there’s attendance, people in seats. But what I’d like to begin is a more comprehensive method of customer-satisfaction ratings. That’s something we’re just getting on; you might see it later in the meet, it’s definitely something we’ll be rolling out next year. It’s very straightforward how much people are wagering on the product, but the overall experience, how do you measure that? That’s something I want to get smarter on, it’s not something that’s in my background, but Gordon Lavalette and the marketing team definitely have some experience there, so I’m challenging them in that area.

DRF: How concerned are you that with the larger purses at Ellis Park combined with added expense for out-of-town horsemen to be in Saratoga longer that they’ll either be reducing the number of horses they’re shipping to Saratoga or may not come at all?

O’Rourke: In terms of competition for horses, it’s not so much just a near-term challenge or concern, this is something that we’re strategically preparing for in the long run because in Kentucky the purses are obviously going up. It’s not just at Saratoga, but it’s at Belmont and our other meets as well. In the near term, we’re trying to create an environment that’s as welcoming as possible. In the long run, we’re going to have to incorporate this into our planning process and everything we do, including what we do with NYTHA [New York Thoroughbred Horsemen’s Association]. To encourage horsemen to race in Saratoga you are correct, it is the cost of operating up there. The purses do offset it, but if other jurisdictions’ purses increase, that advantage might be mitigated slightly. We do have the town to sell. This is something that isn’t just 2019. This is something we need to contemplate in our long-term strategy over the next five to 10 years.

DRF: Speaking of handle, you’ve opened up the late pick five to all bettors and at some point during the Saratoga meet you hope to replace the traditional $2 pick six with the in-vogue 20-cent jackpot pick six where a bettor needs to be the only one to have all six winners to take down the whole pool. What were the impetus for these changes?

O’Rourke: Customer demand and the marketplace. I believe we were the last major jurisdiction offering the $2 pick six, and there’s tradition to that bet and that bet at Saratoga historically has worked out once in a while with large carryovers. But all the information we have and the feedback we’ve gotten [shows] lower-base minimums and high potential outcomes, for lack of a better term, are what the customer wants. So our intention is to launch the Empire 6 during Saratoga, and we look forward to seeing how it plays out.

DRF: And the decision to open up the late pick five?

O’Rourke: For years, we were hesitant to launch a late pick five in terms of the late pick four, which was one of our most successful pools. So the opportunity came up where we were launching a new ADW platform and looking for a differentiator, that product slid into that mold for a period of time. In my opinion, that has kind of played itself out and I would like to open that up to all of our bettors because I believe it is one of our best bets, it usually incorporates our best races. We think it’ll do really well in the open market. Now, the challenge for the NYRA Bets people is to focus on something else.

DRF: The 1863 Club is the newest renovation to Saratoga this summer coming a year after The Stretch was introduced. I believe the cost to be at either of those spots is rather high. Has there been a demand for these higher-end hospitality areas?

O’Rourke: Yes, there has. What we will monitor is how does the demand shift around the facility. Is one area filling up at the expense of another? We didn’t see much or any of that with The Stretch, but 1863 is obviously a lot bigger. It’s at different price points; there’s suites, there’s the club, and there’s the banquet area, which really is a replacement for the tent. Cannibalization is something we’re keeping in mind as we look at how the numbers play out.

When you look at the property at Saratoga, 1863, as far as my vision would be on the property, that’s the last piece of real estate to really develop there. The rest of it will be refurbishment, kind of polishing the stone. We monitor all of our demand and our price points. We believe the demand is there, the sales are very good so far, so it looks good.
DRF: Are there concerns and/or are there any plans to create new amenities for the fans who want a more affordable/regular option to attend a day at Saratoga?

O’Rourke: Absolutely. This season was somewhat baked by the time I had a chance to get in here. A lot of the focus up there was 1863 and the five-day meet. So that has taken a lot of the management’s focus. I want to look at the backyard experience again. How many tables are back there? Are there enough or are there too many? What are the price points of the offerings that we offer back there?

Saratoga, in essence, is the incubator. There are very few, if any, racetracks that have that type of attendance. In my experience in management here at NYRA countless number of people in this industry that are fans, that backyard is where they came from – there’s a good amount from this backyard as well at Belmont. That’s something we need to cultivate, keep the character of it – because Saratoga, you have this high-end price point then you have the backyard for the families and fun and everyone’s getting close to the horses. So that’s something absolutely we’re going to look at.

DRF: Are you still offering the $100 picnic table purchases?

O’Rourke: We are. That is a divisive strategy back there. But the people that use it really appreciate the ability that they don’t have to wake up at 5:30 in the morning and run for the table. But you want to keep the experience for the people that do. So, yeah, we will maintain that.

DRF: A few years ago, former NYRA president Chris Kay introduced the Saratoga Hall of Fame complete with a red jacket ceremony that was held the day before the Travers. Will that continue this summer, and in the future, and if not, why not?

O’Rourke: That will be on hiatus for this year. I’ve had some preliminary discussions and look to further those discussions as I get up north about the selection process. Personally, I do think a Saratoga-specific award is a cool thing, it’s a good thing. It’s how the candidates are brought for voting and ultimately voted on [I want to study]. While the Hall of Fame has a very flushed out, detailed process, I think something akin to that for this type of award would be very good. I just want to put it on pause for a year and work with my A) PR group and B) people in the industry who should be voting on this. I’m not sure I would qualify.

DRF: Kay was a strong proponent of night racing at Aqueduct and Belmont. How do you feel about night racing at the two downstate tracks?

O’Rourke: I think it’s very interesting, but it is a cost-benefit analysis. At Belmont, we’re currently going through preliminary planning, which essentially becomes a menu list of options ranging from fundamental investment required for the facilities envelope to amenities that you’d place in. Night racing slots in just before amenities. It could drive revenue, it could drive traffic, but this is a very large track, so there’s a significant cost to it. It’s definitely something we’re still researching, but it’s not definitive yet whether we’d go in that direction.

DRF: Obviously, there were plans for redevelopment of Belmont Park’s buildings and track that might not have included your input. Now that you’re in the position you’re in, have you altered those plans or has the process of getting this project started changed?

O’Rourke: There were concepts back in January, and we were in the middle of an RFP process for an owner’s rep and an architectural firm to get into detailed pre-planning, so the timing was fine in that matter for whatever input I might have. While we did have concepts, now we’re getting into detailed planning. If anything, I probably changed the focus a little bit more to a pragmatic point of view. The Belmont facility itself is 1.2 million square feet, what are the fundamental investments required for that asset in the long term rather than an integrated conceptual plan? Those are the answers I’m looking for first, and then the amenities we’ll layer on with that.

DRF: How about the tracks themselves? Is there anything you anticipate happening with the surfaces, either redoing them or there has been talk about a synthetic surface at some point?

O’Rourke: At the moment, it looks like it’s the tracks that might be the first thing that we tackle. We want to redo the tracks to improve drainage, to improve irrigation, and in doing that you look at configuration. Will we ever be racing in the winter here? If that decision wasn’t made in the near term you wouldn’t want to handcuff the management team in the long term. So we’re looking at different configurations . . . Right now, its dirt, turf, turf and in conversations you might have heard there would be a synthetic on the inner at a mile. Personally, I never liked that one just because the distance . . . we challenged ourselves can we go turf, dirt, turf. That dirt course could it be synthetic in the future if necessary? Even if it’s not synthetic, is it out of the shadows so you could use it in the winter? Those conversation are going on right now. That’s actually a really fun exercise. We anticipate in the fall having some of these preliminary answers to preliminary planning and options.

DRF: Have you given any thought to the wrath you might receive if you made the last leg of the Triple Crown on a synthetic surface?

O’Rourke: That is a decision that is way above my head. If the industry in the future were to move back toward synthetics I would just want to leave the next management team in position where they could convert. I don’t currently see that occurring for us right now, but as we’re putting in this infrastructure for the next 50 years, are there things that we could do to make a conversion easier?

DRF: You recently made some management changes that are designed to continue NYRA’s organizational success. What do you hope Gordon Lavalette, Tony Allevato, and Jelena Alonso bring to their new roles?

O’Rourke: I worked with all of them for quite a while, I think they’re going to bring focus, commitment. We streamlined our team a little bit. Gordon’s moving over to a role he had with the [New Jersey] Devils and Prudential that he has the background for, so I’m excited for this, actually.

Tony Allevato has been with us for a few years. He’s taking on some of the duties I had previously. Tony’s got 20 years experience in this. They’re all seasoned executives, they’re a tight group, and we’re looking forward to a lot of challenges that we have coming ahead.
DRF: NYRA’s made a big push, and I assume significant investment, in getting your races on Fox and more television exposure. What was the goal in doing this, and have you found this to be a worthy investment?

O’Rourke: It’s given us a platform. We’ve been on TV for years on MSG, and we had a very robust simulcast. So a lot of the infrastructure was there, including the talent we use on television. Over the last few years, we’ve been able to position ourselves on Fox for 500 to 600 hours of television. We think that’s good for the sport overall because it gets the sport on mainstream sports programming. We were able to show Churchill with our tracks, that creates a nice flow to the show. With sports betting coming, not just in New York but nationally, to be on a mainstream network such as Fox we think that gives us a platform for revenue diversification. We spoke about handle as a metric to measure Saratoga – it is a metric, and it still is our primary revenue driver as a business, but I’m very focused on how can we increase the diversification of our revenue so we’re not so reliant on just the wagering dollar. It will likely always be our primary revenue driver, but can television sponsorship, food and beverage with 1863, can we diversify our revenue inputs, which would smooth out our financial performance over the years ahead?

DRF: You participated in hearings regarding sports betting. Nothing really got finalized at the last legislative session. What’s your feeling on if racing, NYRA in particular, will be included in the future offering of sports wagering?

O’Rourke: I believe we’ll be included in some form, to what degree [is] the question. However, in those hearings, one of my primary goals to convey was our history is essentially sports betting. At our fundamental core we provide sports-betting content, so I feel it’s extremely important for our product to be in the busiest store. These sports-betting platforms that are proliferating are well capitalized. They have a history in marketing in this area, so while we would like to partake in sports betting here in New York, particularly from the brick-and-mortar side, a huge part of our focus is having our content sit on these other platforms. We think it will diversify the customer that we can connect with and it will have a massive positive impact on the distribution of racing as a sports-betting product.

DRF: Are you hoping that the four places that have been granted approval for sports wagering will also offer your product?

O’Rourke: It seems that they will via their ability to cut agreements with the New York OTBs. What I’m articulating is more of a five-year vision, and mobile would have a huge piece of this. I think those four facilities would be a nice complement to the New York brick-and-mortar business if they decide to take horse racing. But ultimately I’m looking at the long game – and in the long game sports betting in terms of a mobile product offers us a big opportunity to reach a much larger audience.

DRF: As you know, The Stronach Group banned Hall of Fame trainer Jerry Hollendorfer from stabling, racing, and training at its tracks in the wake of him having four equine fatalities during Santa Anita’s six-month meet. Hollendorfer had been granted stalls at Belmont and Saratoga, and on June 23 NYRA reaffirmed its commitment to Hollendorfer. Six days later, NYRA reversed course. Why?

O’Rourke: Larry Best transferred his horses to Don Chatlos. NYRA was in internal conversations at that time. There was no board action, but there was an active dialogue. With Best’s decision to transfer those horses, we welcome Don as a trainer here. Those look like some very nice horses, and we wish him future success.

DRF: Many New York horsemen I spoke with worry that they could be next. Is NYRA considering putting in some thresholds regarding breakdowns, injuries, or fatalities at which a trainer could potentially lose the right to race, train, or stable here?

O’Rourke: Any changes in that area would be a result of the equine safety or racing committee, which I assume would be in coordination with the state, Dr. [Scott] Palmer. I haven’t heard of any modifications, but all our safety policies and procedures are evolving. If by chance something new was learned that could improve the environment for the animals here, we would research it and implement it.

In terms of our horsemen, we have a culture of an open dialogue, at least I do. Any changes, I can’t imagine there would be any surprises, and there would be a consistent conversation between NYTHA, the NYRA board, and the state vet and Gaming Commission.

DRF: In general, how conscious are you of the microscope now being aimed at Saratoga in the area of horse safety and are any extra precautions being made to ensure a successful meet in that area?

O’Rourke: We feel our policies and procedures are at the forefront in the U.S., so any changes or modifications I would leave to the experts. We’re obviously cognizant of the fact Saratoga is the premier meet in the country and that all eyes, good and skeptical, are on us in July and August up there. We love horse racing, we think it’s going to be a great meet, we’re going to do everything in our capacity to create the safest environment possible and where people can enjoy our beautiful sport, and that’s what were focused on.

DRF: Since June 9, the day after the Belmont Stakes, through June 30, NYRA carded 65 dirt races, only 12 had eight or more entries. In that same time frame, and counting off-the-turf races, average field size for a dirt race at Belmont was 5.76 horses per race. That’s lower than Churchill Downs (8.50), Parx (7.64), Laurel (7.04), Monmouth Park (6.48) and basically on par with Delaware Park (5.76). Why is NYRA having such a hard time filing dirt races?

O’Rourke: This isn’t new, it’s manifesting itself. Dirt racing has been a challenge here, specifically at Belmont, for a couple of years now. Martin Panza could give a more comprehensive answer to this, but there’s a scarcity of dirt horses currently in our inventory, with the rain that stressed that even further, which culminates into the numbers that you’re articulating, but it’s a significant challenge. It’s something as Martin’s looking at his program going forward we’re going to have to adjust and compensate for. I wish the weather would help a little, but in our game you can’t be completely reliant on the weather. It’s an issue we’re discussing, but it’s something you have to strategize . . . it’s not something to fix here and now. It’s more on incentives in the program, which trainers have what type of stock, so it’s not a quick answer but obviously we’re going to need to adjust slightly because those type of numbers are an issue 1) for the quality of the product and 2) for the economic results for the organization.

DRF: This spring you experimented with a 3:05 p.m. post on Thursdays. What were your preliminary conclusions on how that did?

O’Rourke: We were able to come to a TV agreement with Churchill. It sounded like a good idea with us and Churchill, the TV window would work well in terms of the operating overhead for doing that. Does that create more of a wagering marketplace in that time slot? The issue would be it rained basically every Thursday, but the Friday twilight cards for the ontrack experience worked better. It’s likely something we won’t do again next year. I thought it was worth a try. I don’t think it played out the way I thought it would on paper.

DRF: First Saratoga in charge for you, what are you most looking forward to?
O’Rourke: Saratoga and the experience of it is one of the reasons I love working in horse racing. I’m dying to get up there. It’s a long meet. The five days should help the work force, it’ll help me, gives us a couple of days off. Who wouldn’t want to be in Saratoga for an extra week?

This story originally appeared on DRF.com.

Daily Racing Form: A Saratoga Meet Like No Other Begins Thursday

SARATOGA SPRINGS, N.Y. – The 151st Saratoga season will be like none other that preceded it.

For the first time in this track’s storied history, racing will be conducted over eight weeks. The same 40 days that has been in place since 2010 will consist of a four-day week that begins with Thursday’s opening-day card – July 11 is believed to be the earliest opening ever for Saratoga – followed by six five-day weeks and then one six-day week ending on Labor Day, Sept. 2.

This will be the first meet with David O’Rourke as president and CEO of the New York Racing Association. In January, O’Rourke assumed leadership of NYRA after Chris Kay was forced to resign over ethics violations.

“Saratoga and the experience of it is one of the reasons I love working in horse racing,” O’Rourke said.

One of Kay’s pet projects was the 1863 Club, a new three-story structure built a sixteenth of a mile past the wire that replaces the old At the Rail Pavilion. The new structure offers luxury suites in addition to, on the ground-level, a buffet-style restaurant.

The extension in time – not days – of the Saratoga meet was announced in February and was based, in part, on the anticipation of the start of construction of a new hockey arena for the NHL’s New York Islanders on the grounds of Belmont Park. That construction has yet to start, though signs indicate it will begin by late July or early August.

However, NYRA racing officials have long wanted to go to a five-day race week for some time, believing it will be better for business than six days. In addition to creating an additional weekend of racing in Saratoga, the five-day week is deemed to be less taxing on an already declining horse population.

“The five-day week hopefully it helps a little bit with field size, allows us to put a stronger product out there,” said Martin Panza, senior director of racing operations for NYRA. “Certainly, when you’re offering nine less races a week one would think that will help things. In hindsight, with Colonial [Downs] running in August and the [increased] purses in Kentucky, thank God we did it. It would have been difficult running six days a week.”

The increased purses at Ellis Park in Kentucky combined with the added expense of the additional week to stay in Saratoga, has some Kentucky horsemen opting to decrease the number of horses they will keep at Saratoga this summer. Trainers Mark Casse and Mike Maker will each have 30 horses at Saratoga, but that is down from previous years.

“Are they sending a few less horses, yes, but at the same time Saratoga is a pretty strong driving force and I think owners will start to look at that,” Panza said. “I’m not knocking Ellis, but winning a race at Ellis or winning a race at Saratoga, which one makes your horse more valuable? Most owners are in this game for the experience, and I think Saratoga is a wonderful experience. So I can get the trainers concern, but at the end of the day the owner owns the horse . . . and winning a race up there or hitting the board in a stakes is very meaningful to the value of that horse.”

One new program Panza instituted for this meet is maiden juvenile races for horses who sold at auction for $45,000 or less. Horses who were put in the auction ring but did not reach their reserve of $45,000 or less are also eligible for these races. The idea is to give the connections of those horses a place to run without having to compete against the high six-figure or low seven-figure auction purchases.

“It’s a tough game for any owner to make money in, it’s got to be about the experience as well,” Panza said. “If we can let more people enjoy the experience of Saratoga that’s a good thing.”

The purses for those maiden auction races are $75,000, compared to $90,000 for the other maiden races.

The Saratoga experience includes one of the most lucrative stakes programs in the country. There will be 76 stakes offered worth $20.85 million in purses. Highlighting the changes to the program are the new $1 million Saratoga Derby (Aug. 4) and $750,000 Saratoga Oaks (Aug. 2), part of the turf triple series for 3-year-olds that began with the Belmont Derby and Oaks last weekend and concludes with the Jockey Club Derby and Oaks on Sept. 7 at Belmont.

The $1 million Travers Stakes on Aug. 24 figures to be a pivotal race in the 3-year-old division. It could mark the first meeting between Maximum Security and War of Will since the former was disqualified from first in the Kentucky Derby for interfering with the latter. War of Will came back to win the Preakness and is targeting the Jim Dandy on July 27, pending how he works this weekend in Saratoga. Tacitus, third in the Derby and second in the Belmont, as well as Code of Honor, the Kentucky Derby runner-up and winner of Saturday’s Grade 3 Dwyer Stakes, also are pointing that way.

Trainer Chad Brown’s awesome arsenal of equine stars will be on display all meet long. He is expected to bring 2018 champion turf filly Sistercharlie back to the races in Saturday’s Grade 1 Diana. He anticipates running multiple Grade 1 winner Rushing Fall and two-time graded stakes winner Homerique in there as well. Brown’s bevy of 3-year-old fillies includes Acorn winner Guarana, pointing to the Grade 1 Coaching Club American Oaks on July 20, Dunbar Road (Alabama), and the undefeated Royal Charlotte (Test).

Racing most days will begin at 1 p.m. However, on Wednesdays and two Thursdays when steeplechase races are offered, first post will be 12:50 p.m.

This story originally appeared on DRF.com.

Saratoga Automobile Museum Gala Gets Groovy

The Saratoga Automobile Museum hosted its annual fundraising gala, this year with a swinging ’60s theme, on June 21. The Sixties Summer Gala took place at the museum, where groovy guests got to view the new summer exhibit, Wheels Of Change: Cars & Culture Of The ’60s. The event also included cocktails and hors d’oeuvres, music by Cool Cat Entertainment and a silent auction. Proceeds from the event help support various museum programs; such as the distracted driving simulator program, and to offset the costs for long-standing museum exhibits and restoration programs.

Siro’s, The Saratoga Racing Season-Only Staple, Now Under New Ownership

Saratoga Springs’ illustrious racing season-only restaurant and bar, Siro’s, has recently changed ownership. At the end of last month, Racing Restaurants of America, which has owned Siro’s since 2010, sold the horse racing hotspot to Scott Solomon, a local government lobbyist and partner/co-owner of Saratoga restaurant, the Pig N’ Whistle, which opened on Broadway last July. Just a stone’s throw away from Saratoga Race Course on Lincoln Avenue, Siro’s has long been the post-races hangout for high-rollers, celebrities and Thoroughbred enthusiasts since it first opened its doors in 1945. The ritzy restaurant has been known for its vibrant live entertainment and menu of primarily Italian fare, surf-and-turf and sip-worthy cocktails.

“I’ve been going to Siro’s ever since I was a kid and was always in awe of the prestige of it,” Solomon tells saratoga living. “When the opportunity arose to be a part of Siro’s ownership I had to jump on it.” Racing Restaurants of America, which is headed by Manhattan-based banker Keith Kantrowitz and previously counted actor and Entourage star Kevin Dillon among its investors, originally purchased Siro’s for more than $1 million in 2010 from longtime owner and chef Tom Dillon. Solomon along with a silent partner plan to continue running Siro’s as the classic, racing-inspired restaurant that Saratogians and out-of-towners have enjoyed for so long.

However, expect a few minor tweaks and changes. “I want to keep the prestige that is Siro’s but bring a new energy to take it to the next level,” says Solomon. To that point, Solomon has hired local chef David Britton to update the restaurant’s menu and oversee its kitchen. “We’re going to continue to offer a lot of the same items, such as Siro’s famous baked summer fluke,” says Solomon. “However, David’s going to do his own take on them.” A veteran of the local restaurant scene, Britton’s the owner of Pies on Wheels traveling pizzeria and catering company, as well as one of the founding partners of Glens Falls’ DownTown City Tavern. Solomon says that a major makeover of the property and its patio is also in the works, but don’t expect any renovations until sometime next summer. “With the track opening this week, it’s been a little bit nutty,” says Solomon. “We hit the ground running at 100 miles an hour.”

Despite the last-minute ownership change, Siro’s will go ahead as scheduled with its 26th Annual Newton Plaza Siro’s Cup Gala this Wednesday, July 10, which will be honoring award-winning jockeys the Ortiz Brothers, Jockeys Irad Ortiz Jr. and José Ortiz. The following day, Siro’s will officially open along with Saratoga Race Course, which starts its 2019 summer meet a week early this year. As per usual, Siro’s will stay open for the entirety of the track season (or until the day after Labor Day, September 3).

Upstate Artist Gregory Tomb Offering Glassblowing Classes All Summer At The Gideon Putnam

Artist Gregory Tomb, who grew up in the Capital Region, vividly remembers the first time he saw glass art being made. He was a young child when, on the way to see relatives in northern Pennsylvania, he and his family stopped by The Corning Museum of Glass in Corning, NY. “I’ll never forget the first time I saw the molten glass being rolled by a glassblower while one of the museum guides narrated it,” says Tomb, who now travels the country working as a professional glassblower. “I could smell the cherrywood tools burning just a little bit, so now whenever I smell that I think of that first glassblowing experience.”

Now fans of glassblowing in the Saratoga area will get the chance to master the difficult art form—or at least receive an introductory lesson in it. Tomb, who was born in Niskayuna and grew up in Burnt Hills, opened up his own portable glassblowing studio on July 4 at Saratoga’s Gideon Putnam Hotel, where he’ll serve as the historic hotel’s summer artist-in-residence. Tomb’s portable studio, which also contains a small gallery featuring a selection of the artist’s indoor and outdoor display pieces, had an official ribbon cutting on the Fourth, attended by members of the Saratoga County Chamber of Commerce and New York State Senator James Tedesco. There, the Upstate native will be offering glassblowing classes all summer long. “A lot of people find glass art interesting and beautiful, but almost everybody thinks that the process of making it is even more exciting,” says Tomb. “So I have these ‘make-your-own’ experiences, and the idea is to keep people safe, have fun and make something beautiful.”

Tomb has certainly worked hard to make it a streamlined and hands-on experience. In his studio at the Gideon Putnam, students will help physically shape and craft their own piece of glass art, in addition to picking out colors and design options. Tomb offers two tiers of glassblowing classes named after popular springs in the Spa City: the Hathorn Package, which gives patrons the option of making a flower, heart, paperweight or small pumpkin out of molten glass; or the Polaris Package, a longer class that teaches students how to make a vase, large pumpkin or one of three types of bowls (couples and family packages are also available). Since freshly blown glass requires a full day to cool down, Tomb even includes free shipping and handling in his lesson packages.

Gregory Tomb
Tomb’s studio includes a gallery of his indoor and outdoor glass pieces. (Hassaan Mirza)

Tomb first started studying glass art in 1997, while attending Hartwick College in Oneonta, NY. It wasn’t until after graduation, when Tomb was working as a production glass blower for commercial glass manufacturers Simon Pearce, that he really thought about doing glassblowing full-time. “Simon Pearce had a really extensive production line where you’d show up for work and they’d hand you a lamp or a vase or a martini class and say make 42 of these today,” says Tomb, who was a team leader for Simon Pearce from 2004-06. “That’s really where I learned precision, and how to get a good handle on the craft.”

Over the past dozen years, Tomb has had his gorgeous, organic glass shapes exhibited in juried art shows across the country. He’s been honored with a “best in glass” award and been the featured artist at the Nassau County Museum of Art, Hampton Fine Art Festival, Stuart Art Festival and Artfest in Scottsdale, AZ, where Tomb resides during the winter.

Tomb’s classes at the Gideon Putnam are being offered every day, except for Wednesdays, through September 3, and can be booked online. If you were wondering, Tomb couldn’t be happier about his new, temporary home in Saratoga Springs. “It’s an incredible opportunity to come back to really what I consider a hometown,” he says. “Some of my earliest and best memories are from areas just outside Saratoga, and I couldn’t pass on the opportunity to spend some time here, especially in the summer.”

One Phish, Two Phish: Throngs Of Fans Welcome Legendary Jam Band To SPAC

If you were at Dead & Company at the Saratoga Performing Arts Center (SPAC) last month, it’s entirely possible that you made it a twofer, snapping up tickets to one or both nights of Phish at the Saratoga Springs venue July 2-3. And who could blame you? SPAC has historically been a jam-band-lovers’ paradise, hosting OG jammers The Grateful Dead back in the 1980s for the venue’s largest crowd in history.

At the Tuesday-Wednesday double-shot of Phish last week, the band didn’t disappoint, playing a 22-song set on the 2nd that included a live debut of The Everly Brothers’ “Cathy’s Clown” to oldies but goodies such as “Fee” (from 1989’s Junta) and crowd favorite “Wilson” (from the unreleased but not uncirculated The Man Who Stepped Into Yesterday). On the 3rd, the band rolled through classics such as set-opener “Fluffhead,” “Sleep” (for the first time since 2009) and to close out the two-night jamapalooza, a cover of The Velvet Underground’s “Rock & Roll.”

Our own Francesco D’Amico braved the throngs of Phish-heads to snap an exclusive gallery of photos from the two-night extravaganza. Click on the gallery above to relive the event.