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SPAC’s Junior Committee Presents the 2019 ‘Into The Pines’ Winter Ball

On March 9, the Saratoga Performing Arts Center (SPAC) Junior Committee held its sold-out Winter Ball at the Saratoga Hall of Springs. The night featured live music by Grand Central Station, an open bar and a grand raffle which included more than thirty gift baskets.

The ball’s whimsical “Into the Pines” theme was brought to life by decor provided by Samantha Nass Floral Design. The theme was also enhanced by a fairy face-art station from Gabby Nigriny Seidfridberger of Hair Razors Salon Spa & Boutique and roaming card trick performances by Jason Ladanye. New to the ball this year was a pre-event cocktail reception and an original dance performance by Reality Dance Studio, choreographed specifically for the Winter Ball.

“The ball is a fundraiser to support SPAC’s educational programming, which last year reached more than 38,000 individuals,” says Kristy Godette, SPAC’s Director of Communications. She also spoke highly of the Junior Committee: “Founded in 2010, the SPAC Junior Committee consists of culturally minded young professionals who support and promote world-class performing arts in the community.”

‘Saratoga Night’ In Philly Previews The Philadelphia Orchestra’s Upcoming Summer Season At SPAC

Some serious synergy is growing between the Saratoga Performing Arts Center (SPAC) and its annual summer resident, The Philadelphia Orchestra. This past Saturday, March 9, the orchestra invited Elizabeth Sobol, President and CEO of SPAC, as well as members from SPAC’s board and saratoga living‘s own Editor in Chief, Richard Pérez-Feria, down to the City of Brotherly Love for “Saratoga Night,” which featured a dinner, champagne toast and an exclusive performance by the orchestra.

Hosted by the Philadelphia Orchestra’s new President and CEO, Matías Tarnopolsky, “Saratoga Night” served as an opportunity for all in attendance to get a close-up view of how the two organizations collaborate and the orchestra, annually, accomplishes the highly involved programming slate at SPAC every summer here in Saratoga Springs. “’Saratoga Night’ at The Philadelphia Orchestra was a historic event—celebrating our 53-year partnership while also embracing new and innovative ways to connect our respective audiences,” said Sobol.

Guests to “Saratoga Night” were treated to a pre-concert dinner with members of the orchestra’s staff and board at The Kimmel Center for the Performing Arts, home of The Philadelphia Orchestra. The orchestra gave performances of the overture to L’isola disabitata by Joseph Haydn and Franz Schubert’s Symphony No. 9 in C Major “The Great.” One of the world’s hottest conductors right now, Yannick Nézet-Séguin, who is not only the Music Director of The Philadelphia Orchestra, but also New York City’s Metropolitan Opera and the Orchestre Métropolitain of Montreal, led the event. In his opening remarks from the stage, Nézet-Séguin discussed his newfound love of Saratoga. The highlight of the evening was, undoubtedly, 23-year old piano prodigy Jan Lisiecki’s performance of Felix Mendelssohn’s Piano Concerto No. 1 in G Minor. Both Nézet-Séguin and Lisiecki will be at SPAC this summer as part of the orchestra’s 2019 programming slate (Lisiecki will play Edvard Greig’s lyrical and dramatic Piano Concerto No. 1).

After the concert, guests enjoyed the champagne toast in the green room along with a backstage visit and chat with Nézet-Séguin, Lisiecki and others. “SPAC is part of what we consider our family,” Nézet-Séguin said at the event. “We are committed to taking our audiences from Philadelphia up to Saratoga more. Maybe over the years, some [of our audiences] just forgot what a gem it is.”

Any first-time visitors to SPAC this summer will surely agree. It’s going to be a program that shouldn’t—no, can’t be missed.

 

EXCLUSIVE Photo Gallery: Scenes From Haikal’s One-Length Victory At Aqueduct’s Gotham Stakes

Trainer Kiaran McLaughlin has run a horse in the Kentucky Derby in three of the last four years. If he was going to be represented in this year’s Run for the Roses, he needed Haikal to step up in Saturday’s Grade 3, $300,000 Gotham Stakes.

“We were only able to nominate one horse to the Derby, and that’s him,” McLaughlin said.

Haikal may have punched his ticket to the Derby with a furious late stretch run that carried him from last down the backside and past a trio of horses in the last sixteenth of a mile to a one-length victory in the Gotham at Aqueduct. Mind Control fought off favored Instagrand to get second by a half-length. It was a nose back to the pace-setting Much Better.

Family Biz, who was at the back of the pack with Haikal early, finished fifth followed by Tikhvin Flew, Knicks Go, and Not That Brady.

saratoga living‘s own Billy Francis LeRoux was at Aqueduct Racetrack on Saturday, March 9, for the Gotham. Check out his exclusive photo gallery above.

A longer version of this story originally appeared on DRF.com


Visit DRF.com for additional news, notes, wagering information, and more.

Saratoga Springs’ One With Life Organic Tequila Wins Big At Florida Margarita Festival

Saratoga Springs has a nice little pocket of Mexican restaurants, with Cantina, the Mexican Connection and El Mexicano holding down the fort, and a fourth restaurant, Tatu, coming soon. All of them have one common denominator: tequila. And while you can probably picture most of their tequila brands hailing from south of the border, you might have a harder time imagining one of them being produced right here in Saratoga. Yes, you read that right. Get your salt shaker and lime wedge ready, Saratogians. If you haven’t already, it’s time to get to know One With Life (OWL) Organic Tequila. Did I mention the company’s already winning awards?

Earlier this month, OWL took home first prize at the third annual Fort Lauderdale Margarita Festival in Ft. Lauderdale, FL, an award it’s won once already. Hundreds of patrons attended the sold-out festival to vote on signature cocktails served by over 20 tequila brands. Unlike the competition, OWL owner Lisa Elovich and her team presented a cocktail that was 100 percent natural. “After going to Patrón, Casamigos, Los Altos, Milagro and all the other brands, [festival-goers] tasted a huge difference,” said Elovich. “When you’re drinking freshly squeezed citrus juices, and you have fresh pureed berries on top of that, you can’t even compare that to putting a processed triple sec into a margarita.”

OWL Tequila
The OWL Organic Tequila team onsite at the Fort Lauderdale Margarita Festival, where they took home their big win.

To make OWL tequila, Elovich works with Tequila Las Americas, a family-owned farm in Jalisco, Mexico. There the agave is grown, picked after eight years, baked off using a clay oven in small batches and distilled. Elovich explains that most companies flash-steam their agave rather than bake it, and wait just five years before picking their plants. “That’s why when people drink our tequila, they’re like ‘Wow! This tastes so mellow!’ It doesn’t have the bitterness and the bite that most tequilas have, and it’s because of those two things,” Elovich says.

OWL’s dedication to providing a quality product has quickly paid off. Elovich founded the company only four years ago, and it’s already received wide recognition. The brand was recognized as 2015’s Organic Brand of Promise, won the Fort Lauderdale Margarita Festival in 2017, received high praise (a 94-point rating!) from Wine Enthusiast magazine and was named the top tequila to drink for fall/winter of 2018 by Forbes magazine.

Currently, OWL tequila is served only in New York and Florida, but the company is actively negotiating with distributors from other states. In 2018, OWL brought on a national sales director—formerly the No.1 market manager and sales rep from Tito’s Homemade Vodka—to whom Elovich credits the exponential growth OWL experienced last year. Elovich assures that “regardless of how much we grow, we’re going to always keep it small-batch, organic…and made in the traditional method in the clay oven.”

Elovich started OWL unsure of where it would take her, but was fueled by her passion for tequila, and her passion for spreading the message of being “one with life,” hence the brand name. It all started with a “small project/test case…in Saratoga,” Elovich says, “the community really responded to it, Saratoga in particular really embraced the tequila, embraced the philosophy and [embraced] the fact that I was a local.”

In the Elovich household, Lisa lives by the motto that “natural is always better than processed.” She’s a vegetarian with vegan children, and feeds her family with organic local produce, much of which is purchased at The Saratoga Farmers Market. She hopes to encourage others to make a similar lifestyle change with her tequila. “We’re trying to use the bottle as a vessel to spread a message of authenticity, a lifestyle which believes in balance, mindfulness and healthy living—and includes consumption,” says Elovich. I have one word for that: ¡Salud!

SPAC On Stage Lineup To Feature Grammy-Nominated Sitarist And Composer Anoushka Shankar

This summer, Saratoga Performing Arts Center (SPAC) is going global once again. The arts center announced the lineup for its summer global music programming series, SPAC on Stage, which includes four performances of intimate concert series, in addition to a special performance by Yamato: The Drummers of Japan. “This season turns SPAC into a world stage, featuring even more global programming by incredible, genre-crossing artists,” SPAC’s President and CEO Elizabeth Sobol tells saratoga living. “From Indian-classical to pop afro-latino to jazz and bhangra to hip-hop, we invite our community to explore sounds from every corner of the world.”

First staged in 2017 as a way to reimagine smaller performances, SPAC on Stage actually seats the audience on its main stage, a short distance away from the artists and with a performer’s view of the amphitheater. The series takes place once a month over the summer from June 19 through September 9 and highlights ensembles and performers whose music fuzes classical, contemporary and world music genres.

In addition to SPAC on Stage, there will also be a special performance on July 29 by Yamato: The Drummers of Japan, an incredible display of choreography, athleticism and the Taiko, a 400-year-old, traditional Japanese drumming style. “Bringing unique, international experiences to Saratoga audiences—like past performances by the Sachal Ensemble from Pakistan and Trinity Irish Dance Company—is part of SPAC’s expanded vision,” says Sobol.

Tickets go on sale to the public for both the SPAC on Stage series and Japanese drummers on March 15 at 10am at spac.org. All performances begin at 8pm. Check out the detailed schedule below.

June 19 – Anoushka Shankar – Land of Gold
Grammy-nominated sitarist and composer Anoushka Shankar has quite the pedigree. The daughter of sitar guru Ravi Shankar (who taught George Harrison how to play the instrument), and half-sister to nine-time Grammy winner Norah Jones (who will be performing at Saratoga Jazz Fest 2019), Anoushka Shankar’s music is a hypnotic and transcendent melding of Indian classical with contemporary Western music. Shankar began playing the sitar at the age of nine, and has been nominated for six Grammy Awards, including most recently for 2016’s Land of Gold, which she will be performing at SPAC.

July 23 – Tony Succar & Mixtura
Born in Lima, Peru and raised in Miami, FL, Latin Grammy nominee Tony Succar’s music is as infectiously catchy as it is original. The young producer, composer and multi-instrumentalist masterfully blends a number of genres including salsa, jazz, pop and afro-latino inspired music.

July 29 – SPECIAL PERFORMANCE – Yamato: The Drummers of Japan
Founded in 1993 in Japan’s Nara Prefecture, Yamato travels the world performing with Japan’s traditional Taiko drums, which range in size from medium to gigantic. Yamato’s dozen-plus players combine choreography, musical virtuosity, tradition and even some humor into an incredible spectacle that for 25 years has dazzled audiences around the globe.

August 26 – Red Baraat
Red Baraat’s pop-y and sonically diverse 2018 album, Sound The People, reached the top 10 on the World Music Charts Europe and was a hit here in the US as well. Though based in the music of the bhangra, a traditional and popular North Indian dance, Red Baraat seamlessly mixes in elements of hip-hop, jazz and even some punk and rock ‘n’ roll.

September 9 – Banda Magda
Led by Greek-born singer and composer Magda Giannikou, the multicultural and multilingual Banda Magda almost defies categorization. The group travels all over the world with its music, synthesizing Brazilian sambas with French chansons and even some Greek folk and Afro-Peruvian music thrown in as well. Banda Magda has collaborated with other contemporary musical luminaries such as the Kronos Quartet and three-time Grammy winners Snarky Puppy.

New York Yankees Legend And Hall Of Famer Joe Torre To Speak At Skidmore College’s 2019 Commencement

Skidmore College just simultaneously gave its Boston-based alums and Saratoga Springs’ chapter of Red Sox Nation a little agita. For the college’s 108th commencement ceremony, scheduled for Saturday, May 18, at Saratoga Performing Arts Center (SPAC), Skidmore has chosen legendary New York Yankees Manager, Joe Torre, who was inducted into Cooperstown‘s National Baseball Hall of Fame in 2014 and currently serves as Major League Baseball’s Chief Baseball Officer, as one of two commencement speakers.

Torre, who was a nine-time All-Star, the National League’s Most Valuable Player in 1971 and has four World Series rings as the Yankees’ skipper, has also been an advocate for children affected by domestic violence, founding a pair of foundations, the Joe Torre Safe at Home Foundation and Margaret’s Place, that support the cause. He’s also been a public advocate for prostate cancer awareness, having survived the deadly disease in the late ’90s. Torre, who calls Westchester home, has also authored three books, Chasing the Dream: My Lifelong Journey to the World Series, Joe Torre’s Ground Rules for Winners: 12 Keys to Managing Team Players, Tough Bosses, Setbacks and Success and The Yankee Years.

Not to be outdone by Joe “Catcher” Torre, Skidmore’s other commencement speaker will be MIT professor, physicist, social entrepreneur and bestselling author Alan Lightman, who’s known for his wildly popular Einstein’s Dreams.

“Skidmore College is excited to welcome Joe Torre and Alan Lightman to our 108th Commencement exercises,” said Skidmore College President Philip A. Glotzbach, in a statement. (Glotzbach will be stepping down from his position in May 2020.) Glotzbach went on to say: “Mr. Torre’s lifelong pursuit of his passion and service to others is an example for Skidmore students as they contemplate their paths after graduation. Dr. Lightman’s efforts to bridge the sciences and humanities also inspire our Skidmore community. Both embody the meaning of Creative Thought Matters, and we are honored to bestow upon them honorary degrees.”

Skidmore’s faculty commencement speaker will be sociology professor Kristie A. Ford, who serves as the Director of Skidmore’s Center for Leadership, Teaching and Learning. Professor Ford’s academic research focuses on a number of topics, including race and ethnicity, gender and sexuality and social justice education. Professor Ford’s also the Founder of the Intergroup Relations Program at Skidmore.

 

Woodstock 2019 Lineup To Feature Headliners Jay-Z, Dead & Co. And A Host Of Other A-Listers

I might have to change my plans this August, 16-18. I wasn’t really stoked about attending Woodstock 2019, because, well, look at what happened during my youth in ’99 and ’94 (yes, lots of mud, overflowing toilets and fires). The bands were top notch, but it was a total disaster. However, after reading the reports streaming in about this August’s lineup, it’s one for the ages. It might be the greatest lineup to ever come to Upstate New York.

First, let me get this out of the way up front: Original Woodstock festival Co-producer, Michael Lang, has been gifted with the lone 50th anniversary Woodstock celebration of record; despite earlier reports that Bethel Woods Center for the Arts in Bethel, NY—the site of the original Woodstock festival in 1969 (i.e. Yasgur’s Farm)—would be putting on its own 50th anniversary festival, it’s since pivoted away from the festival format in favor of three separate days of rock and roll, which will include Woodstock ’69 veterans Arlo Guthrie, Santana and Edgar Winter (who performed with his brother Johnny back in the day). Bethel also scored a surviving member of the Fab Four: Ringo Starr and His All-Starr Band, who will be kicking off the weekend of events. (As you might remember, Ringo played the Saratoga Performing Arts Center [SPAC] last summer.)

And now, to the main event. Two of the entertainment world’s major media players have revealed a panoply of artists who are set to perform at the Watkins Glen Woodstock.

According to Variety, headliners will include rap god Jay-Z (!); jam band giant Dead & Co. (who will also be performing at SPAC in June); retro-rock duo the Black Keys, who just released their first new music in five years and clearly have a new album imminent; and three-time Grammy winner Chance the Rapper. Others that are finalizing deals to perform include The Raconteurs (one of Jack White’s “other” bands), pop superstars Imagine Dragons (whose frontman has been in a war of words with Slipknot’s Corey Taylor; Slipknot will be bringing its Knotfest to SPAC in August), Texas bluesman Gary Clark Jr., The Killers, Sturgill Simpson (who appeared at SPAC last summer), Dawes (a personal favorite of mine), the Lumineers (of “Ho, Hey” fame), Russian punks Pussy Riot, Miley “Wrecking Ball” Cyrus and recent multiple Grammy winner Brandi Carlile. (Earlier reports from Variety also mentioned recent Album of the Year Grammy winner Kacey Musgraves, but her name has since been taken out of the report.)

Per Billboard, original Woodstock performer, Santana, will also be performing at Lang’s production—interesting, given that he’ll also be performing at Bethel Woods that weekend, too. The group appears to be the only one straddling both weekends.

Needless to say, Woodstock 2019 is stacking up to be a once-in-a-lifetime event for the region and will clearly bring in a lot of greenbacks—possibly even to Saratoga Springs and other hot-spots in the general area. The one caveat here is the 2018 cancellation of a major festival at Watkins Glen, hosted by jam band powerhouse Phish, because of health concerns. The issue arose because of recent flash flooding and led to a logistical nightmare in terms of providing audiences fresh drinking water. Woodstock 2019’s success will hinge greatly on Mother Nature. Hopefully, she just stays in the Vanagon.

EXCLUSIVE Q&A: Husband-And-Wife Duo The Sea The Sea Returning To Caffè Lena

Back in January, saratoga living published a list of eight incredible, up-and-coming female musicians from Upstate New York—sort of a beginner’s manifesto to the current Capital Region music scene. And as good fortune would have it, three of them linked up to play a triple-bill at Albany’s The Linda this past weekend. Now a fourth, The Sea The Sea, which is co-fronted by another talented local woman, is set to make a splash at Caffè Lena on Thursday, March 14. How lucky are we?

The Troy-based indie folk-pop band started out as a duo consisting of married couple Chuck Costa (vocals, guitar and harmonies) and Mira Costa (vocals, keyboard and percussion) but has since expanded to a quartet. In 2014, The Sea The Sea released their debut album, Love We Are We Love, which received more than 15 million streams on Spotify, and since then, has dropped a six-song EP, In the Altogether, and a sophomore album, From the Light, all the while touring extensively throughout the US. The group’s repertoire ranges from stripped-down folk tunes, with just guitar and vocals, to poppy anthems such as “Bang Bang Bang,” complete with drums, keyboard and electric guitar. The group recently received two nominations (Alt/Indie Artist of the Year and Rock/Pop Artist of the Year) for this year’s inaugural Capital Region Thomas Edison Music Awards (i.e. The Eddies) to be held on Sunday, April 14, at Proctors Theatre. saratoga living chatted with The Sea The Sea’s Mira and Chuck Costa about what to expect from the group’s upcoming tour—and their stop in Saratoga Springs.

You two have been to Caffè Lena before. What do you think of the venue, and what songs can fans expect at this show?
Mira Costa (MC)
: We love Caffè Lena, and this will be our second headlining show there. We’ll be debuting some new songs, too. This tour will be a bit more stripped down, musically—just the two of us—but definitely not a sleepy night at all. [Laughs]

The band’s based in Troy, but neither of you are originally from the Capital Region. How did you wind up here?
MC: I’m originally from Charleston, WV, but we officially moved here about a-year-and-a-half ago.
Chuck Costa (CC): I grew up down in New York City, but I used to come up here a lot. My family has sort of a shared family home out in East Chatham. So when Mira and I started touring, we used this little house as a home base for a while. We connected to all the musical community here, and now we call it home.

I know when I first moved to Saratoga, I was so impressed by the amount of art and culture pouring out of this tiny region.
MC: That’s actually part of the reason that we landed here. There’s a little-big-town feel to this area. There’s so much music going on, but it’s also a very accessible community of artists. And we really love the small town vibe that comes with that.

Talk about how you two first met and started making music?
CC: We met at a festival in West Virginia. I played solo for a while and really had never sung harmonies with anybody before; I was too shy to do that. Mira was the stage manager for that festival, so she heard me sing there, and we ended up singing together just for fun on the side. That weekend, we noticed something unusual, something special about our vocal blend. At the time, we were both really at separate parts of the country, so it took a couple of years for us to play together again. But once we did reconnect, we just hit the ground running, and we were able to co-write really quickly and easily together, which we do a lot of still.

And then came the wedding bells?
MC: [Laughs] Yes, we got married in August of 2016.

Did you guys perform at your own wedding?
CC: We actually made a pledge not to sing at our wedding.
MC: There was a lot of singing in the ceremony. But for the reception we gave everyone the day off. [Laughs]

It can be exhausting touring all the time. How have you adapted to that, and do you still find time to be creative on the road?
MC: Both of us have that bug that makes us want to travel all the time. So we tend to get restless when we’re home for too long. But I think for us, even though it can be all-consuming and a logistical overload when you’re touring, we feel like it opens us up to so many experiences that we wouldn’t have otherwise: Seeing so many different places in the country and hearing people’s stories. We really feed off of that, and it inspires us. But there’s definitely an art to finding a balance [while touring], which is something we’re constantly working on.

You mentioned debuting some new songs on this tour. Should we be expecting another new album soon?
MC
: The answer is yes and probably always yes. [Laughs] As soon as we put songs down and take them into the world, we’re already writing new ones. So we’ve got a big batch of things that we’re sort of recording at home and demoing. It doesn’t have a title yet, but we’re excited to be putting together the next thing.

The Calendar: Everything To Do In Saratoga This Weekend

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Picking between a cold pint and a glass of wine can be a difficult decision, but it doesn’t have to be. Thankfully, lovers of both won’t have to choose this weekend, as two great events bring a torrent of tasty brews and wines to the Capital Region: the Capital Region Wine Festival and the New York Craft Brewer’s Festival.

The 11th Annual Capital Region Wine Festival will kick off at 1pm on Saturday, March 9 at Proctors Theatre in Schenectady. Over 20 vineyards will be represented in addition to more than a dozen regional vendors selling everything from food and desserts to clothing and jewelry. The event includes three levels of admission: the Grand Tasting Affair ($55 and a huge variety of wines and restaurant samples), the VIP Club Vin ($100 with all the benefits of the Grand Tasting Affair plus a private reserve wines tasting from 3-4pm, served with hors d’oeuvres) and a ticket for Designated Drivers ($25 and a variety of soft drinks, coffee and restaurant and vendor samples). All ticket holders get to participate in a live wine auction that begins at 4pm on the Harry Apkarian Stage.

Also on Saturday will be the New York Craft Brewer’s Festival from 5-8pm at The Desmond Hotel in Albany. Now in its 6th year, the festival will feature more than 70 breweries and brewers from every part of New York State. Expect 150-plus beers, including some award winners, in addition to tasty bites offered by restaurants and food vendors from across the state. Guests will also get the chance to meet brewers and talk with them firsthand about their brewing process and favorite recipes. VIP tickets are already sold out, but general admission tickets are still available ($40 in advance and $50 at the door with unlimited 3-ounce beer samples), as are Designated Driver tickets ($15 for a selection of nonalcoholic beverages and food samples). All attendees get a free 7-ounce, souvenir tasting glass.

In addition to these two festivals, there’s plenty more to do in the Capital Region this weekend. Check out some of our curated picks below:

Friday, March 8

Krewe Orleans: A Mardi Gras Experience with Hartley’s Encore – 9pm at Putnam Place in Saratoga.
Not Too Far From Home Comedy Tour – 8pm at Prime at Saratoga National.
SPY!: The Manhattan Murder Mystery – Presented by the Glens Falls Community Theater, March 8-10 at The Queensbury Hotel.
Schenectady Restaurant Week – All week, March 4-10 at participating restaurants in Downtown Schenectady.
Maria Schneider Orchestra – 8pm at the Troy Savings Bank Music Hall.

Saturday, March 9

Boléro with the Albany Symphony– Ravel’s classic and others, 7:30-9:30pm at the Palace Theatre.
Dr. King Community Celebration and Dinner – 4-7pm at the Universalist Unitarian Congregation of Saratoga Springs.
Epilepsy Foundation 31st Annual Confections in Chocolate Gala – 5:30-11pm at the Glen Sanders Mansion in Scotia.
Marcia Ball and Sonny Landreth – Electric blues and R&B, 7:30pm at The Egg in Albany.

Sunday, March 10

38th Anniversary of The Parting Glass – 11am-4pm at the Parting Glass in Saratoga.
Sierra Hull – The singer and mandolinist will play two shows, 4 and 7pm, at Caffè Lena.

Daily Racing Form: Preventing Fatalities High Priority In Today’s Racing Industry

Early in February, the California Horse Racing Board released its annual report for the fiscal year 2017-2018, and one particular piece of data stood out: the number of equine fatalities at all California racetracks and training centers had declined markedly compared to the year prior. For an industry that is constantly under threat from animal-welfare issues, the 33 percent drop was a cause for celebration.

Now, with the indefinite closing of Santa Anita Park for racing in the wake of 21 deaths at the track since the start of the meet on Dec. 26, the celebration has quickly turned to consternation.

The suspension of racing, which will almost certainly result in the cancellation of one of Santa Anita’s most prominent racing dates, the Santa Anita Handicap card on Saturday, underscores the fragility of the sport in the modern era, when animal-welfare issues are a matter of concern for ever-widening swaths of the population and the industry itself has put in place numerous initiatives designed to address injuries. As California racing and regulatory officials conduct a deep dive into the possible factors that could be behind the spate of fatalities, concern over the fallout from the deaths has spread throughout the racing industry nationwide.

“The best thing they did so far was just to stop,” said Alan Foreman, a longtime official for horsemen’s groups in the Mid-Atlantic who was part of a task force that conducted an exhaustive examination of a spate of fatalities at Aqueduct racetrack in New York in 2011-12. “You have to get a handle on this. You have to take a break and step back and do whatever you can do.”

Officials for The Stronach Group, the owner of Santa Anita Park, have said that the suspension will allow the company to bring back a former consultant, Dennis Moore, to conduct another examination of the track’s racing surfaces, just one week after Mick Peterson, a racing-surface expert at the University of Kentucky, performed his own analysis, also while the track had temporarily suspended racing and training. That first evaluation, which included the use of ground-penetrating radar, did not turn up any glaring inconsistencies or abnormalities.

California officials are focusing on the racing surfaces because of an especially rainy winter. But it’s also true that racing surfaces are an oft-driven scapegoat for fatalities, even though safety experts caution that injuries are multi-factorial and that there is rarely a single cause for them. And looming over the spate is the uncomfortable reality faced by the racing industry each and every day of its existence: horses will die, and when those deaths occur in close proximity to each other, commentators far and wide will believe that there must be common factors, rather than data just clustering together.

Yet another reason that the focus has landed on the racing surface is because California has one of the best reputations in the industry on health and welfare protocols, as far as monitoring the horse population for risk factors. The commission has had a necropsy program in place for decades, and some of the best equine health and welfare research facilities are located in the state. The commission was also the first to hire a full-time equine medical director, Rick Arthur, and other states have modeled many of their own safety protocols on California.

“I can say with all confidence that they are investing all their resources to examine this,” said Mary Scollay, the equine medical director of the Kentucky Horse Racing Commission. “They know more about equine injuries than probably any other jurisdiction.”

Santa Anita, specifically, has been accredited by the industry’s Safety and Integrity Alliance since 2008, shortly after the program was launched. Steve Koch, the alliance’s director, called the track one of the alliance’s “best practice operations,” meaning some of its protocols are recommended to other tracks that may be falling short on one or more of the alliance’s measures.

“Santa Anita remains one of our most forward-thinking industry partners,” Koch said.

According to the CHRB report examining the 2017-18 fiscal year, which ended in June of last year, a total of 138 horses, representing all breeds, died of racing or training injuries at all California tracks and training centers, a sharp drop from a total of 206 in fiscal year 2016-17 and a steep decline as well from the previous years. The state total peaked in the past decade at 278 in 2011-12. Santa Anita had 44 fatalities in total during the 2017-18 fiscal year, down from 64 in the year prior.

Other racetracks have faced their own spates of equine fatalities in the past decade, and with each succeeding instance, the racing industry as a whole has become more and more anxious, a reflection of the efforts many in the racing industry have put forth to address the problem. While it is not unprecedented for a racetrack to announce a suspension of racing after a fatality – many racetracks have canceled the remainders of their cards on a bad-weather day after a horse dies – the indefinite suspension at Santa Anita is the first of its kind in recent memory.

Del Mar had its own spare of fatal injuries in 2016. Saratoga Race Course, operated by the New York Racing Association, had a very bad run for several weeks in 2017. Neither track canceled racing for an indefinite period.

Nor did NYRA’s Aqueduct in 2011-12, when 21 horses died over the span of 3 ½ months. That cluster led to the formation of a state-mandated task force to examine the circumstances surrounding the deaths. The task force’s 100-page report, containing 39 specific recommendations, was not released until six months later.

Scott Palmer was an equine surgeon at the time he was appointed to the commission, along with Foreman, Scollay, and the retired Hall of Fame rider Jerry Bailey. Now the equine medical director of the New York Gaming Commission, Palmer said on Wednesday that the recommendations identified in that report have been adopted widely throughout the racing industry.

“A lot has changed since then,” said Palmer. “We’ve become incredibly sensitized to these issues. The whole industry has recognized that minimizing injuries to horses is a huge thing we have to do. There’s this awareness now that fatalities of horses represent an existential threat to horse racing.”

Foreman, Scollay, and Palmer all agreed that the most important aspect of the Aqueduct task force was its independence. The task force members were given access to all of New York’s industry constituents, they said, and they were allowed to promise anonymity and immunity during their interviews in order to explore all avenues of consideration.

“You have to look behind closed doors,” Foreman said. “You have to look at everything and anything that could be a contributing factor.”

“The most important thing was that the task force was an independent party,” said Palmer. “It was not an internal investigation, couldn’t be influenced by what or who we were examining. We had the freedom to do the investigation without any constraints.”

Palmer said the task force’s recommendations led to a complete overhaul in how regulators and racetracks in New York work to prevent injuries. Data on injuries is now analyzed daily, Palmer said, and veterinary officials are constantly testing out new protocols to see what makes an impact and what doesn’t. Racetrack fatalities have declined in New York nearly every year since the report’s recommendations have been implemented, even though bad runs, such as the cluster in 2017 at Saratoga, invariably crop up.

“If I see a problem, if I see a change in the data, then right away I am talking to people,” said Palmer. “You have to have a high index of suspicion.”

But the three members of the task force also cautioned that an examination of the California deaths may not yield easy answers. Thoroughbred horses are fragile animals. And the sheer number of factors that are in play when horses put high stress loads on relatively thin limbs can confound even the smartest, hardest-working data analysts.

“I say this all the time, even if it’s not a very satisfying answer,” said Scollay. “There’s no silver bullet. If it was just one cause, one factor, we would have identified and fixed it years ago.”

This story originally appeared on DRF.com


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