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EXCLUSIVE Q&A: Saratoga Pianist And Composer Andy Iorio Discusses His Forthcoming Album, ‘Awakening’

Composer and pianist Andy Iorio, who grew up in Saratoga Springs, is quite busy these days. Not only is the Saratogian preparing for the release of his highly anticipated third solo album, Awakening, but he’s also been practicing for an album release show at The Linda, WAMC’s Performing Arts Studio in Downtown Albany on Friday, March 29.

A classically trained pianist, Iorio’s compositions are short, song-like compositions, usually just three to four minutes in length, with understated but emotive melodies backed by cinematic accompaniment. It’s an almost alchemical mixture of the tonal and instrumental richness of classical music with the simpler, more catchy song structures and melodies of pop music. Rather than overwhelming the senses with an onslaught of different sounds (most songs are for solo piano or piano and strings), Iorio’s compositions invite listeners to ease into sonic stretches of serenity and quiet moments of realization.

Based here in the Spa City, Iorio released his first solo studio album, After the Rain, in 2010; however, it was his 2016 sophomore album, II, that brought Iorio’s music to a new level of international attention, getting him attention from NPR here in the US, as well as airplay in Canada, Australia and Japan. That same year, one of the songs from his album, “Rush,” was nominated by the Hollywood Music in Media Awards (HMMA) for Best New Contemporary Classical/Instrumental Genre. And the composer’s success isn’t a fluke; last year, Iorio’s music garnered more than 100,000 streams online in more than 39 countries.

saratoga living recently caught up with Iorio to talk about his history here in Saratoga and what to expect from his album coming out later this month.

You grew up in Saratoga, and you moved back here after living in Boston for a while. The Spa City must have a special place in your heart.
I love the city—it’s great. I’ve grown up here. The only time I left was when I was away in college [at Berklee College of Music] down in Boston. So I’ve always made Saratoga my home base, and I’ve played all around, at Prime at Saratoga National, at the Wine Bar, lots of places in the area.

What was it like attending one of the most prestigious music schools in the country?
Well, first of all, it was the only place I ever applied [to], against all the advice of my guidance counselors. But I only wanted to go there, so if I didn’t get in, I figured I’d just keep applying until I did. But luckily, I got in on my first try. I went down to do a scholarship audition, and it went pretty well. I was so excited to be accepted there and just be immersed in that culture. All we did was eat, sleep and sh– music. Day in and day out.

Zac Brown Band’s bassist, Matt Mangano, was at Berklee at the same time you were. Did you two ever cross paths?
Oh yeah, we were friends down there. We played on a few sessions together in the studio. He’s a great guy [and] an awesome bass player. It was him, John Mayer and [Zac Brown Band member] Clay Cook that all hung out together when I was there.

Did you play with all of them?
I didn’t play with John Mayer. I think my first semester was his last one. But they were like the music group that was hanging out, jamming all the time. I think they all went to Atlanta at one point, because that’s where Mayer went when he left [to start his first band, Lo-Fi Masters]. Matt stayed and finished up his degree, and that’s when I played a few sessions with him and did some studio work at the school. I’m not certain, but I think Clay was there [in the studio] at the time too. Of course, they formed Zac Brown Band and John Mayer is John Mayer, but they were all close-knit musicians at that time.

For a musician with a classical background, you have some surprising influences.
Well, when I was a kid, I listened to a lot of pop music on the radio. But when I found my parents’ record collection, that was a different story. I just picked the cool covers that I liked. So that’s when I discovered George Winston’s December album, which, to date, is one of my favorite piano albums ever. And, of course, I have to include Dark Side of the Moon by Pink Floyd. I categorize my life into “Before Pink Floyd” and “After Pink Floyd,” because I’d never heard anything like that and how they incorporated piano into rock music.

I wouldn’t have guessed Pink Floyd. Your music reminds me more of film scores or minimalist music by Philip Glass.
Philip Glass is a big influence, but film music is really what I was drawn into from the earliest age. That’s why I gravitated toward the cinematic, orchestral sound of the music I write, because I studied film scoring and composition at Berklee, and it’s a totally different approach. As much as I love songs that have lyrics, I never really liked the melodies [I wrote that had] lyrics, and I always thought the melodies spoke for themselves. Without lyrics being there, people can connect in any possible way. I think that’s one of the most beautiful things about instrumental music—the wide range of connection people can have just from listening to one piece.

You’re on the cusp of releasing your third studio album, Awakening. What inspired a title like that?
Well, I’ve been through a lot of stuff personally in the past two years. I think Awakening is like that whole rising to another level, whether it’s spiritual, mind or body. It’s about being more self-aware. There are a lot of tracks about lifting: “Arise” and “Ascend,” stuff about lifting the frame of mind, having a positive outlook and always choosing love over hate. Because of this crazy world we live in right now, Awakening is that type of uplifting message. Everybody has an awakening at some point in their lives—that was the goal for this album.

SPECIAL REPORT: Homeless Advocate Lisa Mitzen On Fighting The Good Fight For Saratoga Springs’ ‘People Without Homes’

“Alone we can do so little; together we can do so much.” Those are the powerful words of Helen Keller, the famed American author and activist, and I think the Saratoga Springs community can learn a lot from them.

In most communities, homeless people—or as I like to call them, “people without homes”—are feared, misunderstood and largely ignored. We see them every day on Broadway, sitting on curbs, lying on the ground, resting on benches and standing outside of the Stewart’s Shops on Church Street. But how we see them varies greatly. To some, they’re a daily nuisance, a problem that the City Of Saratoga has allowed to get out of control. For me, it’s different. I’ve been blessed to volunteer at Shelters of Saratoga’s Saratoga Code Blue shelter, and as a result, have gotten to know some of these individuals. I’d like to share some of my experiences with you.

People often ask me how my husband, Ed, and I became involved with the shelter. When Code Blue first opened in Saratoga, Ed signed us up to volunteer to see what it was all about. We got “morning kitchen duty” and had no idea what to expect. Driving into town early that Sunday morning, we were speculating about what the shelter might be like. We figured there would probably be 10 or 12 people there. I mean, this is Saratoga, right? I’ll never forget walking into the shelter the very first time. The number of cots lined up strategically, in an effort to maximize the space, was shocking. I vividly remember the sounds and smells of so many people asleep in that room. The person in charge greeted us and showed us into the kitchen, as she explained our role for the next few hours. We got to work. I started cooking eggs and sausage patties and put Ed in charge of making toast—about the only task that fits into his kitchen skillset. Soon, the guests began to wake up, and we were ready to serve them. We were both taken aback by how incredibly kind and appreciative the guests were. So many of them thanked us for the food and also just for being there. One interaction, in particular, stood out to both of us: A man approached Ed and asked if, perhaps, he could have seconds, but only after all of the other guests had been served. We were both so moved by his compassion for others; he clearly had nothing more than the shirt on his back.

At the end of our shift at Code Blue, Ed and I were tired and hungry, so we headed to Comptons to get some breakfast. Normally, we’re both quite chatty people, but that morning, found ourselves sitting in silence. To think that we had just cooked and served breakfast to more than 40 people without homes right here in our own community left us a little shocked and speechless. We couldn’t help but feel thankful for our home and our life overall.

We continued to volunteer on and off at Code Blue throughout the season. The following season, we committed to cook and serve dinner on Christmas Eve. I prepared a big Italian feast, and Ed helped serve it. We came home that night after serving, feeling tired but happy that we were able to provide a nice meal to so many people in need. Ed poured us each a drink, and we looked at our dogs: What a sad thing to think that our dogs have a beautiful roof to live under and plenty of food, water and treats, and there’s this entire group of people crowded in the basement of a church in Saratoga on Christmas. Ed looked at me and said, “I think we should build them a building.” As with all of his ideas, I told him that he was crazy, though I secretly loved the idea. A few days later we got our ducks in a row and decided to go for it. With the support, help and generosity of the LA Group, Bonacio Construction and Balzer & Tuck Architecture, to name a few, we were on our way.

Without getting into the weeds of the situation, let’s fast-forward to present day—two years later. We’re still in search of a suitable location for a permanent Code Blue shelter. It’s both sad and ironic that our emergency homeless shelter is without a permanent home. We’re grateful to Soul Saving Station Church and the First Presbyterian church for welcoming these folks. I’m not sure where Code Blue would be without their heartfelt generosity. Some say that the city needs to step up and find a solution, while others like to blame the county. I’m not a big fan of politics, and therefore, I feel this is a humanitarian issue first and foremost. These are people in need of a warm, safe place to stay. No one deserves to die on the street—especially in Saratoga.

Grace (left), with Lisa Mitzen. (Lisa Mitzen)

In my interactions with these people without homes, I’ve found them to be genuine, selfless and incredibly appreciative of the smallest acts of kindness. I’d like to share another story with you, this time about a woman named Grace, who’s homeless and a current guest of Code Blue in Saratoga. I met Grace on Christmas Eve 2018. We instantly bonded over our mutual love of a good old-fashioned ham dinner. I noticed right away that Grace had a great smile and an easy way about her. I couldn’t help but wonder how a lovely 65-year-old woman ended up homeless and in a shelter on Christmas Eve.

Grace was born at Ellis Hospital in Schenectady. Her parents were a married couple who put her up for adoption before she was even born. She believes that the adoption went through Catholic Charities, but she’s not sure. The records were sealed, so she’s never been permitted to learn much about her biological parents and/or family. She did overhear a social worker one time tell her adopted mother that her birth father had come back from Korea and was a mess—that he’d been incapable of being a husband, father or much of anything else. She suspects that he had suffered severely from depression and that this was most likely why they hadn’t kept her. She also heard that years later there were a few sisters that were also put up for adoption and that they ended up in foster care. She doesn’t know who they are or where they are, and she told me that she felt this was probably for the best. She continued by sharing that “I’m the one who got a home, even if it was a very poor home. I mean, not in terms of money, but in terms of function.”

Grace started to tell me about her family growing up. She said it looked perfect on the outside, but on the inside, it was a disaster. As she described her childhood to me, she sat with her hands neatly folded in her lap, and a look of true sadness in her eyes. Her smile faded as she shared with me that her parents were both alcoholics. She also said that her father was a paranoid schizophrenic and that her mother was a narcissist. She let out a big sigh as she looked down at the floor for a few moments reflecting on her past. I asked her if she had any siblings or extended family. Grace told me that her parents only had her, never adopted any other children and didn’t have any children of their own. Her father had two siblings, her Aunt Ann and Uncle Jim. Sadly, there was a long history of schizophrenia in her father’s family that affected his siblings as well as their families. Needless to say, she had no real relationship with any extended family.

Grace attended school in Albany and tried to live as normal a life as possible to the outside world. At home she was often anxious and depressed with her parents’ drinking and fighting. She described her father as physically abusive to her mother at times, but she said he knew better than to mess with her. When I told her that I thought she was one tough cookie, she said “I had to be,” which made her smile reappear. Grace’s mother and father separated when she was 11 and eventually divorced when she was 17. The marriage ended primarily due to money and alcoholism, to name a few of the problems, she said with a wink. Grace stayed with her mother, and she attended Mercy High School in Albany. She talked about feeling isolated and lonely. Her mother’s struggles impacted her greatly, as she carried the weight of all of it with no one to talk to. She did say that her father called every week, sometimes two or three times. Sometimes he was sober, sometimes he wasn’t. Her mother was terrified of him, and she lacked the proper coping skills; she’d get stressed and feel helpless, then turn to the bottle for comfort. Grace wasn’t afraid of her father at all and stood up to him to protect her mother. On the outside, Grace appeared strong, which amused her father. He used to say, “Why can’t your mother be more like you?” Inside, however, Grace was severely damaged by all of this. She became riddled with anxiety, which got worse with each passing year.

Grace graduated from Mercy High School and was excited to attend college. Her dream was quickly crushed when she was diagnosed with severe scoliosis. She had to lie flat on her back for six months and felt defeated. Her mother was adamant that she’d only help Grace pursue her college dream if she agreed to become a nurse. This wasn’t something Grace was interested in. She felt that she wouldn’t make a good nurse because she would become too involved with the patients and wouldn’t be able to maintain professionalism. Once Grace was mobile again, she worked different jobs in the kitchens at both Albany Medical Center and St. Peters Hospital. Although she liked the work, she realized that she needed to secure a higher paying job fairly quickly, as her mother’s drinking had accelerated. Her home situation was bad, and she was the only one that could fix it.

Grace was determined to go to college, and ended up attending Maria College in Albany. She graduated with a business degree and focus on legal secretarial. She worked briefly at Traveler’s Insurance and then landed a job with the State of New York, where she remained employed until 2006. During these years, Grace managed to retain steady employment and even purchased her own mobile home. Her mother remarried a kind man and things were really good for years. When I asked Grace if she ever married, she said that she hadn’t. Grace was told in her early 20s that she would never be able to have children, and although she had had some close relationships, she feels that she sabotaged them due to her infertility, along with her stress in caring for her mother.

In the late ’90s, Grace’s stepfather became ill, and her mother didn’t handle it well. In fact, Grace said that her drinking was, once again, out of control. Eventually, her stepfather passed away, which left Grace as the lone person to look after her mother. This was a very difficult time for Grace, and in addition to the anxiety and stress, she felt as though something was physically wrong with her, too. She explained to me that she always felt that something wasn’t right, but she never told anyone because she was terrified. Her mother was so consumed with her own issues that she failed to notice what was happening with her daughter.

When I asked Grace if she’d ever abused alcohol and/or drugs, she immediately shook her head no. She never had an interest in either after witnessing the deterioration it had caused within her own family.

Grace was working for the State during this time, but it had quickly become challenging. Grace’s physical and mental illness caused her to behave in a manner that wasn’t easy to understand or acceptable in the workplace. Sadly, her co-workers would accuse her of “faking” the illness, because she appeared perfectly healthy on the outside. They’d say that she was just trying to get attention. When I asked Grace how that made her feel, she looked at me through sad, misty eyes and said that although the illness was real, she didn’t blame her co-workers for saying the things they did, because, deep down, she did want attention. She continued to fall apart, suffering one severe depression after another, while also dealing with the physical challenges from her illness. After Grace’s mom passed away, she continued to try to work, but it was becoming increasingly more difficult.

Grace eventually lost her job at the State. She looked me in the eyes and said, “I screwed up there something terrible.” As she looked down at the floor, she shook her head and shared that she had stopped showing up for work due to her depression. She described the depression as “classic,” causing her to remain in bed for days. She also said that the anxiety had shifted from constant worry about her mother to her own debilitating physical condition. In 2006, Grace resigned, because she knew she was going to be fired. She’s been unable to work since, due to her anxiety, depression and physical illness.

With very limited income, Grace lost her mobile home. She was homeless for about six months, but then, eventually, was able to secure an apartment. Things were going pretty well. Although she was unable to work, she qualified for some disability income and was able to care for herself. She even got a dog, Peggy the chihuahua, who she described as the love of her life. As Grace was sharing this with me, her entire face lit up and her expression softened. Sadly, though, this glow faded quickly. Her ability to manage her finances and live on her own proved far more difficult than she ever imagined. The combination of her mental and physical illnesses prohibited her from making timely payments, caring for herself or her adored dog. She lost her apartment and has been homeless since the fall of 2018. Her dog, Peggy, is being well cared for by a kind, generous person in our community.

When asked what it’s like to be homeless in Saratoga, Grace looked at me and said that in general, people are nice and friendly to her. She said that this isn’t the case for the majority of the others. “I don’t look homeless, and that’s why”, she offered. I asked her what the worst part of being homeless is and honestly, I expected her to say the cold or the food or the way she’s treated, but much to my surprise, she responded that it’s the sense of total helplessness. She carried a heavy, lonely burden her entire life and now needs to rely on others to get by. This is difficult for Grace.

At the end of our get-together, I asked Grace if there was anything she’d like to say to the people of Saratoga about homelessness, and she said, “yes.” Grace straightened up in her chair and pointed her finger at me. She was very serious, and said, please make sure you include this in your article: “I’m ashamed of the way I behaved most of my life. And, it’s easier to end up homeless than people think.” She felt that there were many people that weren’t that far away from becoming homeless; all it would take would be a lost job or suffering from a mental and/or physical challenge—and no one to talk to or seek help from—and things could spiral out of control.

I thoroughly enjoyed spending time with Grace and appreciated her trust in sharing her story with me. She’s kind and determined. She’s hopeful that she’ll be able to eventually get into an apartment with the help and support of all of the wonderful people at Code Blue and Shelters of Saratoga. She misses Peggy and wants to be in a safe, warm home again with her.

I hope that this story—and that of volunteering at Code Blue with my husband—will help Saratogians realize that there are solutions to homelessness. They begin with you and me.

 

Presidential Hopeful Kirsten Gillibrand Appearing On Showtime Series, ‘Desus And Mero,’ This Week

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It’s “showtime” in the Collar City. This Thursday, March 21, The Bradley, a bar located on 4th Street in Downtown Troy, will make an appearance in an episode of Showtime’s late-night comedy talk show series, Desus And Mero. The show will also feature a special guest star: newly declared 2020 US presidential hopeful, Senator Kirsten Gillibrand (D-NY), who lives just outside of Troy in Brunswick, NY, and earlier this year opened her presidential campaign headquarters in Downtown Troy.

Troy restauranteur and entrepreneur, Vic Christopher, who owns The Bradley, along with a string of other popular restaurants and bars in the city—including upscale eatery Peck’s Arcade and wine bar Lucas Confectionery—tweeted a photo of himself, flanked by Gillibrand and the stars of the Showtime series, Daniel “Desus Nice” Baker and Joel “The Kid Mero” Martinez.

According to the show’s website, Thursday’s episode will also feature Oscar-winning actress Lupita Nyong’o (12 Years A Slave) and actor Winston Duke, who recently appeared in blockbuster superhero movies Black Panther and Avengers: Infinity War.

Late last February, Gillibrand first appeared alongside the comedians on a same-named series, Desus And Mero, which, at that time, was airing on Vice‘s Viceland network. (Baker and Martinez first gained notoriety through their Bodega Boys podcast.)

Showtime’s version, which is five episodes into its first season, has already gotten quite a bit of buzz, having landed US Representative Alexandria Ocasio-Cortez to be their first guest.

The Gillibrand episode will air at 11pm on Thursday night.

 

Daily Racing Form: Santa Anita Trainers Air Concerns, Cheers, Jeers Following Lasix Ban

ARCADIA, Calif. – Santa Anita horsemen voiced a range of opinions following the surprise announcement Thursday that Lasix will be disallowed at California racetracks owned by The Stronach Group.

Some favored the action, some were against, and others questioned the timing. Most acknowledged being off guard when Belinda Stronach, TSG chairman and president, declared in an open letter “zero tolerance for race-day medication at Santa Anita Park and Golden Gate Fields.”

“I have no major problems with the changes,” trainer Simon Callaghan said. “But I don’t think it’s going to help the horses-breaking-down situation.”

“It’s stupid,” trainer Richard Baltas said of the Lasix ban. “Horses bleed. They bleed in workouts, and they bleed in races. The health of horses is jeopardized by not giving them Lasix. A lot of horses will leave the state.”

Trainer John Sadler expressed dismay at the suddenness of the ban, suggesting major reforms should be “with input of horsemen.” He said, “That’s part of the horsemen’s frustration and anger, the way we are not being consulted.”

The no-Lasix notice and accompanying declaration regarding curtailed whip use became public Thursday afternoon, only hours after the 22nd equine fatality of the winter meet at Santa Anita, which began Dec. 26. Princess Lili B broke her front legs in a workout.

Owners and trainers were scrambling for answers Friday. It was unclear when the Lasix ban would take effect. The Thoroughbred Owners of California raised concerns regarding the welfare and safety of horses racing without Lasix. The TOC scheduled a Saturday teleconference to address members’ concerns. The California Thoroughbred Trainers scheduled a meeting Friday morning.

Santa Anita, which suspended racing for two weeks to reexamine the racing surface, will reopen for racing on Friday, March 22. If the Lasix ban is in effect, the number of race-ready horses is likely to have dwindled.

Baltas said he has about 20 horses who require Lasix and would need relocation. Sadler estimated he had about 10.

“If they’re going to do it cold turkey, then everybody’s got to look at their horses, look at the options, and decide what they want to do,” Sadler said. “You don’t feel comfortable. [TSG is] going to ask you to just wing it. I want to be safe, I’m not sure I want to wing it.”

Like many, Sadler is concerned with perception: “If you say you like Lasix, then they say you’re a cheater. But what if they get two or three that collapse [from bleeding episodes]?”

Bob Baffert stated similar concerns: “I’m always going to do what’s better for the horse. We don’t know if running without Lasix is better for the horse.”

Could the Southern California circuit continue to race four days a week? “I don’t think anybody has that answer,” Baffert said. “Our horse population is pretty thin right now. And right now, we’re a target. We’re under the microscope.”

Baffert worked 10 horses Friday on the main track; 74 horses worked on the main track, without incident.

Trainer Neil Drysdale endorsed the Lasix ban. “I think it’s a very good sign of catching up with the times,” he said. “The public’s perception needs to be addressed. We also need to catch up with the rest of the world that has no medication. All in all, I see it as a positive sign.”

Callaghan suggested likewise. “I don’t mind if our regulations get more in line with the world regulations. I have no massive problem with that,” he said. His concern? “I think just implementing it right away is going to scare a lot of people, and people are going to move.

“If you set a date in three or four months, people are going to slowly get used to the idea, and they might come around to the idea that, ‘You know what? It’s probably not a bad idea.’ ”

While some declined to comment, one trainer speaking off the record suggested a sinister motive behind the Lasix ban. The thought was it would finish off racing in a prime Southern California neighborhood.

“I don’t think this is about horse racing. I think it’s a real estate play,” the trainer said.

This story originally appeared on DRF.com


Visit DRF.com for additional news, notes, wagering information, and more.

Saratoga Springs’ Annual Siro’s Cup Fundraiser To Honor Horse Trainer Chad Brown On July 10

Superstar Thoroughbred trainer and Mechanicville native Chad Brown will be honored this summer at the 26th Annual Newton Plaza Siro’s Cup. Siro’s signature track-related fundraiser, which benefits the Center for Disability Services, will be held on Wednesday, July 10, right before opening day at Saratoga Race Course, which starts a week earlier than usual on July 11. The perennially popular Siro’s Cup will include live music, dancing and dinner stations with a special menu prepared by Siro’s itself, as well as a tribute to Brown’s accomplishments and a brief presentation to the award-winning trainer.

Brown’s rapid rise in the world of Thoroughbred racing is nothing short of a legendary, and much of his success has come right here in the Spa City. In 2008, Brown won the first race on opening day with the first horse he entered (it was his first-ever run at Saratoga Race Course). Over the last few years, Browns’ winnings total and fame have skyrocketed, with three consecutive Eclipse Award wins in the last three years, in addition to a 2017 win at the Preakness Stakes with Cloud Computing for his first Triple Crown leg win. Brown’s also recently set some impressive racing records: Last year, he won 20 Grade 1 races, more than any other trainer in North America, amassing a total of $27,546,057 in purse earnings, the second highest all-time amount by a trainer in a calendar year. (It’s no wonder Brown made saratoga livings Saratoga 20.)

Siro's Cup
The Siro’s Cup benefit has historically been seen as the unofficial kickoff to Saratoga’s summer social scene. (Dave Feiden)

“Chad Brown is a perfect Siro’s Cup honoree because of his strong commitment to the community and the horse racing industry, [and because] he supports charitable organizations such as the center,” says Anne Schneider Costigan, spokesperson at the Center for Disability Services. For 77 years, the nonprofit organization has been one of the largest providers of programs and services for individuals with disabilities living in Upstate NY. The center’s more than 80 locations annually assist around 12,000 individuals ranging from infants to seniors. The proceeds from the Siro’s Cup fundraiser will help fund a number of the center’s initiatives, including medical and dental equipment for its Center Health Care, repairs and upgrades at the Center’s Clover Patch Camp (a disabilities-friendly camp in Glenville), and renovations to St. Margaret’s Center, the center’s pediatric and young adult nursing facility.

Siro’s Cup serves as a traditional kickoff event to Saratoga’s summer social season. Like last year’s event, award-winning artist James Fiorentino will return to make a hyper-realistic painting for the honoree. The event begins at 6:30pm with live entertainment provided by Funk Evolution, and a unique menu created by the racing-season-only restaurant’s executive chef and staff. The tribute and presentation to Brown will be at 7:30 (guests can stay and dance till 11). Reservations to Siro’s Cup are $125 per person, $1,100 for a group of ten, or $150 at the door.

Proctors To Host The Inaugural Thomas Edison Regional Music Awards

On April 14, Proctors will host the inaugural Thomas Edison Regional Music Awards, or “Eddies,” an awards ceremony meant to amplify, empower and celebrate professionals within the Capital Region’s music scene. Sixty judges—local club owners, sound technicians, educators, journalists and performers—will judge approximately 80 nominees in 30 categories, including Solo Artist of the Year, Album of the Year, Concert Series of the Year and Best Venue. The public also has the opportunity to vote for a People’s Choice Awards in the Local Artist, Venue and Concert of the Year categories, and two Capital Region Music Hall of Fame Winners will be announced in the Artist Lifetime Achievement and Arts Educator or Contributions to the Area Music Scene categories.

The Eddies were partially inspired by the Syracuse Area Music Awards, or “Sammies,” which have been celebrating the music scene in Syracuse, NY, since 1992, per Proctors Collaborative Director of Marketing and Corporate Relations Jim Murphy, who spent most of his life living in the Syracuse area. “The Sammies have fostered countless collaborations and spotlighted hundreds of artists,” he says. “Members of our music community deserve [the same] experience.” So, with the help of colleague Salvatore Prizio, Program Coordinator at Proctors Collective, Murphy conceived of the Eddies.

The name “Eddies” derives from the awards series titular Thomas Edison, who invented the phonograph—a primitive version of the record player—and who laid the groundwork for what would become General Electric in Schenectady. Edison’s name was shortened for the purposes of the awards, Murphy says, because Proctors wanted something more “recognizable and pithy” than “The Capital Region Music Awards” or “The Albany Music Awards.” (“Eddie” was actually a working title for the Grammys before The Recording Academy [formerly the National Academy of Recording Arts and Sciences] decided to play on the word “gramophone.”)

The spirit of the Eddies is to recognize all of those who work so hard, day-in and day-out, to entertain the Capital Region and beyond,” Prizio says. “Just about everyone pushes themselves so hard in this business, and the Eddies present a moment for all of us to pause, celebrate and reflect on what we do, whether it’s an intern running cable or the biggest stars to come out of the area. We want to recognize that effort and celebrate each other.”

Tickets for the Eddies are $20 in advance and $25 at the door. They can be purchased at the Box Office at Proctors—432 State Street, Schenectady; by phone at 518.346.6204; or online at proctors.org. For a complete list of nominees, see below.

Solo Artist of the Year
The Age
Girl Blue
Sawyer Fredericks
Pink Noise
Sean Rowe
Buggy Jive

Solo or Duo Performer of the Year (Covers Category)
Alicia Bautista
Chris Dollard
Erin Harkes
Rich Ortiz
PJ Duo
Mia Scirocco

Alt/Indie Artist of the Year
Bear Grass
Blue Ranger
Girl Blue
Sean Rowe
The Sea The Sea
Wild Adriatic

Hip Hop/Rap Artist of the Year
Airline Jay
Entreband
Johnny 2 Phones
KATANI
Ohzhe
Promise the Unbreakable

Party Cover Band of the Year
The AudioStars
Funk Evolution
Garland Nelson and Soul Session
New York Players
The Refrigerators
Skeeter Creek

Jazz Artist of the Year
Michael Benedict Jazz Vibes
Teresa Broadwell Band
Cliff Brucker
Chuck Lamb
George Muscatello
Brian Patneaude Quartet

DJ of the Year
DJ Element
DJ Ketchup
DJ Siroc
DJ Tall Ass Matt
DJTGIF
DJ Trumastr

Country/Bluegrass Artist of the Year
Big Sky Country
Eastbound Jesus
Jim Gaudet and the Railroad Boys
The Gibson Brothers
Ramblin Jug Stompers
Skeeter Creek

Americana Artist of the Year
Annie and the Hedonists
The McKrells
Andrew Mirabile
The North & South Dakotas
Olivia Quillio
Red Haired Strangers

Rock/Pop Artist of the Year
The Abyssmals
The Parlor
Pony in the Pancake
The Sea The Sea
Victory Soul Orchestra
Wild Adriatic

Punk/Metal/Hard Rock Artist of the Year
Candy Ambulance
The Clay People
Drug Church
Hush
Prince Daddy & The Hyena
Sinkcharmer

Jam Band of the Year
Ampevene
The Deadbeats
Formula 5
Let’s Be Leonard
moePods
Ramblers Home

Blues Artist of the Year
Annie and the Hedonists
Mark Tolstrup
Wild Adriatic
Andrew Wheeler
Thomasina Winslow
Alana Wyld/Wyld Blu

RnB/Soul Artist of the Year
The Age
Garland Nelson
NXNES
Pink Noise
Souly Had
Victory Soul Orchestra

Electronica Artist of the Year
Apostrophe S
Sara Ayers
Bell’s Roar
Lip Talk
Phantogram
Silica Angel

International/World Music Artist of the Year
Taina Asili y La Banda Rebelde
Golfstrom
Jorge Gomez—Tiempo Libre
Heard
Alex Torres & His Latin Orchestra
Maria Zemantauski

Classical Artist/Ensemble of the Year
Albany Pro Musica
Albany Symphony Orchestra
Musicians of Ma’alwyck
Opera Saratoga
Saint Rose Camerata
Schenectady Symphony Orchestra

Folk/Traditional Artist of the Year
Dan Berggren
Curragh
Drank the Gold
Michael Jerling
The McKrells
Zan & The Winterfolk

Music Video of the Year
Buggy Jive—This Is Not a Pipe (for Rene Magritte)
The Clay People—Colossus
Sawyer Fredericks—Hide your Ghost
The Gibson Brothers—Everybody Hurts
Girl Blue—Dreams
Geoff Gordon—Interlude
Ohzhe—Been Busy
Wordthethirdeye—Shake Well

Album of the Year
Bear Grass—LEFT
Bell’s Roar—We Carry Us
Blue Ranger—Saving a Beauty
Elrod + MotherJudge—Cold Warrior
The Gibson Brothers—Mockingbird
Ohzhe—Godly
Mark Tolstrup—Northstar
Wild Adriatic—Feel

Record of the Year
The Age—”Falling in Love is a Dangerous Thing”
Buggy Jive—”This Is Not a Pipe (for Rene Magritte)”
The Gibson Brothers—”Lay Your Body Down”
Girl Blue—”Lolita”
Geoff Gordon—”Bad Love”
KATANI—”Unity”
The McKrells—”My Big Old Broken Heart”
Sean Rowe—”I’ll Follow Your Trail”

Outward Bound Artist of the Year
Another Michael
Don Dworkin
Hand Habits
Lip Talk
David Malachowski
Phantogram

Promoter or Presenter of the Year
Bee Sides Cassettes
Greg Bell (Guthrie Bell Productions)
Chateau Shows
Ted Etoll (Step Up Presents)
Mona Golub (Music Haven Concert Series)
Super Dark Collective

Radio DJ of the Year
Brian and Chrissy WGNA
Jimmy Barrett WAIX
Andy Gregory WEXT
Bill McCann WCDB
Jeff Morad WEQX
Chris Wienk WEXT

Concert Series of the Year
Alive at Five
Brown’s Summer Sessions
Capital Records Live!
Music Haven Concert Series
Rockin’ on the River
Super Dark Collective

Live Production Crew of the Year
824 Productions
Denis Entertainment Group
Empire Audio
High Peaks Sound
Live Sound Inc
Specialized Audio-Video Inc.

Arts Publication of the Year
The Chronicle
nippertown.com
nysmusic.com
Preview (Times Union)
The Spot 518
Ticket (Daily Gazette)

Music Journalist of the Year
Katie Cusack
Joseph Dalton
Michael Hochanadel
J Hunter
Jim Shahen
Don Wilcock

Best Venue Small (up to 350 people)
Caffé Lena
The Hollow Bar + Kitchen
The Linda
The Low Beat
Nanola
The Strand Theatre

Best Venue Medium (350-999 people)
Cohoes Music Hall
The Egg
GE Theatre at Proctors
Jupiter Hall
Putnam Place
Van Slyck’s—Rivers Casino & Resort

::Read saratoga living‘s feature on the area’s top venues::

Best Venue Large (1,000 people and up)
The Palace Performing Arts Center
Proctors
Saratoga Performing Arts Center
Times Union Center
Troy Savings Bank Music Hall
Upstate Concert Hall

Best Live Festival Large Format
Albany Riverfront Jazz Festival
Albany Tulip Festival
Jazz at the Lake: Lake George Jazz Weekend
Larkfest
Old Songs Festival of Traditional Music & Dance
Pearlpalooza

Best Live Festival Small Format
Babe Fest
Bee Side Fest
Eastbound Throwdown
GottaGetGon Folk Festival
The Summit
Super Dark Collective Halloween Prom

Photographer of the year
Ed Conway
Stanley Johnson
Rudy Lu
Andre Pilarczyk
Shannon Straney
Kiki Vassilakis

The Calendar: Everything To Do In Saratoga On St. Patrick’s Day Weekend

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This Sunday marks St. Patrick’s Day, and Saratoga Springs is sure to be awash with revelers clad in green, downing pints and corned beef sandwiches at every turn. It’s one of those “unofficial” national holidays that both (heavy) drinker and teetotaler can enjoy. And Saratoga’s bars, restaurants and venues have a ton of events planned. So many that we’ve broken them down into three main “editor’s picks,” then everything else in between.

For those sticking around the Spa City this weekend, not only will there be tons of great food and brews to celebrate (see below), there will also be a St. Patrick’s Day Irish Music Workshops with the Grady Girls at Caffè Lena on Saturday, March 16. Starting at 1pm, this workshop allows guests to choose one of four traditional Irish instruments to learn. Pick up the Irish fiddle with Oona Grady; learn a tune by ear on the Irish flute and tin whistle with Marie De Mott Grady; get an introduction to the Irish frame drum, the bodhrán, with Leah Grady Sayvetz; or learn to strum and accompany in DADGAD guitar tuning (a common guitar tuning in Irish music) with James Gascoyne. Workshops are $20 apiece. Also in honor of St. Patrick’s Day, Caffè Lena will host Little Folks Show with the Grady Girls at 1pm on Sunday, March 17. Don’t miss a chance to hear these traditional Irish instruments played by professionals.

It would also be a shame to miss Sham “Rock” The Block, a two-day affair spanning Saturday 1-4pm and Sunday 12-4pm, in Lake George Village. On Saturday, expect a keg-tossing contest and pub crawl, plus live performances by Wild Irish Acres Step Dancers, Forthlin Road and a U2 cover band (with some Beatles and The Rolling Stones tunes thrown in the mix). For Sunday, enjoy pony rides (for the little ones), a big St. Patrick’s Day parade at noon and more live music by Triskele and Stout Boys.

Speaking of parades, the biggest one in the Capital Region will be the 69th Annual Albany St. Patrick’s Day Parade. The parade starts at 2pm on Saturday at the corner of Quail Street and Central Avenue and ends at State and Broadway. The parade is free to attend.

Of course, this is just scratching the surface. Get your green gear ready and check out these other great events this weekend.

Friday, March 15

45th Annual St. Patrick’s Day Bowl-A-Thon – $20 per person, 9:30am-5pm at Boulevard Bowl in Schenectady.
St. Patrick’s Day Weekend at Adirondack Winery – All weekend (March 15-17) at Adirondack Winery’s tasting room in Lake George Village.
St. Patrick’s Day Celebration – All weekend with live music at the Nostalgia Ale House and Wine Bar in Malta.

Saturday, March 16

St. Patrick’s Day Weekend at BWP – Saturday and Sunday at BWP in Saratoga.
Hair of the Dog Benefit Concert – 6-9pm at the Charles R. Wood Theater in Glens Falls.
St. Patrick’s Party at 2 West – 12:30-5pm at 2 West Bar & Grille in Saratoga.
St. Patrick’s Vendor Fair – 10am-4pm at the Holiday Inn Resort in Lake George Village.
St. Paddy’s Bash with FUNK EVOLUTION! – 8pm – 12am at Saratoga Winery in Saratoga.
Irish Soda Bread Culinary Arts for Kids & Family – 12:30-2pm at the Art in Mind Creative Wellness Studio in Glenville.

Sunday, March 17

St Patrick’s Day at The Parting Glass! – All day, 11-12am at The Parting Glass Pub in Saratoga.
13th Annual Kegs n’ Eggz Party – 10am at the Saratoga City Tavern in Saratoga.
St. Patrick’s Day at Harvey’s – 11am at Harvey’s Restaurant & Bar in Saratoga.

 

 

Saratoga Race Course 2019: Grandstand And Clubhouse Season Tickets Go On Sale March 19

The summer meet at Saratoga Race Course is almost here. On Tuesday, March 19 at 10am, the New York Racing Association, Inc. (NYRA) will start selling full-season Grandstand and Clubhouse ticket plans for the 2019 meet at Saratoga Race Course. Full-season tickets will include admission to all 40 days of the meet (that’s eight weekends!), plus a reserved seat either in the Clubhouse or Grandstand. The season ticket packages for both will be available to the general public online through NYRA Account Manager.

“A season ticket plan is the ideal way to ensure a seat for all 40 days of the racing action at Saratoga this summer,” says Lynn LaRocca, NYRA Senior Vice President and Chief Experience Officer. “With options in the Clubhouse, Grandstand and The Stretch, there’s a unique experience and viewpoint to be had for all of our guests.” The Stretch, which debuted last summer, is a hospitality area that features hi-tech amenities, a full-service kitchen and bar and some of the best views of the horses rounding the final turn of the track. Full-season plans for reserved seats at The Stretch are already available and can be purchased by phone or via email. Also, the newly built three-story 1863 Club will be open for business, with a bevy of luxury options (luxury suites are now available via a weekly plan, starting at $20,250 apiece; 30 and 45 capacity suites are also available).

All season ticket plan holders will automatically be enrolled in the Saratoga Season Perks program. This free rewards program includes discounts at the track as well as quite a few at participating off-track locations, such as local restaurants, businesses and entertainment venues. Discounts at off-track locations are valid from June 1, 2019 through March 31, 2020, with a Saratoga Season Perks card. As if that wasn’t a sweet enough deal, those who purchase a season ticket will also be guaranteed a Saratoga premium giveaway item on one of the track’s giveaway days.

The 40-day summer meet at Saratoga Race Course will begin on Thursday, July 11 and run through Labor Day Monday, September 2, featuring five races a week. Regular season passes will go on sale Tuesday, April 2 and will include admission to all racing days (however, a reserved seat is not included). A 2019 Grandstand season pass will cost $50 and the Clubhouse one, $75.

Century House’s ‘Enjoy One, Share One’ Program Closing In On 1 Million Meals Served To The Capital Region’s Needy

Serving 1 million free meals in just ten years might seem a little bit ambitious to some, but for one Latham-based nonprofit, it’s going to be a reality by the end of the year. That’s what The Century House‘s sustained-giving food program, “Enjoy One, Share One,” is on track to do.

If you’re unfamiliar with The Century House, besides being a hotel, it’s also a popular restaurant and event space. In 2009, it founded “Enjoy One, Share One,” which helps fight hunger in the Capital Region through a partnership with the Regional Food Bank of Northeastern New York. The food bank takes food donations from partners in the industry—like The Century House’s restaurant—and distributes them to the poor and hungry in 23 counties in New York State, from Plattsburgh all the way down to Newburgh, south of Poughkeepsie.

The Century House’s food program is simple but effective: It allows guests to participate without any additional costs to them. For every person who stays a night at The Century House or who orders an entrée in the restaurant, “Enjoy One, Share One” donates a portion of those funds to the Regional Food Bank. There’s even a “Book of Giving” at The Century House, which guests can sign as a reminder of their charitable donations. At last count, Enjoy One Share One has helped provide more than 950,000 meals to those in need in the Capital Region. “We are on target to meet our 1 million milestone later this year,” says Maribeth Livingston, The Century House’s Director of Marketing. “The program has had a huge impact on our community, but the community has also been so supportive of both our business and the program.”

The “Enjoy One, Share One” program was the brainchild of The Century House’s Managing Partner, Colin DeMers, who wanted to create a business model that could double as a socially responsible, sustained-giving organization. “What’s great about the program is that by simply coming to The Century House and enjoying a meal, guests are helping to alleviate hunger in our community,” says Livingston. In addition to “Enjoy One, Share One,” The Century House also organizes several free meals for nearby homeless shelters and food kitchens.

Besides its one-millionth meal milestone, The Century House’s “Enjoy One, Share One” program is also celebrating its 10th anniversary this year. “We’re currently discussing several options that would allow us to engage with both staff and the community, and provide us with an opportunity to thank guests for their support,” says Livingston. An anniversary celebration is slated for later this spring or summer.

Daily Racing Form: Under Watchful Eyes, Main-Track Training Resumes At Santa Anita

ARCADIA, Calif. – It almost seemed like business as usual early Monday morning at Santa Anita, where the main track opened for training for the first time in six days.

Yet even before veteran mare Paddy Jean stepped onto the track at 5 a.m. and became the first horse to gallop or jog on the main oval since it was closed last week, reminders were everywhere that the environment has changed.

Monday mornings typically are quiet, but television crews from ABC and CBS affiliates remained stationed at Clocker’s Corner in the pre-dawn darkness. Santa Anita racing executives, including Tim Ritvo, monitored training track workouts and light exercise on the main oval.

And when the lighting system unexpectedly went off at 5:10 a.m. and stayed dark for more than 10 minutes, the atmosphere became eerie. It was almost fitting. Santa Anita suspended racing last week after the 21st equine fatality, and the spotlight has been on the racetrack since.

Unnoticed by many, one racehorse that was galloping was vanned off the main track early Monday, perhaps during the blackout. The incident was not serious, according to trainer Phil D’Amato, who was in Florida. After speaking with his help, D’Amato said via text that it was his understanding that a pony kicked the horse, who was “comfortable” after returning to his stable.

Even while the racing industry in Southern California remains under intense scrutiny, positive signals emerged Monday. Trainers were encouraged by the condition of the main track, which was open for joggers and gallopers. Meanwhile on the training track, 133 horses posted timed workouts. Those were the first works at Santa Anita since last Tuesday, March 5. Santa Anita announced that day that racing would be suspended indefinitely pending examination of the main track. The track announced over the weekend that racing would resume Friday, March 22.

According to Ritvo, chief operating officer of The Stronach Group, which owns Santa Anita, workouts on the main oval should resume later this week.

“We’re getting good reviews” of the main track, Ritvo said. “We’re going to watch everybody come back today. If everything goes good, it could be Wednesday or Thursday.”

Monday’s training-track workouts also were the first since Santa Anita initiated safety protocols that require trainers submit workout requests a day in advance. The idea is to flag potentially high-risk horses. The racing office was flooded with requests for Monday works.

“We got around 150 requests, which was a big surprise,” Ritvo said. “We went through the entire list and identified about 12 [high-risk horses]. We’re looking at long gaps and horses that have not raced [or worked] in a long time.”

Officials contacted trainers of the 12 horses, none were publicly identified, and asked the trainers to postpone those workouts pending further examination.

Horses that worked Monday on the training track included graded stakes winners Next Shares, Caribou Club, and Selcourt. Other notable workers were Campaign, Mucho Unusual, and La Force.

Many believe an unusually wet winter contributed to the alarming increase in the number of equine fatalities. The weather cleared over the past four days, allowing surface expert Dennis Moore to evaluate and condition the surface.

Moore recently rejoined the Santa Anita maintenance team to work with track superintendent Andy LaRocco, whose task this winter was difficult.

“Andy and the crew did a great job taking care of the track,” Moore said. “Nobody could have done anything different than what they were doing. You had storm after storm, so you had no time in between to do anything.”

Although the safety of racing surfaces often is questioned when fatalities spike, Moore contends there are many other factors to consider.

“Fatalities, to me, are multifactorial,” he said. After reviewing data and multiple inspections of the track, Moore said, “Nothing stood out. There was no smoking gun.”

With recent dry weather, and no training on the main track, Moore and LaRocco have restored the surface. This was not possible during periods of continued rain such as this winter, when clay and silt (called fines) that bind surface material are washed to the bottom of the track.

Moore said with rototilling and harrowing, crews have been able to bring the “fines” back up into the racing surface. In a way, it regenerates the surface.

“Right now, the track is like it was in October,” Moore said. “During the fall meet, we did not have a single fatality in the morning.”

This story originally appeared on DRF.com


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